Through the Gullet

Helen Cooper: Medieval recipes, 16 April 1998

The Medieval Kitchen: Recipes from France and Italy 
by Odile Redon and Françoise Sabban, translated by Edward Schneider.
Chicago, 324 pp., £25.95, September 1998, 0 226 70684 2
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... recipes that survive come from books of instruction for squires in their years of education, for young men seeking service in noble households or for the upwardly mobile middle classes. The Parisian householder’s specimen menus are incorporated in a book of instruction for his young wife, who was a quarter his age – 15 ...

Z/R

John Banville: Exit Zuckerman, 4 October 2007

Exit Ghost 
by Philip Roth.
Cape, 292 pp., £16.99, October 2007, 978 0 224 08173 3
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... and existential doubt, that Eliotian difficulty. There was a job to be done, in that the young nation was still engaged in forging itself – as, indeed, it still is – and novelists saw themselves as the chief chroniclers of that process, in full awareness of the ambiguity of the verb ‘to forge’. As Norman Mailer used vociferously to ...

Fancy Dress

Peter Campbell: Millais, Burne-Jones and Leighton, 15 April 1999

Millais: Portraits 
by Peter Funnell and Malcolm Warner.
National Portrait Gallery, 224 pp., £35, February 1999, 1 85514 255 4
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John Everett Millais 
by G.H. Fleming.
Constable, 318 pp., £20, August 1998, 0 09 478560 0
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Edward Burne-Jones: Victorian Artist-Dreamer 
by Stephen Wildman and John Christian.
Abrams, 360 pp., £48, October 1998, 0 8109 6522 4
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Frederic Leighton: Antiquity, Renaissance, Modernity 
edited by Tim Barringer and Elizabeth Prettejohn.
Yale, 332 pp., £40, March 1999, 0 300 07937 0
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... sunken, lustrous invalid eyes (he had nightmares about finding himself in bed with a fat woman), young men with the kind of body you now see in jeans advertisements, Greek drapery, Renaissance bowers and flowers, all seen in a curious dusky light – his people flee the sun like ghosts at cock-crow and come out as the last light gilds the hilltops, their ...

Shakespeare and the Stage

John Kerrigan, 21 April 1983

Elizabethan Popular Theatre: Plays in Performance 
by Michael Hattaway.
Routledge, 234 pp., £14.95, January 1983, 0 7100 9052 8
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Shakespeare the Director 
by Ann Pasternak Slater.
Harvester, 244 pp., £18.95, December 1982, 0 7108 0446 6
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... emphasis. The second half of the book gives critical readings of The Spanish Tragedy, Mucedorus, Edward II, Dr Faustus and Titus Andronicus, and it is, on the whole, less satisfactory. There’s a skimpiness and loss of subtlety suggesting haste and a looming word limit. But Hattaway is never less than stimulating. Indeed, the faults of his book are those of ...

I want my wings

Andrew O’Hagan: The Last Tycoons, 3 March 2016

West of Eden: An American Place 
by Jean Stein.
Cape, 334 pp., £20, February 2016, 978 0 224 10246 9
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... her sitting at an umbrella table in the square,’ Sondheim says, ‘rehearsing a scene with Edward Underdown, who played her husband. Above the surface of the table she was bantering blithely with him, but below it she was tearing her napkin into shreds. This was not in the script.’ At home, she never appeared before 6 p.m. This was the only time of ...

The First Calamity

Christopher Clark: July, 1914, 29 August 2013

The War That Ended Peace 
by Margaret MacMillan.
Profile, 656 pp., £25, October 2013, 978 1 84668 272 8
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July 1914: Countdown to War 
by Sean McMeekin.
Icon, 461 pp., £25, July 2013, 978 1 84831 593 8
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... Russian, the German, the Austro-Hungarian and the Ottoman). It killed at least ten million young men and wounded at least twenty million more. It disorganised the international system in immensely destructive ways. Without this conflict it is difficult to imagine the October Revolution of 1917, the rise of Stalinism, the ascendancy of Italian ...

Rare, Obsolete, New, Peculiar

Daisy Hay: Dictionary People, 19 October 2023

The Dictionary People: The Unsung Heroes who Created the Oxford English Dictionary 
by Sarah Ogilvie.
Chatto, 384 pp., £22, September, 978 1 78474 493 9
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... attracted opprobrium when as the administrator of an asylum he connived in the kidnapping of a young woman, Edith Lanchester, who had been driven mad, or so her family believed, by ‘over-education’. Lanchester’s plight – disenfranchised, yet thoroughly surveilled – goes some way to explaining the enthusiasm of Murray’s 624 female ...

The Female Accelerator

E.S. Turner, 24 April 1997

The Bicycle 
by Pryor Dodge.
Flammarion, 224 pp., £35, May 1996, 2 08 013551 1
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... that cannot be done on two wheels. On the last page of this opulent book is a photograph of the Young Theatre of Riga performing Brecht’s Fear and Misery in the Third Reich on bicycles. We are not told what the critics said about this event. Was it an experience to lift the soul on wings, a mind-blowing epiphany? Or was it in the same class as a file of ...

Ramadhin and Valentine

J.R. Pole, 13 October 1988

A History of West Indies Cricket 
by Michael Manley.
Deutsch, 575 pp., £17.95, May 1988, 0 233 98259 0
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Sobers: Twenty Years at the Top 
by Garfield Sobers and Brian Scovell.
Macmillan, 204 pp., £11.95, June 1988, 0 333 37267 0
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... was planted in the West Indies after 1815 by army officers with much time on their hands. Soon the young sons of slaves were required to bowl at the young sons of slaveowners, but the bowlers – the servant class – began to practise batting and got quite good at it. When formal organisation began, the structure of West ...

Hopeless Warriors

Michael Gorra: Sherman Alexie’s novels, 5 March 1998

The Lone Ranger and Tonto Fistfight in Heaven 
by Sherman Alexie.
Vintage, 223 pp., £6.99, September 1997, 9780749386696
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Reservation Blues 
by Sherman Alexie.
Minerva, 306 pp., £6.99, September 1996, 0 7493 9513 3
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Indian Killer 
by Sherman Alexie.
Secker, 420 pp., £9.99, September 1997, 0 436 20433 9
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... blurbs, and not only from other writers. He figures on Granta’s list of the ‘Twenty Best Young American Novelists’. The Spokanes were ‘a salmon tribe before they put those dams on the river’, fisherfolk living in settled villages. Most of Alexie’s work is set on their reservation in eastern Washington State, and what’s most alive in that ...

Marriage

Philippe Ariès, 16 October 1980

Bastardy and its Comparative History 
edited by Peter Laslett, Karla Oosterveen and Richard Smith.
Arnold, 431 pp., £24, May 1980, 0 7131 6229 5
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... we had grown used to it from scholars of the past. It is intriguing, however, to discover young, ‘computerised’ historians showing themselves to be just as much prisoners of their statistical methods as the old philological scholars were of their textual criticisms. Having said which, Bastardy and its Comparative History must be read as it ...

Short Cuts

Daniel Soar: Julian Assange, 18 February 2016

... Sarah Harrison, Assange’s right-hand woman, flew to Sheremetyevo airport to help navigate Edward Snowden safely and legally into Moscow and get him a residency permit after his leaks broke in the summer of 2013. Sometimes it’s more nebulous: outlaws bond, as we know from the movies, and in any case stars – out of reach and incomprehensible to ...

At the Smithsonian

August Kleinzahler: Richard Estes, 22 January 2015

... of the visual complexity, speed and energy of the city streets. Estes is often associated with Edward Hopper, and the influence is evident in some of his earliest work, but by the mid-1960s, it was waning. In Estes’s Horn and Hardart Automat (1967) day-lit multiple reflecting surfaces bring an apartment block, traffic and signage pouring through the ...

At the British Museum

Peter Campbell: American Prints, 8 May 2008

... Scene: Prints from Hopper to Pollock is from the British Museum’s own holdings. One of the four Edward Hopper etchings is Evening Wind. A naked girl kneeling on a bed looks out through an open window. Curtains billow inwards. Her head, turned from you, is hidden by long hair which is pushed about by the wind. In East Side Interior another ...

At Pallant House

Rosemary Hill: Victor Pasmore, 20 April 2017

... a founder of the Euston Road School, and financial support from Kenneth Clark, then the innovative young director of the National Gallery, allowed him to give up the day job. This is where the Pallant House exhibition begins. Pasmore’s Post-Impressionist canvases have titles, Window, Finsbury Park or The Palace Pier, Brighton, that gesture towards ...