In the Body Bag
Adam Mars-Jones: Ian McEwan’s ‘Nutshell’, 6 October 2016
“... exclude flexibility and intimacy and can in any case be deceptive. Crystals of agency and self-interest can precipitate out of an apparently neutral solution. Both Atonement and Sweet Tooth could be categorised as masked first-person narratives, since the impersonal authority of the story being told unravels towards the end of each book, with the ... ”