At Tate Britain
Inigo Thomas: Frederick Swynnerton, 21 January 2016
“... Denbigh’ by Anthony van Dyck (c.1633) In her introduction to the catalogue, the curator Alison Smith says it’s ‘an anomaly that having laboriously assembled over the course of centuries the world’s largest empire, the British … should have been so reticent in making any great claim for their art. Indeed, compared to the antique remains of Rome, or ... ”