What are we allowed to say?
David Bromwich, 22 September 2016
“... again, the wildness of satire was turned into an object of moral admiration. The cartoons were broad-gauge, and looked to get a rise out of the credulous – a very different thing from Rushdie’s tactics of ambiguity and metafiction; coming from non-Muslim French artists, they made a conspicuous instance of satire from high to low. The watchwords of ... ”