“... affects everything else. I play a shitty bass guitar – open it up and it looks like someone took sandpaper to the wiring – and in every practice space and venue there’s a new interaction between my bass and the system or the room, a buzz or click or the sound of some radio transmission. Try to get clean, balanced sound that will soothe or terrify ...”

“... and was met by a near unanimous lack of critical acclaim. The screenplay was based on a novel by John Masters (1914-83), who had served in the British army in India before and during the Second World War. Masters’s family had had a relationship with India stretching back five generations; I have been told by elderly Indian army officers who served with him ...”

“... back for a good long while. I don’t know that he’s still not over it. Fifty Septembers ago, John Steinbeck set out across America with his old standard poodle Charley as company. It was election season, as it was this September: Nixon-Kennedy. Steinbeck was 58, younger than the Maestro and myself, and near the end of his life. One can feel it in his ...”

“... the fittedness of eyes, wings and so on to their offices. Paley’s version of the design argument took organic adaptation to be decisive evidence for the existence of a benevolent overseer. British biologists have often portrayed Darwin as having refuted the conclusion of the argument from design, without challenging its premises. Nature may be well ...”

“... bequest, he could have exploited the resources of the exhibition for far longer than he did. By John Snell’s bequest of 1677, 12 exhibitions were endowed for students from Scotland to study at Balliol for periods of private study lasting up to 11 years, with the requirement that exhibitions be given to Scots who would take holy orders in the Church of ...”

“... reluctant protagonists for months and sometimes years until they agreed to talk to her. What it took to win the trust of the family, and the redemptive results of her persistence, are important aspects of her investigation, as revealing about the rights and wrongs of different kinds of opportunism – scientific, journalistic, voyeuristic – as anything in ...”

“... Dante, Michelangelo and Shakespeare did, as well as more recent experimenters such as Hopkins, John Berryman or the sub-Prynnean Tony Lopez. Donne and Hopkins used sonnets as vehicles for religious anguish because it’s so easy to suggest that they’re buckling under pressure, that the spirit will not run true to the form, or to God. The sonnet has a ...”

“... fair book, but I cannot believe that its subject would have liked it any better than he cared for John Campbell’s 1993 biography, Heath’s own copy of which is scrawled with angry marginalia – ‘Nonsense!’, ‘No!’ and ‘Wrong!’ Campbell’s book was less alluring in style, more detailed in its accounts of interminable ...”

“... was then that the ideas of the artist as great original and the artwork as absolutely unique first took hold. Yet it is precisely this ‘authorial’ notion of the artist and this ‘performative’ model of the work (that is, as ‘the product of a singular historical performance’) that Nagel and Wood want to put into question. ‘Since the late 15th ...”

“... unlike today’s – held that capitalism would eventually produce economic and social equality. John Stuart Mill, one of its champions, declared that if it didn’t, he would become a socialist.) Macaulay’s History of England now reads obviously as a document of its time; which is the way it is usually treated, if it’s included, in history courses. As ...”

“... what he’s set in motion. ‘As a fiction writer,’ he said in a 1978 debate with the novelist John Gardner, ‘you hope that the amount of meaning that you can pack into the book will always be more than you are capable of consciously understanding. Otherwise, the book is likely to be as thin as you are. You have to trick your medium into doing far better ...”

“... was a bit (or more than a bit) of a rogue, as, variously, Greer, Ackerley, David Cornwell (a.k.a. John le Carré) and Tobias Wolff did. Ackerley’s left two letters, ‘to be read only in the case of my death’, in which he revealed his ‘secret orchard’: the mistress and three daughters he’d been hiding for many years. Ackerley’s first reaction to ...”

“... for Doris Day, the moment from which her longheld stage fright sprang. ‘This shy goddess,’ John Updike once wrote, ‘who avoids parties and live audiences, fascinates us with the amount of space we imagine between her face and her mask.’ The images of Doris Day (that blonde hair, those white teeth) and her personas as the spunky girl next door, the ...”

“... But the cultural Cold War has proved more difficult to assess; no single study can match John Lewis Gaddis’s We Now Know: Rethinking Cold War History (1997). Unlike power bloc politics, cultural matters were bound up with local histories, deep-seated traditions and long-standing stereotypes. It is worth asking, indeed, whether there was such a ...”

“... he does not call these pieces poems.’ From the heart of the London literary establishment Sir John Squire described The Waste Land as a poem for which ‘a grunt would serve equally well.’ Eliot’s 1925 collection, which included ‘Gerontion’, seemed to Squire ‘obscure so inconsequent . . . Why on earth he bothers to write at all is difficult to ...”