“... prophetic books has recently been called into question in a way which has largely confounded Michael Foot’s purpose in writing The History of Mr Wells. It is clear that Foot first conceived his biography as a celebration of Wells’s socialism – more particularly his ‘libertarian’ socialism, which Foot takes to be healthier than the ...”

“... of revisionist historians to rehabilitate the myth of Camelot on the Potomac. Almost, but not yet. Michael Beschloss’s absorbing and authoritative study of US-Soviet relations from January 1961 until Kennedy’s assassination in November 1963 adds significantly to the case amassed by the demolition squad. Like many US authors, Beschloss assumes that his ...”

“... she did, over and over, till she spat like a veteran. Someone else taught her how to smoke. From Michael Jackson she learned how to grab her crotch. Are these not accomplishments, hard-won for a girl from a nice family? So often Andersen seems to miss the point. He will, persistently, describe Madonna as a transcendent beauty, when, as everyone can ...”

“... Eastwood’s relations with his orang-utang co-star; and his excursions into biography, Bird and White Hunter, Black Heart, are brave if lumbering. But what makes and keeps him a star, as actor and director, is a certain intimacy with screen violence, or with ways of representing violence. His Westerns and his cop movies are what continue to matter, and they ...”

“... some money, so does not share Lawrence’s family background. Like the gamekeeper Annable in The White Peacock, Noon has been to Cambridge and done well, but has chosen not to go on with an academic career or a life as a déclassé intellectual. Yet he is out of place, working at home. Like Aaron Sisson in Aaron’s Rod, he has a musical gift; unlike ...”

“... As I ate them, I thought of opossums and birds, and the antique Japanese prints in black and white, in which monkeys are eating persimmons in bare trees.’ To his young Cuban poet friend José Rodríguez Feo, for whom, admittedly, he played down the Puritan, he seemed not quite American (or at least not your average norteamericano): ‘To the ...”

“... sees, implying the view of everyone else: In the middle of the stage sat girls in red bodices and white skirts. One, very fat, in a white silk dress, sat apart on a low stool with a piece of green cardboard glued to the back of it. They were all singing something. When they finished their song, the girl in ...”

“... challenged more strongly. The moral reversal – natives behaving properly while being betrayed by white men who violated their own codes of the sea – impressed the inquiry and, no doubt, the devourers of the now fast travelling news between Aden and London and Singapore. This was the scandal that inspired Conrad, who had landed in Singapore in 1883 after ...”

“... at ‘nation-building’ – when the term ‘English-speaking’ might have meant something in white South African society. In contemporary South Africa, however, ‘African’ and ‘Afrikaner’ dominate the debate. Both suggest a primordial attachment to the continent, fan rival nationalisms and render the phrase ‘English-speaking South ...”

“... limited to a small but dedicated following among writers such as Richard Ford, Stewart O’Nan and Michael Chabon. This came ten years too late for Yates, who died of emphysema and complications following minor surgery in 1992. His fiction is closely modelled on his own experiences and, perhaps unsurprisingly, it is a miserable place. The Easter Parade ...”

“... more bleakly precise about the needs and wants that draw the fugitive and lonely together – a white girl and black boy in ‘Black Boy’, an overlooked wife and an inventive, operatic Baron in ‘Friend of the Family’. ‘Keep your pity,’ warns the title of a grotesque story of misplaced charity towards a vicious elderly couple. The majority of these ...”

“... Horace and Ovid threw down the gauntlet to oblivion: come and get me if you can. Paul Farley and Michael Symmons Roberts are poets and professors of poetry, and the authors of a previous collaboration, Edgelands, which took as its subject the dejected spaces that buffer suburban developments, industrial parks, highways and airports. They have now teamed up ...”

“... recall these years through veils of mist and shades of grey, conjuring images of black and white photography or newsreel.’ Do they? People, I suspect, have been so often told that this was the palette attached to that decade and a half that they unquestioningly accept it. It is an old chromatic cliché. Edward VI’s coat of arms is twice displayed ...”

“... denigrated A Walk on the Wild Side, he was brought near to suicide by the reviews. Always drawn to white male redemption through black love, Algren had originally called Golden Arm by the title Beauvoir used in their correspondence, ‘The Dealer and the High Yellow’. He had succumbed to the publisher’s pressure and made the prostitute Molly-O a ...”

“... shared a building with National Lampoon. Kincaid struck up a conversation with one of its writers, Michael O’Donoghue, who suggested she meet his friend George Trow, a staff writer at the New Yorker. Trow organised a lunch with Kincaid and William Shawn, then editor of the New Yorker, at the Algonquin. Kincaid ordered the most expensive item on the menu ...”