“... or sifting the flour, and stand by the window to listen. Her favourite, as I recall, was Andy Williams’s version of ‘I Can’t Help Falling in Love’ – which, in some ways, is the flipside to ‘I Put a Spell on You’. To fall willingly, helplessly, under that possibly malevolent spell had, to my child’s way of thinking, a troubling innocence to ...”

“... on in their cabin, and the electric heater – so that it ‘would be warm on our return’. John Thayer, a young neighbour of the Eustis’s in Pennsylvania, shared a suite of rooms with his parents. After the impact, which he noticed hardly at all (‘if I had had a brimful glass of water in my hand not a drop would have been spilled’), he told them ...”

“... partner of Amelia Earhart, who doted on young Gore), his serio-comic encounters with Tennessee Williams, Eleanor Roosevelt and Orson Welles, and his holidays in the sinister sunlight of Hollywood as a hired hand (there’s still controversy about how much homoeroticism he snuck into the screenplay of Ben-Hur – ‘I suspect that Heston does not know to ...”

“... Labour MP disagree with that? What they really hated was his questioning of the private sector. John Prescott had been allowed to pledge the renationalisation of the railways at the 1996 Labour Party Conference, but after Blair’s victory the following year the subject was never raised again. Until now. When I asked him when he first realised he might ...”

“... Few books have done as much to reveal the latent liberalism of the Unionist tradition as John Bew’s The Glory of Being Britons: Civic Unionism in 19th-Century Belfast (2009). Bew challenged the prevalent notion that Unionism was at best a reflex response to Irish nationalism and at worst mere anti-Catholic prejudice. Rather, Bew showed that one of ...”

“... more distinguished magazines left standing ($2400 to Scrutiny in 1949, and a whopping $22,500 to John Crowe Ransom’s Kenyon Review over the course of five years, from 1947 to 1952). Literary prestige was, on occasion, converted into capital, as in the case of Cid Corman’s Origin, an important venue for Charles Olson and the Black Mountain School of ...”

“... in Paternoster Square. One by one or in neatly opposed couples – Ken Clarke and Shirley Williams, say – funeral attendees were interrogated about the legacy. Rarely can such an Alice in Wonderland charivari of local stereotypes have been assembled, some of them (like Dave and Samantha Cameron) quite obviously having a good time, with smiles and ...”

“... Named Desire. Brando wasn’t an easy sell: the producer, Irene Selznick, favoured the movie star John Garfield. Marlon was a shade too young for Stanley, who is a war veteran. He was clearly hard to manage. But he had a mixture of brute and poet that Kazan urged on Selznick and Tennessee Williams.That was just the ...”

“... boasts of being ‘admired of those that hate [him] most’. ‘A sicke Machiavell Pollititian,’ John Stephens wrote in his Essays of 1615, ‘is a baked meate for the devill.’ No other political theorist has received remotely similar treatment. Hobbes, who came in for a handsome share of vilification from the 1650s, was namechecked as an early exponent of ...”

“... of these critics, but the realisation that writers like Conrad and Kipling, or Jane Austen and John Stuart Mill, thought and wrote without the natives in mind as an audience. An Indian or Jamaican woman reading Kim or Jane Eyre was able to bring to light the usually unstated colonial and male-dominated ideological assumptions behind the form of the novel ...”

“... I read: ‘Denis is in a very bad way.’ Alas it turns out to be Denis the cat. 14 September. John Bird calls to ask where I found the phrase ‘the habit of art’. I came across it in Mystery and Manners, a book of the incidental writings of Flannery O’Connor: ‘The scientist has the habit of science, the artist the habit of art.’ ...”

“... a national body of verse. When she does mention Scottish anthologists, editors and publishers – John Bell (The Poets of Great Britain), Robert Anderson (Complete Edition of the Poets of Great Britain) and Thomas Campbell (Specimens of the British Poets) – Bucknell doesn’t comment on the way they promoted through their works’ titles a ...”

“... even more productive of academic recognition, it has stirred a controversy about editorial method: John Worthen, one of the three editors of the Cambridge Women in Love, describes his approach in D.H. Lawrence in the Modern World and defends it in Essays in Criticism (April 1989). Yet, as H.M. Daleski points out in the same collection, Joyce has effectively ...”

“... result – a horse-drawn harvester set off against a silver sea – over half a page. Clough Williams-Ellis stretched Tyneham’s view of Worbarrow Bay over the end-papers of his passionately-argued conservationist volume Britain and the Beast. There could scarcely have been a more evocative picture of an England that, in the Thirties, was endangered but ...”

“... are lyrics everyone knows, but not ones Sondheim can hear without squirming. He went to Williams College in Massachusetts and acted a little: the part he craved was the young killer in Emlyn Williams’s Night Must Fall. He had to smoke for that role, and continued for decades. After graduating in 1950, he studied ...”