“... In a notebook entry written during the summer of 1743, the English engraver George Vertue paid tribute to his friend the ‘ingenious’ William Taverner, who ‘besides his practice of the Law ... has an extraordinary Genius in drawing and painting Landskips, equal if not superior in some degree to any painter in England’. Like other contemporary amateur producers of landscape watercolours, Taverner must have been aware that the favourite occupation of his leisure hours had long been associated with the demonstration of power and prestige; Castiglione’s Book of the Courtier (first English translation, 1561) was only the first of many treatises on aristocratic conduct to recommend drawing as an activity appropriate to men of the highest rank ...”

“... The most baffling part of the climb was getting to the base of the Rock. Or so we thought until we embarked on the Face itself. On a Saturday we started to ask our way along the limpet-horde of wrecked garages and scrapyards that encrust the base of the reef. Nowhere does the 500-metre soaring triangle of raw limestone actually sprout from common ground ...”

“... How should the history of the Jews be written? Ever since the compilation of the Old Testament – a pioneering work of collaborative authorship, sometimes inaccurate and inadequately documented, and biased throughout by teleological distortion – it has been an understandably difficult and daunting task. For the most part, this is because of the diversity and the intensity of the Jewish experience ...”

“... The unity of my mind is something that I can appreciate when I use it, but it is hard to isolate and analyse. Without it, I could not have checked that sentence or added this one to it, and yet, when I turn my mind inwards onto itself, the source of its unity remains elusive. Is it something additional to all my thoughts and feelings, wholly au-dessus de la mêlée? What are the vicissitudes through which this anima vagula is capable of maintaining its own identity? How separate is it from the rest of the natural world? That last question forces itself on us not only when we think about the possibility of surviving death but also when we make any ordinary choice in daily life ...”

“... The Thirty-Nine Articles required all Englishmen to practise archery on Sundays. For the Elizabethans bearing arms was a duty, not a right. Few of them were allowed to shoot at anything but targets: all game in the kingdom belonged to the Queen and could only be hunted under licence. Bows and arrows, guns and pistols must normally have been kept at home, but every man carried a knife with which to cut his food, and every gentleman a sword ...”

“... As a child I collected butterflies, and I remember being impressed by a comic cartoon which showed another collector, older and more experienced than myself, who had accidentally swallowed a specimen he had been chasing. Later I felt the same sense of incongruity when I read Berkeley’s claim that everything he perceived was really in his mind. Surely he was overdoing it ...”

“... It seems a shame that Eric Linklater was, as his biographer records, perpetually dissatisfied with how his work was received. His third novel (Juan in America, 1931) was the Book Society Choice (as was Private Angelo fifteen years later). He was at once in demand with Tauchnitz on the Continent. His articles were bought by the London dailies, the Listener, and Collier’s, his stories by Harper’s ...”

“... Hugh Dalton was a Member of Parliament for 35 years, a minister for 12, a Front-Bencher for 30 and a member of the Labour Party National Executive for 25. In the Thirties, as Ben Pimlott shows in this absorbing, perceptive and sometimes moving biography, he played a central part (after Bevin, the central part) in dragging the Labour Party out of the semi-pacifist isolationism of the Twenties into a grudging acceptance of re-armament and, when necessary, the use of force ...”

“... You can tell Russia is not a real democracy because there is no great mystery about its politics. Democracies are slightly baffling in how they work: just look at America; just look at Europe; just look at us. In Russia the basics are easy to understand: people use money to get power and power to get money. The country is ruled by a narrow, self-serving elite who go through the motions of holding elections and transferring power ...”

“... Goethe’s most famous novel was once a Europe-wide sensation. There were Werther-themed prints, figurines, jewellery, perfume, fans, crockery and men’s clothing. The novel itself first appeared in English in 1779, as a translation of a translation: The Sorrows of Werther: A German Story was based on the French version. Translations of French novels made up a large part of the fiction published in England in the 18th century; English authors on their own seem to have been unable to satisfy the expanding market, and the whiff of scandal associated with novels, only partly displaced by the Pamela cult of sentimental virtue, could be both disavowed and enjoyed when books were written by and for the French ...”

“... In​ the original film noir, John Huston’s Maltese Falcon (1941), private investigator Sam Spade (Humphrey Bogart) visits criminal mastermind Kasper Gutman (Sydney Greenstreet) in his San Francisco hotel room to discuss the delivery of a mysterious ornament. The elevator attendant points him in the direction of Room 12c. After some cagey preliminaries, Spade delivers a ferocious ultimatum ...”

“... abstractions while literary critics, represented by writers as apparently different as F.R. Leavis and Raymond Williams (although they, too, were across the hall in another town at another time), remind us of the urgencies of real life. There is much of this sort of language in the present book, which describes and commends a ‘total immersion in ...”

“... Andy Martin is unlikely to convince many readers that Napoleon conquered Europe only as compensation for his inability to write a sentimental novel. His attention to the Emperor’s literary ambitions is, however, not unreasonable. Napoleon dreamed of literary as well as military glory, wrote copiously at various moments in his life, and had real talent for it (Sainte-Beuve called him ‘a great critic in his spare time’, while Thiers elevated him to ‘greatest writer of the century ...”

“... The Oxford History of Modern Europe belongs to a more leisured era. Its first volume, A.J.P. Taylor’s The Struggle for Mastery in Europe 1848-1918, appeared in 1954. Half a century later its two founding fathers, William Deakin and Alan Bullock, are dead, and their project remains incomplete. Individual volumes cover Germany, France from 1848 to 1945, Spain, the Low Countries, Romania and the European Jews ...”

“... For most of his professional life, Graham Greene might have been described as the Greta Garbo of modern English letters. He preferred to be alone. A wartime Penguin edition of England made me in my possession records on the back cover that ‘he … has always lived a quiet life and shunned literary circles.’ Widely regarded as, in Hugh Walpole’s words (quoted on the same cover), ‘the finest English novelist of his generation’, he avoided the public exposure that usually accompanies such exalted cultural status ...”