“... depends on their rivers and mountains, frontiers and coastlines. In The Earth Transformed (2023), Peter Frankopan added climate to the list: drought in Central Asia caused the fall of empires in Europe, and the Little Ice Age did the same for the Ming dynasty in China. Jonathan Kennedy’s Pathogenesis: How Germs Made History (2023) studied plagues and their ...”

“... Defence, was grounded after a sustained campaign by the tireless Scot. Again, he helped to defeat James Callaghan’s legislation designed to provide a devolved government for Scotland. But no occupant of 10 Downing Street has been the target of so relentless an onslaught at his hands as Mrs Margaret Thatcher. Now, with all the zeal of a Dickensian ...”

“... Stalker was advised by his Inspector of Constabulary, Sir Philip Myers, and his Chief Constable, James Anderton, to apply for a couple of Chief Constable’s jobs which happened to be vacant. They offered themselves as referees if he chose to do so. On the other (the stick), secret Police inquiries started into a Manchester Conservative businessman, Kevin ...”

“... every string, in vain, to get him the Prix Goncourt. He took to racing cars and flying – ‘like Peter Pan’, he told Francis Jammes. Le Grand Meaulnes was written, for the most part, in Rue Cassini. If he had survived the war, what would he have written? Not, probably, Colombe Blanchet, which he had begun, but, as he put it himself, about ‘the countries ...”

“... about from one clan grave to another while the present Stuart claimant to the throne, Michael James Alexander, was being interviewed by BBC Scotland. He is a gentle Belgian socialist who once worked as a waiter in Edinburgh but has taken up PR. ‘I felt it was important to attend,’ he told the cameras. ‘Ethnic cleansing was carried out after Culloden ...”

“... formidable wit and independence. One of the more durable of the ‘épouseurs’ was the young James Boswell, who on first meeting her composed some doggerel beginning: And yet just now a Utrecht lady’s charms Make my gay bosom beat with love’s alarms. Who could have thought to see young Cupid fly Through Belgia’s thick and suffocating sky? Boswell ...”

“... to the system itself. He argues, in line with other Marxist historians working in this field, like James Hinton and Gareth Stedman Jones, that revolutionary class-consciousness can grow out of a struggle for control of production itself. The Leninist model is thus discarded as a schematic imposition of ahistorical categories upon diverse and dynamic historical ...”

“... The high point of the trip, she told Warner, was a visit to Kensington Gardens to pay homage to Peter Pan. ‘Since I am very indulgent to my childhood romances, and keep holiday with them almost religiously,’ she wrote, ‘I just bowed the knee and worshipped like the Oriental or the Romanist at the sound of prayer bells.’ It was another role she’d ...”

“... their passion and solace from charges of idiocy, rather than from the musicologically qualified: Peter Conrad’s A Song of Love and Death is a distinguished and often fascinating example of this phenomenon. Attempts to transform (or, in Conrad’s case, deconstruct) La Sonnambula or Les Pêcheurs de Perles into matter worthy of learned discourse also ...”

“... whose glinting eyes, in Reynolds’s 1778 portrait, stare fixedly past us from the dust-jacket of Peter Martin’s biography. Indeed the book’s steady prose, for all its professions of admiration, does little to suggest that Martin (the first writer to undertake a life of Malone since 1860) has managed to muster much of the personal empathy and enthusiasm ...”

“... 4 January. A Christmas letter from Cami Elbow, wife of Peter Elbow, an American college friend who teaches English at Amherst: Life in Amherst is very placid. Even grammatically correct. In December the town decided to encourage shoppers to patronise the downtown stores with free parking. They ordered plastic bags to cover up the parking meters but the bags arrived with the message wrongly punctuated: ‘Season’s Greeting’s ...”

“... When We talk of narrative poetry today,’ James Fenton asks in the September issue of Poetry Review, ‘are we referring to the kind of story in which, you want to know what happens next? I think not. I think that kind of story is deliberately excluded from consideration.’ It’s a well-timed question, with Blake Morrison and Andrew Motion’s advocacy of narrative in The Penguin Book of Contemporary British Poetry being so widely and respectfully read, and well-directed too, since it clarifies what’s confused in the Penguin introduction by the editors’ simultaneous recommendation of Post-Modernist ‘secrecy’ and the Keatsian ‘long poem ...”

“... take confirmation in it from the other books under review. Charles Tomlinson’s Annunciations and Peter Porter’s Possible Worlds share Renaissance Virgins for cover illustrations. Tomlinson’s is Lorenzo Lotto’s Annunciation, in which the angel has just leapt spectacularly over the balcony, terrifying the cat, to make his declaration to an overcome and ...”

“... Paul Foot, now its politics are rightish, its stance prurient, and its key figures Nigel Dempster, Peter McKay and Auberon Waugh. The radical lampoon has become required reading on the magazine syllabus of every Sloane Ranger. Moreover, the Eye, that fearless exposer of the faintest mafia, now runs a comfortable little establishment of its own. Consider how ...”