“... classes had taken fright, just as they were meant to. Byron prophesied to Hobhouse that ‘the king times are fast finishing. There will be blood shed like water, and tears like mist; but the peoples will conquer in the end.’ On the other hand, from Byron’s own personal point of view, ‘born an aristocrat, and naturally one by temper, with the ...”

“... Robert Graves’s I, Claudius, or Danny Hill: Memoirs of a Prominent Gentleman (edited by Francis King) and Margaret Forster’s ‘edition’ of Thackeray’s Memoirs of a Victorian Gentleman, the book mingled respected literary figures still alive in Britain with private characters who, if not invented, were surely concealed like the author himself under ...”

“... sounds little different from most prep schools of the time. The real disaster came when he entered King’s School, Canterbury (alma mater of Christopher Marlowe, Somerset Maugham, Patrick Leigh-Fermor), from which Brooke ran away in the first week. He was sent back. The second week he ran away again. The second withdrawal ...”

“... prosperity across the world’, which is bankrolled by New Zealand hedge fund billionaire Christopher Chandler. At Arc’s second ‘global conference’ in London last month, the Tory leader, Kemi Badenoch, warned that unless the Tories renewed their policies and ideas, ‘our country and all of Western civilisation will be lost.’ The Arc ...”

“... which is not the scene of de la Mare’s engrossing stanza: Who said, ‘Peacock Pie’? The old king to the sparrow. Who said, ‘Crops are ripe’? Rust to the harrow. It is solid stuff: the more we repeat it the more true facts emerge. The old king’s words are at once a threat, a gibe and an ironical comment ...”

“... is unknowable, but Brindle offers a counterfactual hint in his account of the chapel of King’s College, Cambridge. The Perpendicular fan vaulting of the master mason John Wastell sits in harmony with later Flemish stained glass and French wood carving, embellished with classical motifs. It is Gothic going on Renaissance. Instead, cut off from ...”

“... beStill the indomitable Irishry.Yeats died on 28 January 1939. Two days earlier, W.H. Auden and Christopher Isherwood had arrived in New York. When Auden heard of Yeats’s death, he sought to ascertain what time of the day or night he had died. He was planning a poem. What preoccupied him most in 1939 was guilt that his gift for poetry was serving ...”

“... the filling more than makes up for it. The chapters on ‘honest’ in Othello and ‘fool’ in King Lear are exemplary studies of how words can express and generate social turmoil, and remain among the best essays ever written on Shakespeare. The reason they’re so good is that they show how each word could be used not just with a range of senses, but ...”

“... from the circumstances, public or private, that created them. Tennyson’s Idylls of the King drew inspiration from his sense of what the reading public of the time needed to hear. Now their art remains, but not that life which once gave it real meaning. In Russia, circumstances have not changed, and the uncompromisingly personal utterance of these ...”

“... Come-On’ and ‘Remembering Lunch’. ‘The Come-On’ takes its epigraph from Camus: ‘The king’s son who kept watch over the gates of the garden in which I wanted to live’. It does not take the class war quite seriously, and that makes it the more effectively disconcerting. Can I become the king’s son? But ...”

“... serious but highly readable, were reappearing as Ash wrote: Rosalind Mitchison, T.C. Smout and Christopher Harvie were among the most successful authors. They wrote mostly narrative or social history, revealing unknown territory to generations who had learned almost nothing of Scotland’s past at school. Now, though, the fashion is more reflexive. Tom ...”

“... produced the trash, a lurid account written by the former British MI6 intelligence agent Christopher Steele, based on hearsay purchased from anonymous Russian sources. Amid prostitutes and golden showers, a story emerged: the Russian government had been blackmailing and bribing Donald Trump for years, on the assumption that he would become president ...”

“... This is in many ways the full-dress portrait of the young man so brilliantly sketched by Christopher Hampton in Total Eclipse. The exotic otherness of Rimbaud to his Anglo-Saxon readers is indissociable from myths about French Revolutionary violence, the Paris Commune, Continental sexual mores, French art, French bohemianism, Parisian chic and ...”

“... I left the village where I’d spent the night, the village where, in the ninth century, a famous king had beaten the army of a northern warlord. I climbed a steep path to a high plateau and walked along dusty tracks. There was gunfire in the distance. In the early afternoon I rested on a hilltop, on the ramparts of ancient fortifications whose shape was ...”

“... by specific occasion or active collaboration to have known Shakespeare personally, which relegates Christopher Marlowe to a glowering presence on the sidelines, and also excludes that engaging gadfly Thomas Nashe, though both had a decisive stylistic influence on Shakespeare in the 1590s, and both must surely have known him. I would also have liked more about ...”