Stalking Out

David Edgar: After John Osborne, 20 July 2006

John Osborne: A Patriot for Us 
by John Heilpern.
Chatto, 528 pp., £25, May 2006, 0 7011 6780 7
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“... John Osborne’s Look Back in Anger ushered in a theatrical revolution. Launching both the Angry Young Man and kitchen-sink drama, the play is held to have had a devastating and irreversible impact on a postwar theatre scene dominated by winsome drawing-room comedies and witless country-house whodunnits. At the time, the play and its message were anatomised ...”

I myself detest all Modern Art

Anne Diebel: Scofield Thayer, 9 April 2015

The Tortured Life of Scofield Thayer 
by James Dempsey.
Florida, 240 pp., £32.50, February 2014, 978 0 8130 4926 7
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“... from his publisher with a note that read: ‘Please don’t imagine that America is full of rich young men of that kind!’ Thayer wasn’t modest, but he was discreet, especially compared to the most prominent New York salonnier of the 1920s, Carl Van Vechten, who shamelessly made sure his name was associated with those he helped. Thayer had some literary ...”

Philosophical Vinegar, Marvellous Salt

Malcolm Gaskill: Alchemical Pursuits, 15 July 2021

The Experimental Fire: Inventing English Alchemy, 1300-1700 
by Jennifer M. Rampling.
Chicago, 408 pp., £28, December 2020, 978 0 226 71070 9
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“... monarchs to do it, if they found men of experience to assist them.A legend holding that Edward III hired an alchemist to help fund a crusade contained a grain of truth: the king did think alchemy might alleviate his economic problems, one of which was a currency flooded with counterfeits. In the early 1340s, John of Walden was paid a considerable ...”

Tea with Medea

Simon Skinner: Richard Cobb, 19 July 2012

My Dear Hugh: Letters from Richard Cobb to Hugh Trevor-Roper and Others 
Frances Lincoln, 240 pp., £20, October 2011, 978 0 7112 3240 2Show More
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“... genteel domesticity could come from a Mike Leigh script. Take his description of tea with Edward and ‘Medea’: She was about to pour the tea. Instead, she hurled the full teapot across the room, in the direction of Edward’s head; it was quite a good, very powerful shot, but it just missed him, shattering ...”

Gilded Drainpipes

E.S. Turner: London, 10 June 1999

The London Rich: The Creation of a Great City from 1666 to the Present 
by Peter Thorold.
Viking, 374 pp., £25, June 1999, 0 670 87480 9
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The Rise of the Nouveaux Riches: Style and Status in Victorian and Edwardian Architecture 
by Mordaunt Crook.
Murray, 354 pp., £25, May 1999, 0 7195 6040 3
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“... for many generations. They were part of the Grosvenor (later Westminster) estate left by the young heiress Mary Davies in the 17th century, together with the Mayfair lands which were the first to be exploited. The story of poor addled Mary as the wellhead of wealth scarcely to be imagined is part of legend. To the admirable Thomas Cubitt goes the major ...”

Descent into Oddness

Dinah Birch: Peter Rushforth’s long-awaited second novel, 6 January 2005

Pinkerton’s Sister 
by Peter Rushforth.
Scribner, 729 pp., £18.99, September 2004, 0 7432 5235 7
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“... slimy things, amongst reeds and Nilotic mud.’ The last of the novel’s quotations is from Edward Lear, who knew about writing and depression. There was an ink stain on the side of her face. She touched at it, feeling the blackness entering inside her. There was a Young . . . – ...”

It is still mañana

Matthew Bevis: Robert Frost’s Letters, 19 February 2015

The Letters of Robert Frost, Vol. 1: 1886-1920 
edited by Donald Sheehy, Mark Richardson and Robert Faggen.
Harvard, 811 pp., £33.95, March 2014, 978 0 674 05760 9
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“... it work. Frost spent a long time telling other people that there was more to come from him. ‘A young man knows more about himself than he is able to prove to anyone,’ he observed, and in the early letters he is repeatedly undertaking a future for himself. ‘Even in my failures I find all the promise I require to justify the astonishing magnitude of my ...”

Field of Bones

Charles Nicholl: The last journey of Thomas Coryate, the English fakir and legstretcher, 2 September 1999

“... eccentric but deeply experienced traveller. Also in the English party was the embassy chaplain, a young man called Edward Terry. Years later, Terry published a memoir of his Indian travels, and this obscure volume – A Voyage to East India (1655) – contains almost the only information we have about Coryate’s last ...”

Rinse it in dead champagne

Colm Tóibín: The women who invented beauty, 5 February 2004

War Paint: Helena Rubinstein and Elizabeth Arden: Their Lives, Their Times, Their Rivalry 
by Lindy Woodhead.
Virago, 498 pp., £20, April 2003, 1 86049 974 0
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Diana Vreeland 
by Eleanor Dwight.
HarperCollins, 308 pp., £30, December 2002, 0 688 16738 1
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“... a hundred she would puff out her lips and make a raspberry noise.’ Rubinstein’s husband Edward Titus, a great bibliophile and an expert on Baudelaire, very sensibly remained in Paris as his wife began her assault on New York. He had, she said later, ‘a nose for art, a nose for property’. However, ‘the cost of running him’, as Lindy Woodhead ...”

Snarling

Frank Kermode: Angry Young Men, 28 November 2002

The Angry Young Men: A Literary Comedy of the 1950s 
by Humphrey Carpenter.
Allen Lane, 244 pp., £18.99, September 2002, 0 7139 9532 7
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“... whether it really existed. The Movement (a rather localised, mostly Oxford affair) and the Angry Young Men (more London, more of the theatre) were certainly the inventions of journalists, but they took on a kind of reality when the public was induced to view the young men in terms of those inventions, and also when the ...”

Walking like Swinburne

P.N. Furbank, 12 July 1990

Serious Pleasures: The Life of Stephen Tennant 
by Philip Hoare.
Hamish Hamilton, 463 pp., £20, June 1990, 0 241 12416 6
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“... case some readers may not have heard of him. He was born in 1906, the son of a rich industrialist, Edward Tennant, who became Lord Glenconner in 1911, and of Pamela Wyndham, one of the Wyndham sisters immortalised by Sargent in his painting The Three Graces. Margot Tennant, who married Asquith, the Liberal prime minister, was his paternal aunt. Tennant spent ...”

Bastards

James Wood: St Aubyn’s Savage Sentences, 2 November 2006

Mother’s Milk 
by Edward St Aubyn.
Picador, 279 pp., £12.99, January 2006, 0 330 43589 2
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“... Can you always count on a bastard for a fancy prose style? It is hard to imagine the fiction of Edward St Aubyn stripped of the cool silver of its style. I am not accusing St Aubyn of being a bastard; I mean that he writes very well about bastards, and that both their contempt for the world and St Aubyn’s contempt for them find their best expression in a certain kind of intelligent, frozen stylishness ...”

Sexual Nonconformism

Peter Laslett, 24 January 1980

Wanton Wenches and Wayward Wives: Peasants and Illicit Sex in Early 17th Century England 
by G.R. Quaife.
Croom Helm, 283 pp., £11.50, July 1980, 0 7099 0062 7
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A History of Myddle 
by Richard Gough, edited by Peter Razzell.
Caliban, 184 pp., £9, October 1980, 0 904573 14 1
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“... missing from courtship and from marriage. This is a position particularly associated with Edward Shorter, whose Making of the Modern Family defends the view that it was capitalism and the rise of industry 150 years after the time described by Quaife which introduced these things into the emotional lives of the mass of the population. No one can read ...”

Prize Poems

Donald Davie, 1 July 1982

Arvon Foundation Poetry Competion: 1980 Anthology 
by Ted Hughes and Seamus Heaney.
Kilnhurst Publishing Company, 173 pp., £3, April 1982, 9780950807805
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Burn this 
by Tom Disch.
Hutchinson, 63 pp., £7.50, April 1982, 0 09 146960 0
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“... distinguished poems here by Jill Bowers, Jack Barrack and (a practised hand, which shows) Charles Edward Eaton; from William Radice (a beautifully imagined variation on Virgil), and Mark Beeson (a similarly accomplished essay in the Dantesque); from Pauline Rainford, Monica Ditmas, Anne Stevenson (two) and John Whitworth; from Aidan Carl Mathews (another ...”

At the Royal Academy

Peter Campbell: Rodin, 5 October 2006

“... quality, have treated the sculptures as if they were landscapes or people in the street. Two young Englishmen, Stephen Haweis and Henry Coles, who photographed many of them in the early 1900s, preferred to take their pictures at sunset. Some of the images they made, in which detail is buried in deep shadow, are as soft and dark as heavily inked ...”