At the National Gallery
Julian Bell: Beyond Caravaggio, 15 December 2016
“... in 1603. His response couldn’t have been more terse: ‘to imitate natural things well’. The self-cancelling brushstrokes ‘belonged not to him, but to nature’, he is also reported to have said. Minimal directives like these don’t close the discussion, however – they provoke it. What, then, is nature? Does it extend to the textures of ... ”