“... with the possibility of dispersal and destruction: a fact seized upon with great intensity by both Virginia Woolf and Francis Bacon, and explicitly seen by Walter Benjamin as the essence of the Modernist revolution, an insight which makes Benjamin, even today, Modernism’s most profound theorist. Unlike Braque, Picasso always needed to violate his own ...”

“... Henry James, James Joyce, Franz Kafka, D.H. Lawrence, Frederick Rolfe (Baron Corvo), C.P. Snow and Virginia Woolf. There are also allusions to other texts, such as William Golding’s Free Fall, and to literary schools and sub-genres: the Chester-Belloc style of essay writing is caricatured in Egbert Merrymarsh, and there is a postgraduate sherry-party ...”

“... was altogether different. ‘I imagine it is here that civilisation will expire,’ he writes to Virginia Woolf in 1916. Forster was little inclined to hold forth in generalities, but for him as for D.H. Lawrence (whose banned Rainbow he is defending in his last English letter before Alexandria) the destruction and dislocation of the war entailed a ...”

“... of ‘Speak for England, Arthur’, the play within the play. The memoirs of T.E. Lawrence and Virginia Woolf occur in the original script and the visit to the country house on the eve of the First War, but these are presented as the memories of Hugh and Moggie, the upper-class couple who sit out the Second World War in the basement of ...”

“... T.S. Eliot’s. In the 1890s his stories appeared in the Bodley Head quarterly The Yellow Book and Virginia Woolf later wrote cattily about his wife. A career as a minor modernist was there for the taking, but too close an association with late Victorian Balliol men meant that he had to settle for a life as a colonial ...”

“... has not found much to say about de la Mare, although his illustrious admirers have ranged from Virginia Woolf to Derek Walcott, from Robert Frost to W.H. Auden, from Thomas Hardy to T.S. Eliot, not to speak of confrères such as Edward Thomas, Rupert Brooke and Henry Newbolt. Ezra Pound, although savage in his denunciation of the use of idioms or ...”

“... like to admit; they would all agree, for instance, along with Leavis, to a marked suspicion of Virginia Woolf, for interestingly similar reasons. All three men tend to write journalism which, at least when it is stalking the common reader, functions at levels below their best intelligence. Carey quickly becomes coarse and crowd-pleasing; Eagleton ...”

“... and a portfolio of stocks and shares, almost the amount of unearned income – £500 – that Virginia Woolf thought a woman needed to write and have a room of her own. Pratt takes the top floor of a house in Hampstead, buys a car and a fur coat (‘a good dyed squirrel’) and starts a novel. She encounters Hampstead communists and works briefly for ...”

“... thing’ is Scott Moncrieff’s translation of Proust, and I assume the faint pastiche of Virginia Woolf in Hazzard’s language is a homage to the era: the translation appeared between 1922 and 1930. Scott Moncrieff died in 1930, and the last volume was translated by Andreas Mayor. The whole work was substantially revised by Terence Kilmartin ...”

“... Moulin Rouge, no The Others, no accepting an Oscar for her maudlin act with a prosthetic nose as Virginia Woolf in The Hours. By portraying a starlet so cleverly, Kidman acted her way out of any assumption that she herself was nothing but a starlet. By projecting Suzanne’s wickedness with such fun, she eliminated the suspicion, engendered by her ...”

“... experiences as men’s. She has found that gender mattered a great deal, telling us (echoing Virginia Woolf) that ‘the private world of the family is not separate from the public sphere of politics and economics.’ I believe that her conclusions and indeed her statistics are basically right. But I base that judgment less on my faith in her ...”

“... Busk’), about Busk’s love affair with a writer called Vilde Winther (a deliberate allusion to Virginia Woolf). Linneberg’s novel, which – unsurprisingly – is rather more sympathetic to its hero, presents Vilde/Ida as an admirable but neurotic, unpredictable creature, whom the narrator can neither control nor fully understand. Hjorth ...”

“... up house there in 1904. But he was not a hero. At the 1903 retrospective of his work Vanessa and Virginia decided that ‘some of his work, indeed most of it, is quite childlike.’ A break with the past had been made. Earlier still, a Papal line had been drawn which divided the artistic globe into a literary hemisphere, which was to be ...”

“... he’s always been in favour of medical experiments.11 August. Neville Smith sends me a menu from Virginia Woolf’s, a restaurant and bar in the Russell Hotel, which tells prospective diners that Virginia Woolf was ‘a modernist writer’, a member of the Bloomsbury Group ‘which used to meet at 46 Gordon ...”

“... memory of accompanying Elizabeth Bowen one morning to Tavistock Square when she was calling on Virginia Woolf. At one point in their chat Mrs Woolf produced a little ring-casket, a memento that she had received that morning from the estate of Lady Ottoline Morrell. This must have been, allowing for the usual delay ...”