“... really go to The Last Laugh, the 1959 Cambridge Footlights revue, directed and largely devised by John Bird. CND was just beginning to gather momentum and the show opened with a huge nuclear explosion, following which, in the words of the producer William Donaldson, the audience was treated to a whole evening’s worth of ‘terrible gloomy stuff – the ...”

“... resentment that was mounting against postwar liberalism. This coalition drew support from the John Birch Society and the American Nazi Party, but also from working-class people affected by deindustrialisation, who often had roots in the same outer-borough neighbourhoods as the guards and the police. In 1970, a new union boss, Leo Zeferetti, steered COBA ...”

“... the reverend submitted insurance claims on his nephew to the Beneficial National, the Vulcan, the John Hancock and the World Wide insurance companies. The reverend, who was black, was assisted in his macabre actuarial pursuits, as well as in his legal battles, by a white lawyer called Tom Radney. Exploiting the vulnerabilities of an insurance industry that in ...”

“... may occur more frequently than elsewhere.”’ Robin Hood Gardens​ coincided with what John Boughton describes as a ‘golden age of council house building’, but in Municipal Dreams he doesn’t include it in his ‘pantheon’, ‘despite the affection in which it is held by the architectural great and good’. Richard Rogers compared Robin Hood ...”

“... 1860s, western Missouri and eastern Kansas produced Border Ruffians, Jayhawkers, guerrillas and John Brown. Pro-slavery men and Abolitionists, Confederates and Union men murdered their opponents. Unionists expelled many non-combatants in an attempt to deny guerrillas support. The Southern guerrillas rode under the black flag, slaughtering their ...”

“... the impossibility, for him, of Williams’s kind of free verse, and his stubborn anti-Europeanism. John Crowe Ransom and Allen Tate had special claims on him. As a young man Lowell had fled Harvard to seek instruction from Ransom and Tate in Tennessee and at Kenyon College, Ohio. Tate, the stronger influence, saw himself as a sort of poetic father, assuming an ...”

“... at the Home Office in the week that France fell in May 1940, at which the home secretary, Sir John Anderson, declared that he found it hard to believe that any BUF member would help the Nazis. Presented with evidence that several had already been caught passing secrets, he still insisted that to imprison Mosley or his supporters would make them ...”

“... but literary convention played a far less decisive role than on the Continent. For this reason, John Hirsh’s anthology, Medieval Lyric, looks very different from Lark in the Morning. Chronologically, it begins where the troubadour canon leaves off. Along with a handful of lyrics by Chaucer, Richard Rolle, and some less familiar names, it includes fifty ...”

“... This was colloquially known as the royal numerals case, brought by the nationalist politician John MacCormick against the assumption by the new queen of the style Elizabeth II – though she was patently the first monarch by the name of Elizabeth to reign over the post-1707 United Kingdom. Although Cooper found that MacCormick had no standing to bring the ...”

“... had a crush on. She throws herself on the mercy of a mad, obsessive fan. The minor story concerns John, an evil Coke-monster Hollywood film producer of huge-budget action movies. After a near-death experience with the flu – ‘His heart leapt with the knowledge that it wasn’t drugs or excessive living that had his jaws chattering like a tree full of ...”

“... victim, tethered, and ready for slaughter. In Where Did It All Go Right? Alvarez’s former friend John Wain receives the same treatment – punished for being feeble of mind and feeble of body – and there are numerous other little tussles and boasts. Alvarez is a writer who is certainly not oblivious of the extent of his own charms and perhaps he rather ...”

“... space for any genre, any costume and any voice. You can make it a detective thriller, like John Lawton’s Riptide, set in London in 1941, featuring Sergeant Troy of the Yard. You can make it modern picaresque, a frenetic burst of lyrical futurist imagery, like Rodney Hall’s The Day We Had Hitler Home, which is haunted by the presiding monster-to-be ...”

“... Britain. Haggard was very proud of an interview he had with a ‘Zulu of high blood’, the Rev. John Dube, who was to become the first leader of the African National Congress. Like his interviewer, Dube was bitter about the injustices which gave whites huge tracts of land and left displaced blacks as homeless squatters condemned to forced labour. The black ...”

“... other historical documents. Probably inspired by Williams’s In the American Grain (1925), and by John Dos Passos’s Manhattan Transfer in the same year as well as the first two volumes of his USA trilogy (1930 and 1932), it was written at a time when there was a preoccupation with telling the ‘American story’ and the conviction that some kind of ...”

“... work. Leaving the Atocha Station and 10:04 incorporate passages of literary and art criticism (on John Ashbery’s poems, or Christian Marclay’s film The Clock) into their narratives, some of it taken almost verbatim from Lerner’s own published essays. It’s a remarkable thing to create a narrator who can credibly launch into actual written criticism in ...”