Professor or Pinhead

Stephanie Burt: Anne Carson, 14 July 2011

Nox 
by Anne Carson.
New Directions, 192 pp., £19.99, April 2010, 978 0 8112 1870 2
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... as well by 2001, when The Beauty of the Husband: A Fictional Essay in 29 Tangos won the T.S. Eliot Prize. A memorial to Carson’s late brother, Michael, Nox has found as much attention, and as much praise, as any book by any poet in the past couple of years. The praise is disturbing, sometimes wrongheaded, and reflects a category mistake; it also makes ...

Use Use Use

Robert Baird: Robert Duncan’s Dream, 24 October 2013

Robert Duncan: The Ambassador from Venus 
by Lisa Jarnot.
California, 509 pp., £27.95, August 2013, 978 0 520 23416 1
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... his own devising. He distinguished himself among the crowd at Nin’s apartment by volunteering to test the anatomical plausibility of the dirty stories they were assembling for an anonymous benefactor. He was an insatiable seducer, and a bold one too: one night after dinner with Kael and her boyfriend, Duncan cornered the boyfriend and flashed his erection ...

Wild Resistance

Owen Hatherley: Adorno's Aesthetics, 6 June 2024

Without Model: Parva Aesthetica 
by Theodor Adorno, translated by Wieland Hoban.
Seagull, 177 pp., £19.99, June 2023, 978 1 80309 218 8
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... it in his counterweight, Adorno for Revolutionaries (2011), Adorno as ‘a kind of German T.S. Eliot without the practical cats’.Adorno’s aesthetics are extreme. ‘He is an easy man to caricature,’ Watson writes, ‘because he believed in exaggeration as a means of telling the truth.’ But he was no misanthrope. A melancholic, certainly, but also a ...

What he did

Frank Kermode, 20 March 1997

W.B. Yeats: A Life. Vol. I: The Apprentice Mage 
by R.F. Foster.
Oxford, 640 pp., £25, March 1997, 0 19 211735 1
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... first undertook this large-scale biography of Yeats, died in 1983, and after some vicissitudes the task devolved on Roy Foster, the professor of Irish history at Oxford. He has had access to Lyons’s notes and transcripts, invaluable to a successor confronted, as he says, with ‘a vast and unfamiliar subject’. Vast it remains, but the unfamiliarity has ...

When the Balloon Goes up

Michael Wood, 4 September 1997

Enduring Love 
by Ian McEwan.
Cape, 247 pp., £15.99, September 1997, 0 224 05031 1
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... for the novel. The genre thrives on irony and play, as Milan Kundera repeatedly remarks, and T.S. Eliot meant to praise Henry James by suggesting he had a mind so fine no idea could violate it. We might say the same of dozens of other novelists. Plenty of ideas, but none of them nailed down, all of them implicated in other, conflicting ideas; and there are ...

Red makes wrong

Mark Ford: Harry Mathews, 20 March 2003

The Human Country: New and Collected Stories 
by Harry Mathews.
Dalkey Archive, 186 pp., £10.99, October 2002, 1 56478 321 9
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The Case of the Persevering Maltese: Collected Essays 
by Harry Mathews.
Dalkey Archive, 290 pp., £10.99, April 2003, 1 56478 288 3
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... antithetical terms. ‘The Dialect of the Tribe’ (a phrase of Mallarmé’s appropriated by T.S. Eliot in ‘Little Gidding’) takes the form of an academic article in which an unnamed professor discusses a small New Guinea tribe whose peculiar language has no content, but instead somehow enacts the process of translation. Every Pagolak sentence embodies ...

His Own Sort of Outsider

Philip Clark: Tippett’s Knack, 16 July 2020

Michael Tippett: The Biography 
by Oliver Soden.
Weidenfeld, 750 pp., £25, April 2019, 978 1 4746 0602 8
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... cook, parlourmaid and governess, but Isabel made sure her boys were aware that others weren’t so fortunate. During trips to London, Michael and his brother, Peter, helped serve food in East End soup kitchens and were taken along to suffragist meetings. Tippett attended his first orchestral concert at this time: Henry Wood conducting music by Tchaikovsky ...

Kipling’s Lightning-Flash

Barbara Everett, 10 January 1991

... have as much to do with Somerset Maugham (whom they must have helped to invent) as with T.S. Eliot. But there is a curious quality in these early stories which throws some light on the writer’s originality during the 1890s. I want to illustrate this quality, somewhat Irishly, from another and litter collection, because one story there reveals it ...

Kermode’s Changing Times

P.N. Furbank, 7 March 1991

The Uses of Error 
by Frank Kermode.
Collins, 432 pp., £18, February 1991, 9780002154659
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... the forbidding notice ‘No through road to action’, and he contested the idea, implicit in Eliot’s ‘dissociation of sensibility’, that to embrace Donne you had to give up Milton. It was a stage in which, not for the last time, Kermode offered himself as a reconciler and peacemaker. Romantic Image, moreover, in the way it pursued a certain ...

Outside the text

Marilyn Butler, 19 December 1985

The Beauty of Inflections: Literary Investigations in Historical Method and Theory 
by Jerome McGann.
Oxford, 352 pp., £19.50, May 1985, 0 19 811730 2
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The Politics of Language: 1791-1819 
by Olivia Smith.
Oxford, 269 pp., £19.50, December 1984, 0 19 812817 7
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... what in vulgar language is nonprofessional or simply human. More than sixty years ago T.S. Eliot uttered his classic dictum barring amateurs: ‘we must consider poetry primarily as poetry and not another thing.’ When in the Sixties and Seventies Barthes, Derrida and others declared the poem to be an autonomous system of verbal signs, they were ...

Impossible Wishes

Michael Wood: Thomas Mann, 6 February 2003

The Cambridge Companion to Thomas Mann 
edited by Ritchie Robertson.
Cambridge, 257 pp., £45.50, November 2001, 9780521653107
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Thomas Mann: A Biography 
by Hermann Kurzke, translated by Leslie Willson.
Allen Lane, 582 pp., £30, January 2002, 0 7139 9500 9
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... transfiguration of it. Quite unwittingly Adrian is offering a sophisticated analogue of what T.S. Eliot had to say about Ulysses: that the novel as a form could no longer model its order on a world which had lost all sense of order. No wonder Mann was so taken by the connection. But where Joyce, according to Eliot, answered ...

Forget the Dylai Lama

Thomas Jones: Bob Dylan, 6 November 2003

Dylan's Visions of Sin 
by Christopher Ricks.
Viking, 517 pp., £25, October 2003, 9780670801336
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... Ricks, whose previous books include Milton’s Grand Style, Keats and Embarrassment, T.S. Eliot and Prejudice and Beckett’s Dying Words. Dylan’s Visions of Sin is the culmination of at least three decades’ critical engagement with the songs of Bob Dylan (he first wrote about them in the Listener in June 1972, a decade after Dylan released his ...

Some Sad Turtle

Alison Light: Spinsters and Clerics, 29 July 2021

The Adventures of Miss Barbara Pym: A Biography 
by Paula Byrne.
William Collins, 686 pp., £25, April 2021, 978 0 00 832220 5
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... in commonplace pleasures – though without sanctimony. ‘The trivial round, the common task,’ Belinda repeats from Keble’s hymn ‘New Every Morning Is the Love’, ‘did it furnish quite all we needed to ask?’Pym’s fiction is decidedly parochial. The Anglican parish is usually the social setting, though trips to Mowbray’s bookshop for ...

Daisy Chains

Emma Hogan: Sappho 1900, 20 May 2021

No Modernism without Lesbians 
by Diana Souhami.
Head of Zeus, 464 pp., £9.99, February, 978 1 78669 487 4
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... and Co opened in 1919. In the window were editions of Shakespeare (of course), Chaucer, T.S. Eliot, James Joyce and copies of Jerome K. Jerome’s Three Men in a Boat (Monnier’s favourite English-language book). On the walls were photographs of Oscar Wilde, drawings by William Blake and examples of Walt Whitman’s early writings. Émigré writers and ...

Left with a Can Opener

Thomas Jones: Homer in Bijelo Polje, 7 October 2021

Hearing Homer’s Song: The Brief Life and Big Idea of Milman Parry 
by Robert Kanigel.
Knopf, 320 pp., £28.95, April 2021, 978 0 525 52094 8
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... of ‘individuality’. ‘The poet must develop or procure the consciousness of the past,’ T.S. Eliot wrote in ‘Tradition and the Individual Talent’, published in the Egoist in 1919. ‘The progress of an artist is a continual self-sacrifice, a continual extinction of personality.’ There’s no direct evidence that Parry read the essay – even if ...