Last Night Fever
David Cannadine: The Proms, 6 September 2007
“... Accordingly, Glock brought in more orchestras and foreign conductors (he particularly admired Pierre Boulez), and extended the repertoire backwards to the Renaissance and forwards into the second half of the 20th century. This meant serious confrontation with Sargent, as Glock reduced the number of concerts that he was allowed to conduct, and also urged ... ”