Plenty of Pinching

John Mullan: The Sad End of Swift, 29 October 1998

Jonathan Swift 
by Victoria Glendinning.
Hutchinson, 324 pp., £20, September 1998, 0 09 179196 0
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“... of character and the assessment of anecdotal evidence.) There is an accessible biography in print, David Nokes’s excellent Jonathan Swift: A Hypocrite Reversed (1985), but this was written with an eye on the student (and teacher), rather than the non-academic reader whom Glendinning has in mind. Nokes, subtitling his book ‘A Critical Biography’, felt ...”

Heroes of Our Time

Karl Miller, 19 May 1988

The Monument 
by T. Behrens.
Cape, 258 pp., £11.95, May 1988, 0 224 02510 4
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The Passion of John Aspinall 
by Brian Masters.
Cape, 360 pp., £12.95, May 1988, 0 224 02353 5
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“... Blond, Mr Robert Boutwood, Mr Claus von Bülow, Mr Timothy Cassel, The Hon. Mr Alan Clark, Sir David Crouch MP, Mr Nigel Dempster, The Earl of Derby, The Duke of Devonshire ...’ And so on through the alphabet. ‘If I have inadvertently omitted anyone, I ask forgiveness. Some have asked that their help remain unacknowledged.’ Those whose good offices ...”

Rodinsky’s Place

Patrick Wright, 29 October 1987

White Chappell: Scarlet Tracings 
by Iain Sinclair.
Goldmark, 210 pp., £12.50, October 1987, 1 870507 00 2
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“... centre’ concerned with the local history of immigration. Above the tiny synagogue is the room of David Rodinsky, a Polish Jew of increasingly mysterious reputation. Latterly described as a translator and philosopher, he is said to have lived here in some sort of caretaking capacity. One day in the Sixties Rodinsky stepped out into Princelet Street and ...”

Doctor in the Dock

Stephen Sedley, 20 October 1994

Medical Negligence 
edited by Michael Powers and Nigel Harris.
Butterworth, 1188 pp., £155, July 1994, 0 406 00452 8
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“... the solicitor was acting. The worries do not end here. Simanowitz sees the patient’s lawyer as David confronting Goliath; but, he says, ‘there is a growing band of doctors who are prepared to help ... The danger of using a doctor who is not known to be helpful is that without the experience in medical litigation to analyse properly a medical ...”

Programmed to Fail

Edward Luttwak, 22 December 1994

“... has been clumsy – so clumsy in the case of basic White House operations that the Republican David Gergen had to be brought in. Even now, Clinton could find better people to work for him; but there is the deeper problem of his own decision-making. Clinton refuses to decide by experience and instinct as most of his predecessors have mostly done. He tries ...”

Seeing in the Darkness

James Wood, 6 March 1997

D.H. Lawrence: Triumph To Exile 1912-22 
by Mark Kinkead-Weekes.
Cambridge, 943 pp., £25, August 1996, 0 521 25420 5
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“... lithe, an inspired mimic. Everyone who met him, even those who disliked him, felt his vitality. David ‘Bunny’ Garnett noticed his ‘beautiful lively, blue eyes’, and that he was ‘very light in his movements’. He also maintained that Lawrence’s hair colour, or non-colour – it was reddish-fair – was characteristically working-class. When a ...”
Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot 
by Michael Rogin.
California, 320 pp., $24.95, May 1996, 0 520 20407 7
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“... version of Uncle Tom’s Cabin, D.W. Griffith’s 1915 The Birth of a Nation, The Jazz Singer, and David O. Selznick’s 1939 super-production Gone with the Wind ‘provide the scaffolding for American film history’ – although it takes us no further than the eve of the Second World War. This reading of Hollywood is anticipated by Leslie Fiedler’s ...”

Thatcher’s Artists

Peter Wollen, 30 October 1997

Sensation: Young British Artists from the Saatchi Collection 
by Norman Rosenthal.
Thames and Hudson, 222 pp., £29.95, September 1997, 0 500 23752 2
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“... be justified by reference back to Bosch or Goya, or the D’Este court or even to Francis Bacon or David Hockney. It stands on its own feet as a marker of the tension felt in the art world between the legacy of a lost Modernism and the ascendant culture of the spectacle, the transformed and triumphal forces of everything which Clement Greenberg dismissed as ...”

Mandelson’s Pleasure Dome

Iain Sinclair, 2 October 1997

“... of British Airways. For Ian Ash, British Telecom’s Director of Corporate Relations. For David Quarmby, Chairman of the British Tourist Authority and the English Tourist Board. You get the picture. A kind of mega musical set on a desert island (Andrew Lloyd Webber’s Tempest). Something so new and adventurous and breathtakingly original that it ...”

A Tentative Idea for a Lamp

Tim Radford: Thomas Edison, 18 March 1999

Edison: A Life of Invention 
by Paul Israel.
Wiley, 552 pp., £19.50, November 1998, 0 471 52942 7
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“... went to school: his mother, once a schoolteacher, taught him to read with the help of Gibbon and David Hume’s History of Great Britain, no doubt because they happened to be around the house at the time. The young Thomas read Tom Paine’s The Age of Reason at the age of 13 and became a lifelong freethinker: in 1925, he was to compose a foreword to the ...”

A Third Concept of Liberty

Quentin Skinner: Living in Servitude, 4 April 2002

“... won the day. To cite Berlin’s own litany, we find his basic line of argument taken up by David Hume, Jeremy Bentham, to some degree by John Stuart Mill and even more closely (Berlin might have added) by Henry Sidgwick. This great tradition of classical utilitarianism proved impressively successful at occupying the entire conceptual space, thereby ...”

Hoarder of Malt

Michael Dobson: Shakespeare, 7 January 1999

Shakespeare: A Life 
by Park Honan.
Oxford, 479 pp., £25, October 1998, 0 19 811792 2
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Shakespeare: The ‘Lost Years’ 
by E.A.J. Honigmann.
Manchester, 172 pp., £11.99, December 1998, 0 7190 5425 7
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“... A Life is thus enriched not only by recent studies of the biographical archive (notably David Thomas’s Shakespeare in the Public Records, 1985, and Robert Bearman’s Shakespeare in the Stratford Records, 1994) but by the work of Peter Thomson and Andrew Gurr on the fortunes of Elizabethan acting companies, or of Douglas Bruster on Troilus and ...”

A Cézanne-Like Vision of Peaches

Lorna Scott Fox, 30 March 2000

Dreaming with His Eyes Open: A Life of Diego Rivera 
by Patrick Marnham.
Bloomsbury, 368 pp., £12.99, November 1999, 0 7475 4450 6
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Diego Rivera: The Detroit Industry Murals 
by Linda Bank Downs.
Norton, 202 pp., £35, March 2000, 0 393 04529 3
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“... remote, even quaint, the Tres Grandes of the Mexican School – Rivera, José Clemente Orozco and David Alfaro Siqueiros – are often treated as a single entity. Where distinctions are made, the didacticism of Rivera’s work tends, and I believe deserves, to be unfavourably compared to the expressionist passion of Orozco, and even to the ungainliness of ...”

Models and Props

Nicholas Penny: Caravaggio in the Studio, 10 August 2000

Caravaggio 
by Catherine Puglisi.
Phaidon, 448 pp., £24.95, May 2000, 0 7148 3966 3
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Caravaggio’s Secrets 
by Leo Bersani and Ulysse Dutoit.
MIT, 118 pp., £18.50, September 1998, 0 262 02449 7
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M 
by Peter Robb.
Bloomsbury, 567 pp., £25, January 2000, 0 7475 4599 5
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Quoting Caravaggio: Contemporary Art, Preposterous History 
by Mieke Bal.
Chicago, 305 pp., £28.50, October 1999, 0 226 03556 5
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Doubting Thomas: A Novel About Caravaggio 
by Atle Naess, translated by Anne Born.
Owen, 159 pp., £14.95, June 2000, 0 7206 1082 6
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Caravaggio: A Life 
by Helen Langdon.
Pimlico, 447 pp., £15, November 1999, 9780712665827
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“... narrative, Caravaggio now introduced an austere staging that was later adopted by Jacques-Louis David – and one from which the cinema had something to learn. This painter who often appears to be a painter of modern life was always a painter of the studio and the ...”

Bound to be in the wrong

Jonathan Rée: Camus and Sartre, 20 January 2005

Camus and Sartre: The Story of a Friendship and the Quarrel that Ended It 
by Ronald Aronson.
Chicago, 291 pp., £23, February 2005, 0 226 02796 1
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“... he argued, treats experience as a congeries of isolated impressions, of the kind once proposed by David Hume.) The praise was sincere, and generous too: a leader of Parisian opinion was offering a leg-up to a young provincial who might easily become his rival. And Camus needed all the help he could get: his paper had folded in 1940, forcing him to seek work ...”