“... like Vanity Fair and Esquire regularly published modernist writers like Cocteau, Hemingway, Lawrence, Dos Passos and Djuna Barnes. (The New Yorker, founded in 1925, was considerably less daring: the fiction editor, Katharine White, rejected work by Gertrude Stein because ‘she was not allowed to buy anything her boss didn’t ...”

“... problem. Nearly twenty years ago, just before the tide of historical fashion turned against him, Lawrence Stone wrote a supremely confident short book called The Causes of the English Revolution. It argued, in up-to-date sociological jargon, more or less everything against which Russell’s writing has been a reaction. The bold innocence of Russell’s ...”

“... Cavendish himself and by four men who sailed with him, Antony Knivet, a young gentleman volunteer; John Davis, the great navigator; J. Jane, a friend of Davis’s; and Thomas Lodge the poet. Thomas Cavendish was a man of considerable estate but varying fortunes, and like many of his contemporaries he took to the sea to improve them: they were at their charming ...”

“... of cancer eight months later but in the meantime some of the cells found their way to the lab of John and Margaret Gey of Johns Hopkins University. They were trying to find a method of keeping human cells dividing in a culture outside the body and had turned to cancer cells for their ability to divide essentially unchecked. These particular cells, named HeLa ...”

“... aristocracy, his contempt for all other classes, and his pleasure in reaction. But then, so John Bayley observed, they move an amendment. In order to explain these aberrations, they explain that Waugh was a disillusioned romantic. Graham Greene wrote that ‘he is a romantic in the sense of having a dream which failed him’: his first marriage, the ...”

“... of Pinel and Chiarugi on the Continent, but domestic parallels as well, such as the work of John Ferriar at the Manchester Lunatic Asylum in the 1790s, or of Edward Long Fox, from whose Bristol madhouse Tuke recruited Katherine Allen, the Retreat’s first matron. In what ways does Porter claim to go beyond this? First, by widening the circle of those ...”

“... John Reed,​ witness to the October Revolution and author of Ten Days that Shook the World, seems to have turned against the Bolshevik leaders just before he died in Moscow in 1920. His apostasy was not publicly known, however, and a decade later the American Communist Party, eager to exploit his fame, encouraged the formation of John Reed Clubs in New York and other cities ‘to bring closer all creative workers ...”

“... Barrier of Blue, Red and Blue Fluorescent Light (to Flavin Starbuck Judd), and with word pieces by Lawrence Weiner on two of the walls. The ghostly lunar light fills the coved ceiling of the room and caresses the gilded ornament, while in Gallery Nine the shape of the coved ceiling is perfectly echoed by that of the Morris cage. Both rooms provide an ...”

“... laid out in the discourses he delivered as President of the Royal Academy. It was re-created by John Barrell in his influential Political Theory of Painting (1986). Drawing on J.G.A. Pocock’s politics of civic humanism, Barrell replaced the two traditions of painting with a tradition of academic theory – from Shaftesbury to Reynolds and so on – which ...”

“... Spirits’. Empson’s fullest exploration of this subject remained unfinished. The editor, John Haffenden, has stitched together the various drafts that he left behind and has given the somewhat unwieldy result the title ‘The Spirits of the Dream’. In A Midsummer Night’s Dream, Puck meets a fairy in the Athenian wood and asks her where she is ...”

“... that he did not think much more highly of Forster’s work than he did of Galsworthy’s. The only Lawrence he is recorded to have read is Lady Chatterley, from which, like the unlearned readers who had heard that his Manilius contained a scurrilous preface, he doubtless hoped to extract a low enjoyment. Mr Graves is artlessly surprised at his having read ...”

“... appeal. Where Sampson wants to make the ‘revolution as bloodless and manageable as possible’, John Saul is primarily concerned with its socialist outcome.* His account deals with familiar instances of repression and resistance, which he tends to romanticise as only foreign sympathisers can. It smacks of condescension when a tenured Toronto academic ...”

“... his own valuation. His successes came by appealing over their heads. Literary people like T.E. Lawrence and, later, his brother; Shaw (despite the differences over his portrait); and Cyril Connolly were more likely than sculptors or painters to be Epstein’s advocates. His commercial success depended on a few patrons, above all ...”

“... qualities were most severely tested when she went to South Africa to visit her aunt and met John Ponsonby, who was working for her uncle, the high commissioner. Ponsonby had been born with a cleft palate and harelip, which he covered up with a bushy moustache, but to Constance, he was simply ‘adorable’. The trouble was that he had no money, and ...”

“... On 15 June 2009, Gordon Brown announced an inquiry into the Iraq war – to investigate, as Sir John Chilcot, the inquiry’s chairman, put it, ‘the UK’s involvement in Iraq, including the way decisions were made and actions taken, to establish, as accurately as possible, what happened and to identify the lessons that can be learned’. Although oral ...”