At the Courtauld
Anne Wagner: Rodin and Dance, 17 November 2016
“... but he also sought instruction from two uncannily elegant objects he acquired, plaster casts of an unknown Javanese dancer’s right and left arms. Elegant, but inanimate. No wonder he sought out stasis. The hands of the young dancers were adapted to a precise and disciplined school of movement over long years of training. Wrist, palm, thumb and fingers ... ”