1685
Denis Arnold, 19 September 1985
Interpreting Bach’s ‘Well-Tempered Clavier’: A Performer’s Discourse of Method
by Ralph Kirkpatrick.
Yale, 132 pp., £14.95, January 1985,0 300 03058 4 Show More
by Ralph Kirkpatrick.
Yale, 132 pp., £14.95, January 1985,
Bach, Handel, Scarlatti: Tercentenary Essays
edited by Peter Williams.
Cambridge, 363 pp., £27.50, April 1985,0 521 25217 2 Show More
edited by Peter Williams.
Cambridge, 363 pp., £27.50, April 1985,
Handel: The Man and his Music
by Jonathan Keates.
Gollancz, 346 pp., £12.95, February 1985,0 575 03573 0 Show More
by Jonathan Keates.
Gollancz, 346 pp., £12.95, February 1985,
Sensibility and English Song: Critical Studies of the Early 20th Century: Vols I and II
by Stephen Banfield.
Cambridge, 619 pp., £27.50, April 1985,0 521 23085 3 Show More
by Stephen Banfield.
Cambridge, 619 pp., £27.50, April 1985,
“... and Vivaldi’s concertos, Scarlatti composed the same piece six hundred times. The pattern may be similar, the bipartite structure with its double bars and repeat marks may be the same. The content is never the same and rarely even similar. Handel is, of course, better-known than this. Or is he? The Water Music and ... ”