Monsieur Mangetout

Walter Nash, 7 December 1989

The Guinness Book of Records 1990 
edited by Donald McFarlan.
Guinness, 320 pp., £10.95, October 1989, 0 85112 341 4
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The Chatto Book of Cabbages and Kings: Lists in Literature 
edited by Francis Spufford.
Chatto, 313 pp., £13.95, November 1989, 0 7011 3487 9
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... to varieties of literary practice and authorial intention. Those tedious old rows of cabbages may, after all, represent a sovereign design: cabbages are kings, OK? This is a very interesting argument, presented with an energy and volubility powerful enough to command assent. I balk pleasurably at a few marginal things, but find only one matter that might ...

Confounding Malthus

Roy Porter, 21 December 1989

Health and the Rise of Civilisation 
by Mark Nathan Cohen.
Yale, 285 pp., £22.50, October 1989, 0 300 04006 7
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Nutrition and Economic Development in the 18th-Century Habsburg Monarchy: An Anthropomorphic History 
by John Komlos.
Princeton, 325 pp., $45, November 1989, 0 691 04257 8
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... to this day in many parts of the world. With the coming of agriculture, even the food problem may have worsened. How do we unravel this paradox? It can be argued that sedentism increases the vulnerability to climatic disasters – nomads just move on. In the long run, tilling the soil, accompanied as it usually is by the intrusions of ...

It

Gabriele Annan, 24 May 1990

A Young Girl’s Diary 
edited by Daniel Gunn and Patrick Guyomard.
189 pp., £12.95, April 1990, 0 04 440273 2
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... times before but is none the worse for that. It is still an enjoyable read, whatever else it may be, and every bit as much of an atmospheric period piece as Gwen Raverat’s famous reminiscences of more or less the same time – even if no two atmospheres could be more different than draughty Cambridge and richly-upholstered Vienna on either side of the ...

Modern Masters

Frank Kermode, 24 May 1990

Where I fell to Earth: A Life in Four Places 
by Peter Conrad.
Chatto, 252 pp., £16, February 1990, 0 7011 3490 9
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May Week was in June 
by Clive James.
Cape, 249 pp., £12.95, June 1990, 0 224 02787 5
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... is one of those who is always insisting on his weight, as James inveterately insists on his wit. May Week was in June, the third of James’s ‘Unreliable Memoirs’, has on its front cover a photograph in which the author, a somewhat weathered undergraduate, has the look of a confident college footballer, and on the back a more recent portrait in which he ...

Royal Pain

Peter Campbell, 28 September 1989

A Vision of Britain: A Personal View of Architecture 
by HRH The Prince of Wales.
Doubleday, 156 pp., £16.95, September 1989, 9780385269032
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The Prince of Wales: Right or Wrong? An architect replies 
by Maxwell Hutchinson.
Faber, 203 pp., £10.99, September 1989, 0 571 14287 7
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... In the 18th century, as the profession emerged from its gentlemen-and-surveyors phase, it may have seemed that art had rules – that aesthetic and practical decisions were of the same kind. This consensus on taste, if it ever existed, was brief. Intuition, often dressed as a moral imperative – Gothic is true, ornament is crime, displayed ...
Cross Channel 
by Julian Barnes.
Cape, 211 pp., £13.99, January 1996, 0 224 04301 3
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... and exponentially expanding one. If one stuffed parrot can tell you something about Flaubert, what may not fifty stuffed parrots do for you? Interpretations can themselves be interpreted; there is always a motive for an interpretation if you know where to look for it. A History of the World in 10½ Chapters is, likewise, inspired not so much by hermeneutic ...

Palpitating Stones

Roger Scruton, 3 April 1997

The Dancing Column: On Order in Architecture 
by Joseph Rykwert.
MIT, 598 pp., £49.95, May 1996, 0 262 18170 3
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... is right, that it does all hang together, and that if we shake it around for long enough, we may discover the secret of the column. Classical and Renaissance thinkers endorsed the metaphysical theory of the microcosm, as the true principle of order. According to this, the human body and the ideal building both reflect the order of the universe. The body ...

Diary

Tobias Jones: Campaigning at the Ministry of Sound, 6 March 1997

... becoming politicised. Of the five thousand clubbers who go through these doors in a weekend, many may dimly remember that it was the owner of this club, James Palumbo, who gave a car, a Rover, to Peter Mandelson MP, to help the cause. It is here, at the suitably messianic Ministry of Sound, that the Use Your Vote campaign is organised. Much of the music ...

Was it hayfever?

Henry Gee, 3 July 1997

T. Rex and the Crater of Doom 
by Walter Alvarez.
Princeton, 236 pp., £18.95, May 1997, 0 691 01630 5
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... the dinosaurs had to make way for the superior evolutionary accomplishments of mammals. This may explain why even professionals approached their extinction as dilettantes, advancing ideas that had no scientific rigour. Dinosaurs were wiped out by epidemics of slipped discs, cataracts, toothache or parasites; they were felled by hormonal over-activity ...

Proust? Ha!

Michael Hofmann, 21 August 1997

A Book of Memories 
by Péter Nádas, translated by Ivan Sanders and Imre Goldstein.
Cape, 706 pp., £16.99, August 1997, 9780224035248
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... ever done by mistake. The period we are now embarked on is quite possibly terminal. After it, we may expect a deluge – a deluge of nothing. Houses with venerable names and cosmopolitan traditions seem quite unembarrassed about putting out catalogues that are wall-to-wall English-language originals. Chatto – home of Chekhov, Proust and Joseph Roth ...

Cad’s Cadenzas

Christopher Driver, 15 September 1988

William Walton: Behind the Façade 
by Susana Walton.
Oxford, 255 pp., £12.95, February 1988, 0 19 315156 1
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Façade: Edith Sitwell Interpreted 
by Pamela Hunter.
Duckworth, 106 pp., £10.95, September 1987, 9780715621844
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... to die young, preferably of consumption. Their women, if their tastes lie in this direction, may be called to matrimony and motherhood: but they are seldom given to authorship, and they are not encouraged to own independent musical personalities. These preconditions leave a clear field for the imagination of Hollywood scriptwriters or the industry of ...

Show us the night

Michael Gorra: Michael Dibdin, 26 November 1998

A Long Finish 
by Michael Dibdin.
Faber, 249 pp., £16.99, September 1998, 0 571 19341 2
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... as unchanging as James hoped Venice would be. The Naples of Così Fan Tutti, Dibdin’s best book, may have been scrubbed up for the G7 conference and made safe again for tourism. Yet cleaning the streets can be a way of doing business as usual. Nothing basic has changed and nobody – the police, the criminals, the prostitutes – is exactly what he ...

Letting out the Inner Pig

James Peach: Marie Darrieussecq, 16 September 1999

My Phantom Husband 
by Marie Darrieussecq, translated by Helen Stevenson.
Faber, 153 pp., £9.99, July 1999, 0 571 19663 2
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... the narrator’s best friend) and the strong consciousness of the narrative person. These ideas may come from her discussions with Jérôme Lindon, the publisher of Robbe-Grillet, Butor and Claude Simon, from her studies of recent French literature or from her knowing Nathalie Sarraute. She realises that there is some common ground between her writing and ...

Miz Peggy

Penelope Gilliatt, 15 September 1983

The Road to Tara: The Life of Margaret Mitchell 
by Anne Edwards.
Hodder, 369 pp., £9.95, July 1983, 0 340 32348 5
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... to deal with. And why was Gone with the Wind such a huge success? Miss Edwards suggests that there may be an analogy, in these Depression years, with the hysterical response to Lindbergh. Or has it to do with bringing together a very recently split continent through the sort of romantic saga that is always called feminine, though men readers and critics much ...

Muck

Nicholas Penny, 3 November 1983

Constable: The Painter and his Landscape 
by Michael Rosenthal.
Yale, 255 pp., £15.95, April 1983, 0 300 03014 2
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Constable’s England 
by Graham Reynolds.
Weidenfeld, 184 pp., £12.95, September 1983, 0 297 78359 9
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... scene in the middle distance, the way it is ploughed in. This was a surprising wedding present, we may suppose, to paint for the daughter of a local squire, but Rosenthal reminds us that the most routine agricultural processes were felt to be poetic, and he quotes some passages from Constable’s beloved Bloomfield on the ‘fat’ning treasure from the ...