“... ask to see it. A dead mouse I will look at. He says ‘There’s someone else,’ and holds up a black silk glove. I have to wonder how Arthur can be so thick as to prefer his word-processor to delicious Winnie, but then he is merely a fictional example of the general rule that in affairs of the heart boys will be buffoons. A buffoon is the central figure ...”

“... Tory) can put his case lucidly and rationally. But the impression darkens upon reading Christopher Homm, a novel technically interesting in that it proceeds chronologically backwards from its central character’s senility in the opening chapter to his birth in its last, and which I have seen promoted as a major work, but which for me has the ...”

“... to those who have one without the other. Those who have both will find that, among contemporaries, Christopher Reid and Michael Hofmann are classified as love poets but Craig Raine and Tony Harrison as blue versifiers. Only a few poets make both, including Seamus Heaney, who has two poems unworthy of him in the Whitworth (one about unfreezing a vaginal ...”

“... as often. The unexceptionably level-headed hermogenean observation (set against the black insanity of family vendetta in Verona) is deliberately put in a form which seems designed to provoke a cratylic response from the more literary listener or reader: ‘If a rose were called a “stink-wort” I’m not sure that it would smell quite as ...”

“... table, McCullers tinkering manically with The Member of the Wedding. One day he breezed into Christopher Isherwood’s Santa Monica home, and Isherwood was entranced. ‘Tennessee is the most relaxed creature imaginable: he works till he’s tired, eats when he feels like it, sleeps when he can’t stay awake.’ Isherwood went on to describe the park at ...”

“... and Crafts movement shifted aesthetes’ attention away from great houses to country cottages, black and white farmhouses, and small manor houses like Kelmscott. The past celebrated by William Morris or C.R. Ashbee was one of homeliness, craftsmanship and simplicity. Its location was the cottage and the village green, not the great hall and the long ...”

“... his years. Memoirists of his schooldays speak of him as having been almost spookily unboyish. Even Christopher Isherwood, who later on would enjoy noting his friend’s ‘stumpy, immature fingers’ and ‘babyishly shapeless’ ankles, found it hard to view him with full-hearted condescension: ‘I remember him chiefly for ... his smirking, tantalising air ...”

“... Imposture, how it burns, through generations: how it is burnt up; for a time. The World is black ashes; – which, ah, when will they grow green? Readers brought up on the cadences of the Old Testament, even on Milton, may have found this easier to respond to than we do. Carlyle’s own prose is rather like the uncontrollable fires it ...”

“... of doubt that was lost in his transcription. Now, in a new critical edition by Ian Forrest and Christopher Whittick, the visitation book is available in full translation for the first time.* As they write: ‘It is not an objective record of what was happening in medieval parishes, being in fact much more fascinating than that.’ In 1397 the visitors ...”

“... for what uttered the words was a kind of swimming agglutination of mascara, rouge, green tinting, black teeth, and hair like the plumage in a deserted crow’s nest.’ On stage in private performances, virtually naked, he makes a marginally better impression: ‘He surprised us by leaping without the least warning, almost like an athlete, to the very front ...”

“... By the late Seventies an organisation called the Violet Quill had formed, and its members – Christopher Cox, Robert Ferro, Michael Grumley, Andrew Holleran, Felice Picano, Edmund White and George Whitmore, together with the film critic Vito Russo and the editor and academic George Stambolian – began producing books whose examination of gay ...”

“... inch a mandarin’ – and the political scientist Colin Leys. Qualified praise goes to Christopher Hill; there are fond memories of Tariq Ali (who contests one or two details in the memoir). Johnson remembers Hodgkin, a dogged adversary of Pretoria, refusing to sign a petition in favour of anti-apartheid activists who’d torn up the cricket ground ...”

“... in Guitar and Mandolin on a Table? Is not Picasso Nietzsche’s painter? ‘Nude on a Black Armchair’ (1932). Focused on half a dozen paintings from the interwar years, Picasso and Truth is suffused throughout with the sombre glory of Nietzsche’s twilight. Eloquent, confrontational and often disarmingly simple, Clark’s writing moves ...”

“... on Truman Capote’s account of a quadruple murder in rural Kansas, the film was shot in vérité black and white and used the actual locations where the killings took place. But the true crime genre has a much longer lineage. More than four centuries ago a series of plays closely based on real murder cases appeared on the London stage. Their literary quality ...”

“... Persons, the first volume of his celebrated Commentaries on the Laws of England (1765-69), William Black stone concluded his account of how the law makes a husband and wife one person by suggesting that the legal disappearance of the married Englishwoman was effectively a tribute to her sex. ‘These are the chief legal effects of marriage during the ...”