At the Whitechapel
Peter Campbell: ‘Faces in the Crowd: Picturing Modern Life from Manet to Today’, 6 January 2005
“... is that there is still an intense desire to make art out of the urban condition. The politics of John Heartfield’s collages and the work of the Russians in the 1920s have not lost their verve and bite. But commercial imagery – still, moving, computer-made, photographed, even hand-drawn – has occupied so much of the visual universe that finding a margin ... ”