“... against the quiet obscurity that satisfied Emily Dickinson, her near contemporary. She married Richard Stoddard, a fervent would-be poet who was never to falter in his support of her aspirations, moved to New York, and cultivated bookish acquaintances. Money was always short, largely because she spent more than she earned. Much of her writing was directed ...”

“... for the Egoist, and on which Knox drew for his parody (it begins: ‘To-night again the moon’s white mat/Stretches across the dormitory floor’) – a sixteen-year-old French boy recalls escaping from boarding school to go to the circus. ‘The black clown, with his dirty grin/ Lay, sprawling in the dust, as She rode in’:She laughed at the black clown ...”

“... bleached and drained of blood by the ruins, basilicas and colossi of Rome, those ‘long vistas of white forms whose marble eyes seemed to hold the monstrous light of an alien world’. For the new Mrs Casaubon, Rome’s spiritual splendour, its role as historic centre, could only suck the colour from the present day, and I wondered, looking at those two ...”

“... ruined the interior.) I was overwhelmed. The photograph had naturally been taken in black and white; and my memory, feeding on such images as this, had begun to see my childhood in the same way, monochromatically. The colours of my history had seeped out of my mind’s eye; now my other two eyes were assaulted by colours, by the vividness of the red ...”

“... the tradition by issuing one counterfeit version after another of events in Kosovo. Since Richard Holbrooke, Washington’s Balkan fixer, brokered a rickety ceasefire last October, Milutinovic’s arguments have come with a plausible lustre – he invokes the UN Charter, the sovereignty of member states and so on – but his latest observation, that ...”

“... to that king of the métier Leo Castelli, he was ‘a superb dealer’; among leading artists, Richard Hamilton says that ‘Robert’s was the best gallery I knew in London,’ Ellsworth Kelly that ‘he was a very courageous and flamboyant dealer,’ Claes Oldenburg that ‘Robert really had an eye for draughtsmanship. Very few dealers have.’ He also ...”

“... important, non-commercial – Southern blues singers. Music-business bookers like Moe Gale, the (white) owner of the Savoy Ballroom in Harlem, could be as perceptive in judging future talent, when it came their way, as John Hammond, the greatest of the talent scouts of the decade, though they ranged less widely. What the Left did was – deliberately and ...”

“... most populous and wealthy cities, lost little time in dividing themselves into Black Guelfs and White Guelfs, who would then fight each other with the same intensity and ferocity as they had previously fought the Ghibellines. Santagata’s account of how this schism came about and how the terms ‘black’ and ‘...”

“... warfare’ as ‘the supreme proof of manhood’. That manliest of men, the Elizabethan hero Sir Richard Grenville, dining with the Spanish sea captains who had captured him, proved the robust superiority of the Englishman to the Don by chewing his wineglass and swallowing the pieces, ‘the blood pouring out of his mouth’. But this military ideal ...”

“... that cartoon for long enough; a typical effort, as one of them said, would show Mr Punch in white flannels greeting a cricketing kangaroo with ‘Oh, jolly well played, sir!’ It is not a subject on which one likes to dwell. But Punch paid well, which was a valuable bonus when one’s income fell to a shilling a day in time of war; and its prestige was ...”

“... Richard Cobb, who died last year at the age of 79, began his career as a historian of Revolutionary France. When I first met him, in 1968, he was widely thought to be able to write only in French, but as time went on a strong personal vein and a taste for high comedy widened the scope of his writing and revealed a highly distinctive English style: intricate perceptions and sensations set down in long, baroque sentences, full of Gallicisms, argot and incantatory lists of French and English place-names ...”

“... 1981, and the death penalty was not formally abolished until 1987. This is the capsule version of Richard Evans’s important new book, trying to do justice to which makes one feel like a hapless contestant in Monty Python’s summarising-Proust competition. The central theme is clear enough: capital punishment was and is the symbol of political ...”

“... Quayle’s buddy Robert Owen, firing off memos from his state-of-the-art crisis centre in the White House. And then there was Oliver North the thug, drafting directives that authorised CIA operatives ‘to “neutralise” terrorists’, supporting ‘pre-emptive strikes’ against Arab states or leaders whom America thought responsible for such ...”

“... Sylvester explains that he became interested in art when, at 17, he was fascinated by a black and white reproduction of a Matisse. He at once began to paint in oils, but soon discovered that he lacked talent and began to write about art instead, devoting himself thenceforth to the black and white of the page. A left-wing ...”

“... finds that Gilded Age Administration less corrupt than had been believed. The Conservative pundit Richard Brookhiser gave us Founding Father: Rediscovering George Washington (1996) in order to paint a portrait of integrity and rectitude as an exemplar of what was wanting in the Clinton White House. Books about Franklin ...”