The Chill of Disillusion
T.J. Clark: Leonardo da Vinci, 5 January 2012
“... reached the Brothers’ chapel. Documents from a few years later speak to Leonardo haggling over price. His stock had risen in the 1480s, the painting seems to have been seen from the start as something unprecedented and wonderful (the Louvre’s is the version copyists soon fastened on), and it may well be that a courtier or emissary had made him a better ... ”