All the Assujettissement

Fergus McGhee: Mr Mid-Victorian Doubt, 18 November 2021

Arthur Hugh Clough 
edited by Gregory Tate.
Oxford, 384 pp., £85, September 2020, 978 0 19 881343 9
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... sort of thing, intoning against ‘the dialogue of the mind with itself’. But Clough saw that self-dialogue could be a cure as well as a disease, or at least a way of being less dutiful towards your discontentments. Throughout the poems you can sense the secret glee of the pious schoolboy who once confessed in his diary: ‘Feel almost inclined to sin ...

Did she go willingly?

Marina Warner: Helen of Troy, 7 October 2010

Helen of Troy: From Homer to Hollywood 
by Laurie Maguire.
Wiley-Blackwell, 280 pp., £55, April 2009, 978 1 4051 2634 2
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... are closer to the attitude of the artist-photographer Claude Cahun, who staged a series of self-portraits in all kinds of personae, and wrote a little book of Heroines, in which Helen of Troy begins her tale: ‘I know I am very ugly, but I try to forget it. I play at being this beautiful young girl.’ When Angela Carter reworked the myth of Helen of ...

Fear of Rabid Dogs

Margaret Anne Doody, 18 August 1994

Managing Monsters: Six Myths of Our Time 
by Marina Warner.
Vintage, 104 pp., £4.99, April 1994, 0 09 943361 3
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... matter. Woman is Animal. Yet, as Warner points out, Woman functions in the myths as the animal self more effectively where there is a belief in the value of the ‘civilised’. When ‘nature’ is seen as aggression, and aggression is to be highly valued – in the dog-eat-dog world of the Stock Exchange and in Robert Bly’s drum-beating – then Woman ...

How to Be a Knight

Diarmaid MacCulloch: William Marshal, 21 May 2015

The Greatest Knight: The Remarkable Life of William Marshal, the Power behind Five English Thrones 
by Thomas Asbridge.
Simon and Schuster, 444 pp., £20, January 2015, 978 0 7432 6862 2
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... they wanted out of life, and how they should behave towards other people, in order to generate self-respect as well as respect from others. That respect included approval from the priestly caste of a religion which had started out a thousand years before by saying a great deal about love and forgiveness, and which early on had experienced some difficulty ...

Why join Islamic State?

Patrick Cockburn, 2 July 2015

... Its main city is Qamishli, which feels a long way from the war. This is a fertile and largely self-sufficient region of wheat fields and oil wells, though few are still operating. Further west is the canton that surrounds the devastated town of Kobani, which Islamic State failed to capture despite a four-and-a-half-month siege that ended in January when ...

Populism and the People

Jan-Werner Müller, 23 May 2019

... hegemony go hand in hand with something much more mundane: a tendency among their leaders to seek self-enrichment. Authoritarianism goes hand in hand with kleptocracy (a term coined by the Polish-British sociologist Stanislav Andreski in the late 1960s). The straightforward explanation is that the absence of legal and political constraints makes ...

Visitors! Danger!

Lorraine Daston: Charles Darwin, 8 May 2003

Charles Darwin. Vol. II: The Power of Place 
by Janet Browne.
Cape, 591 pp., £25, November 2002, 0 224 04212 2
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... his life thereafter. Browne goes so far as to compare his Kentish country house, Down, to a ‘self-contained, self-regulating scientific ship methodically ploughing onwards through the waves outside . . . almost as if he were on the Beagle again, sailing into some unknown port, where people felt it was a natural ...

Oak in a Flowerpot

Anthony Pagden: When Britons were slaves, 14 November 2002

Captives: Britain, Empire and the World 1600-1850 
by Linda Colley.
Cape, 438 pp., £20, September 2002, 0 224 05925 4
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... of commerce in the world’, and the British Empire had always been – at least in its self-representation – concerned overwhelmingly with trade. Hence Charles II’s abortive attempt to transform Tangier, in Pepys’s words, into the ‘most considerable place the King of England hath in the world’. Tangier is also crucial to Colley’s ...

I am the thing itself

Rosemary Hill: Hooray for Harriette, 25 September 2003

Harriette Wilson’s ‘Memoirs’ 
edited by Lesley Blanch.
Phoenix, 472 pp., £9.99, December 2002, 1 84212 632 6
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The Courtesan’s Revenge: Harriette Wilson, the Woman who Blackmailed the King 
by Frances Wilson.
Faber, 338 pp., £20, September 2003, 0 571 20504 6
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... of that peculiar mixture of diary and epistolary novel, spontaneous outpouring and literary self-consciousness, that gives the Memoirs their peculiar tone, and for which they deserve to be taken more seriously than they have been yet. The book is uneven, it is too long, and it runs out of steam towards the end, partly, as Wilson explains, because the ...

I’m not an actress

Michael Newton: Ava Gardner, 7 September 2006

Ava Gardner 
by Lee Server.
Bloomsbury, 551 pp., £20, April 2006, 0 7475 6547 3
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... a wooden performer. She became an actor when she found a way of presenting herself on screen, the self she presented being in two senses a Hollywood creation: both the kind of person the milieu permitted, and also the package sold to the world through her relationship to the press. The quality those directors found was not the natural woman from Grabtown, but ...

Excessive Bitters

Jenny Diski: The blind man who went around the world, 7 September 2006

A Sense of the World: How a Blind Man Became History’s Greatest Traveller 
by Jason Roberts.
Simon and Schuster, 382 pp., £12.99, August 2006, 0 7432 3966 0
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... 25: Once hope of a cure is extinguished in the newly blind adult, there is typically a period of self-mourning, in which the individual retreats from ordinary interaction. Often they speak little, respond tersely if at all to questions, and spend long hours sitting almost motionless. It is an insulative emotional mechanism, an understandable grief response ...

Emotional Sushi

Ian Sansom: Tony, Nick and Simon, 9 August 2001

One for My Baby 
by Tony Parsons.
HarperCollins, 330 pp., £15.99, July 2001, 0 00 226182 0
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How to Be Good 
by Nick Hornby.
Viking, 256 pp., £16.99, May 2001, 0 670 88823 0
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Little Green Man 
by Simon Armitage.
Viking, 246 pp., £12.99, August 2001, 0 670 89442 7
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... person with the power is always the one who cares less.’ There are countless other examples of self-repetition. One for My Baby appears to have been untouched by any editorial hand, or at least by an editorial hand that had also bothered to pick up Man and Boy. There is even one scene of sexual congress – a crucial plot point, as Parsons’s manuals ...

Navigational Aids

Liam McIlvanney: Jonathan Raban and the ‘novel-sized city’, 6 November 2003

Waxwings 
by Jonathan Raban.
Picador, 311 pp., £15.99, August 2003, 0 330 41320 1
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... a fictional cast of mind, a willingness to make yourself up as you go along, to score out the old self and start again on a new page: in Hunting Mister Heartbreak (1990), Raban adopts a different identity (John Rayburn, Rainbird) for each place he visits. In Waxwings, set in the ‘virtual city’ of Seattle at the height of the dot.com boom, American reality ...

How to Survive Your Own Stupidity

Andrew O’Hagan: Homage to Laurel and Hardy, 22 August 2002

Stan and Ollie: The Roots of Comedy 
by Simon Louvish.
Faber, 518 pp., £8.99, September 2002, 0 571 21590 4
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... version of Dan Leno: he does songs, he falls on his arse, he has trouble with machines, with self-worth, and he goes in for disguises, catchphrases, patter and multiple personalities. The old comics were human, of course, but the startling thing about the newer television cartoon characters is that they often appear more human than real people, more ...

Holy Apple Pie

Peter Howarth: D.H. Lawrence’s Poetry, 22 May 2014

The Cambridge Edition of the Works of D.H. Lawrence: The Poems 
edited by Christopher Pollnitz.
Cambridge, 1391 pp., £130, March 2013, 978 0 521 29429 4
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... But Lawrence wasn’t all that interested in ur-versions of his poems: the more he threw off self-censorship, and the set forms and other tasteful packaging which came with it, the more he wanted the poems to feel like drafts. If free verse meant ‘there is no perfection, no consummation, nothing finished’ then his poems’ artistic quality would lie ...