“... toxic tort suit against ‘Big Sugar’ but ‘Marge’s Law’ is soon subverted. When Homer himself becomes a sugar bootlegger, Marge realises she can’t win against the dark forces of carb-addiction and gives up. The metabolic science that is said to underpin the addiction story, and that justifies Atkins’s regime, is by now reasonably ...”

“... memorials try to include everyone, victims and perpetrators, from all sides of the conflict. Homer honours the dead on both sides in the Trojan War and he gives us more than two hundred names – Alice Oswald opens her fine ‘excavation’ of the Iliad, which is explicitly called Memorial, by listing them. But this list, horribly long as it is, does not ...”

“... his mouth opening and closing like a fish caught in a net.’There are echoes in this killing of Homer and Aeschylus. And Marriott’s note tells us that his title is taken from Simone Weil’s ‘The Iliad, or, The Poem of Force’, an essay that works out why, in Baldwin’s phrase, whatever goes up must come down. For Weil, ‘those who have force on loan ...”

“... with a great many more to come. So far, Shaw is absent from a list which includes Dickens, Homer, Dante, Rousseau, Goethe, Woolf, Constant, Balzac, Mann and Tolstoy: so it is as well that he is being taken care of ...”

“... of her? Lauded throughout classical antiquity as the ‘Tenth Muse’ and greatest poet next to Homer, Sappho is believed to have lived on the Greek island of Lesbos some time around 600 BC. Plato and Aristophanes mention her; in ancient Rome, Horace and Catullus wrote famous imitations of her verses. Some six hundred years after her death, her renown was ...”

“... epic verbal landmarking, in the same way that prepared phrases keep on coming back in Virgil and Homer. Sandy had ‘a bit of strife parking the vehicle’ on his first record, Wild Life in Suburbia, back in 1959. He has had a bit of strife parking the vehicle ever since, often several times in the same monologue, when the announcement that there was a bit ...”

“... culture starts, women’s voices are not being heard in the public sphere; more than that, as Homer has it, an integral part of growing up, as a man, is learning to take control of public utterance and to silence the female of the species. The actual words Telemachus uses are significant too. When he says ‘speech’ is ‘men’s business’, the word ...”

“... to see the beauty of palm trees: a prolonged meditation on the tree as it appears in the world, in Homer and in the paintings of Matisse. But Scarry stretches language too far when she says that her earlier indifference to the palm tree was an error. To make an error I must be unable to acknowledge something of which I should have been aware. But what of ...”

“... place of Orion and the hare in the sky is fixed, but the myth of the giant hunter is not stable. Homer, Ovid, Boccaccio and the 16th-century poet and mythographer Natalis Comes all wrote about Orion. He appears in the account of the skies written by Hyginus in the second century AD. Keats wrote of ‘blind Orion hungry for the morn’ in Endymion, while ...”

“... often considered a popular, jobbing writer, were literate in Greek. Chapman, of course, translated Homer. Pollard’s case is sometimes circumstantial and often complicated by the possibility that what looks Greek has in fact been drawn from Latin. One of her claims, building on the work of others, is that Greek tragedy was often accessed through Greek/Latin ...”

“... written in a long and distinguished career. A Little History of Poetry canters from Gilgamesh and Homer to Mary Oliver and Les Murray in three hundred pages with a breezy sense of mission, assuming in the reader no previous acquaintance with the subject (‘Confessional poetry is poetry that reveals personal confidences, especially relating to mental illness ...”

“... to the Wheatleys, Phillis began writing out of ‘curiosity’ and acquired small Latin. She knew Homer in Pope’s translations, and her poetry indicates some learning in geography and history. She continued writing in her ‘leisure Moments’ without any intention of publishing, or so the preface to her book later claimed. She was ...”

“... in the front rank was beautiful, to be commemorated as such; but Greek art and literature from Homer onwards never stopped reflecting on the reality – the physical price – of glory. The Met kouros is mighty and vulnerable. Maybe this, most deeply, is what prolongs the nervous laughter in the gallery. The young man’s ‘equipment’ is fabulous. But ...”

“... at p. 37, ll. 407ff.; Milton’s ‘L’Allegro’ and ‘Il Penseroso’ at p. 58, ll. 26ff.; Homer, Pliny and Boileau (and Addison and Johnson) on pygmies and cranes at p. 181, ll. 266ff. (also p. 328, ll. 159ff.); Boileau’s ‘De Paris au Pérou, du Japon jusqu’à Rome’ (also a source of Johnson’s ‘China to Peru’) at p. 340; the menstrual ...”

“... contemplate. Yet it is striking that there is one area where the film-makers made the character of Homer Parrish less functional than the actor who played him. Russell could put on his prostheses by himself, and wasn’t helpless without them. Could anything signal more clearly the reassuring fact – in this context – of impotence? The character’s ...”