“... His hunchback has informed a whole school of Gramsci studies which argues that his work must be read above all in the light of his disability and of the extreme poverty of his Sardinian background. Other schools privilege the impact of industrial Turin, the confrontation with the intellectual milieu at the university there and the early ‘conversion’ to ...”

“... Vaizey has no doubt at all. ‘They were the best.’ Hugh Gaitskell, Iain Macleod, Richard Titmuss, Anthony Crosland and Edward Boyle. They were all ‘clever, honest, admirable and honourable’. They were all, except Boyle, who was at school at the time, affected by the slump. They were all excited by the political changes and administrative advances of the war ...”

“... one of the most familiar scenes from the life of Wilde: the bad moment outside Swan and Edgar’s. Richard Ellmann’s biography says that, as Wilde caught sight of ‘the painted boys on the pavement’ outside the department store, he was struck by an overwhelming sense of catastrophe. Holland traces the story back to 1930 and to Ada Leverson, who – he ...”

“... popworld of Beavis and Butthead and the fortysomething editors who deify Rosanne Arnold and Richard Nixon on the same page. Editors once made yearly scouting trips up to the North Country, just to avoid getting sucked into the black hole of fad and revisionism. These trips, which took place in the spring and always in a four-wheel-drive ...”

“... in the same city in 1968, when politics was still for real. (The Mayor of Chicago is still called Richard Daley, but with the mediocre son all resemblance ends.) The irony, such as it was, occurred at the expense of the journalistic profession, which is why I say that they awoke, or half-awoke, to what they had done. Ever since the preceding Republican ...”

“... on curved horns and cornets in their attempt to wake Titania from her sleep. It is tempting to read more than we should into these noisome invaders. Do they reflect a mind already aware of unwelcome guests at its periphery?Dadd’s father, a gilder, was well connected with the London artistic community. He was a friend of the Orientalist landscape painter ...”

“... and I recognised the not-quite-extraterrestrial, dumpy, middle-aged forms of Elizabeth Taylor and Richard Burton panting their way up the hill. The glow was not, of course, from their outward perfection, nor their inner beauty and wisdom, but the result of years and years of attention from precision-ground lenses and high-wattage lights being focused and ...”

“... for a hundred years or more, Bardic Romance was a major form. Forgotten now, or doomed to be read only by critics, books like Miss Severn’s Anne Hathaway; or, Shakespeare in Love enjoyed mass appeal in Victorian England. One fatuous confection by Robert Folkestone Williams, The Youth of Shakespeare, went through six editions in three countries, besides ...”

“... open to Elizabethan influence (appropriate, indeed, to a replica playhouse), can nevertheless be read without anxiety by modern audiences. At which point, the company could do worse than turn to Dr Hattaway’s book, which concentrates uncompromisingly on the theatrical dimension of late Elizabethan drama. Wide-ranging but informed, critically alert and ...”

“... As the unwary traveller hurries into Heathrow’s international bookstall hoping to light on a good read for the plane, his eye is assaulted by a thwacking array of swastikas on black, gold and blood-red fields. Approaching them at random but with a certain circumspection, he finds, for example, Philippe van Rindt’s The Trial of Adolf Hitler, in which it is revealed that Hitler survived his attempts at suicide in the bunker; The Murder of Rudolf Hess, by Hess’s Spandau doctor, demonstrating that the prisoner who the other day celebrated his 85th birthday is not Hess at all, but a small Nazi only too glad to avoid vengeance from his fellows by impersonating the great in perpetual concealment; James Pool and Suzanne Pool’s Who financed Hitler?, which opens with a luxurious gathering of bankers and party ‘higher-ups’ with their sleek women, just a shade less exotic than the gathering in a Japanese restaurant of Spanish-speaking kameraden that begins The Boys from Brazil ...”

“... the choir sang, doing Psalm 39, ‘and make me not a rebuke unto the foolish.’ Ted Hughes read the bit from Ecclesiasticus about now praising famous men. Where these orders of service used to be religious brochures offering blasts of Christian devotion, they are now ‘celebrations’ of the life, posthumous animations of the career, and summaries of ...”

“... American literature. It was French condescension that celebrated Hemingway, Steinbeck, Dos Passos, Richard Wright, Erskine Caldwell, Dashiel Hammett and James M. Cain, Beauvoir was told, when the United States had its own sophisticated tradition of internal, psychological exploration; she was witnessing the formation of the American Studies canon ...”

“... little pain Edward – but the Queen has indeed overseen a drama of pride and pettiness that makes Richard II seem like an episode of Coronation Street. More than that, she has described a new role for the royals: making one feel a bit better about the dysfunctionality of one’s own family, knowing that they could never be so internationally fucked up as ...”

“... of Ambiguity (1930), which she refers to only as ‘the horrible ambiguity book’. Paton Walsh read English at Oxford in the 1950s, and Goldengrove is in many ways a response to the experience. Madge wants to be a character in To the Lighthouse, or a saintly Jane Eyre reading to a blind Mr Rochester. But instead of becoming part of a tradition of English ...”

“... science. To an alarming degree, theory preempted argument. H.D. had been abandoned by her husband, Richard Aldington, for another woman, during a difficult pregnancy in which mother and child seemed doomed; her love affair with the feminist Bryher was fraught; writing set up its own strains: but Freud already knew, amid this welter of anxieties, what really ...”