“... Barrier of Blue, Red and Blue Fluorescent Light (to Flavin Starbuck Judd), and with word pieces by Lawrence Weiner on two of the walls. The ghostly lunar light fills the coved ceiling of the room and caresses the gilded ornament, while in Gallery Nine the shape of the coved ceiling is perfectly echoed by that of the Morris cage. Both rooms provide an ...”

“... laid out in the discourses he delivered as President of the Royal Academy. It was re-created by John Barrell in his influential Political Theory of Painting (1986). Drawing on J.G.A. Pocock’s politics of civic humanism, Barrell replaced the two traditions of painting with a tradition of academic theory – from Shaftesbury to Reynolds and so on – which ...”

“... his own valuation. His successes came by appealing over their heads. Literary people like T.E. Lawrence and, later, his brother; Shaw (despite the differences over his portrait); and Cyril Connolly were more likely than sculptors or painters to be Epstein’s advocates. His commercial success depended on a few patrons, above all ...”

“... that he did not think much more highly of Forster’s work than he did of Galsworthy’s. The only Lawrence he is recorded to have read is Lady Chatterley, from which, like the unlearned readers who had heard that his Manilius contained a scurrilous preface, he doubtless hoped to extract a low enjoyment. Mr Graves is artlessly surprised at his having read ...”

“... appeal. Where Sampson wants to make the ‘revolution as bloodless and manageable as possible’, John Saul is primarily concerned with its socialist outcome.* His account deals with familiar instances of repression and resistance, which he tends to romanticise as only foreign sympathisers can. It smacks of condescension when a tenured Toronto academic ...”

“... Spirits’. Empson’s fullest exploration of this subject remained unfinished. The editor, John Haffenden, has stitched together the various drafts that he left behind and has given the somewhat unwieldy result the title ‘The Spirits of the Dream’. In A Midsummer Night’s Dream, Puck meets a fairy in the Athenian wood and asks her where she is ...”

“... University Press, which long ago set a standard for editing novelists with its multi-volumed D.H. Lawrence. The extent and minuteness of the labours of Todd and Bree, both in this volume and throughout the series, are almost painful to contemplate. It used to be taken as obvious that the aim of an editor was to represent as far as possible the final wishes of ...”

“... is with the physiological and psychological limits of man,’ the IG convener, curator and critic Lawrence Alloway wrote of the figures. ‘These limits have been widened lately, with concentration camps, exposure at sea, the pressure of -45 gravities. It is to find an image of man tough enough and generalised enough to stand up in this environment that ...”

“... of Croydon as a Motif in English Literature’, and log every instance, all the way from D.H. Lawrence and Anna Wickham through John Betjeman to Martin Amis, of one single placename’s use to connote a vast tundra of anodyne, apathetic anonymity. Here, though, Croydon is exactly where you’d expect Lodge to make his ...”

“... of energy and his paranoia – Campbell resembled two other, more important contemporaries, D.H. Lawrence and Wyndham Lewis. And like them at their least controlled, he demonstrated in his life and work two basic points: that energy alone, taken as a human value, leads to something very like fascism; and that paranoia is fatal to even the most gifted artist ...”

“... them in the Forties. Though she would one day teach writing at Columbia, Syracuse and Sarah Lawrence, she had little formal education. In the mid-Fifties Paley became a political activist of more than ordinary idealism and commitment, rare for any American writer: she helped organise one of the first abortion ‘speak-outs’ in the United States, in ...”

“... of Louis XIV’s Paris made endless risible plans for the ‘French’ community in the St Lawrence estuary. But it is unlikely that any or all of this would have worked without an idea of synchronicity to which the authors of this volume make only glancing reference. Here we may recall, not only the existence of a long-established world-chronometry ...”

“... not grapple, as we might have expected, with the literary competition – with Dickens, Eliot or Lawrence – but rather with the alleged critical assassins: Carl Weber (‘a boorish vulgarian’), Robert Gittings (‘unscrupulous’), Richard Purdy (‘incapable of psychological insight into sexual matters’) and Michael Millgate (‘prim’), the devoted ...”

“... Their shared liking for new writing did much to lighten the gloom. Siegfried Sassoon and T.E. Lawrence became valued friends. There were many literary callers – Edmund Blunden, E.M. Forster, Leonard and Virginia Woolf, H.G. Wells, Rebecca West, John Drink water – and Florence took an eager interest in their ...”

“... came his 1948 book The Other Side of the Hill (a quotation from the Duke of Wellington, who told John Wilson Croker that he had ‘spent all his life guessing what was on the other side of the hill’). This was military history from the opposing army’s perspective and with the politics and ethics left out. General Sir Percy Hobart, the most cussed of the ...”