“... produced good articles on Sartre and Camus. Times were hard for most Parisians, but Ayer lived in Guy de Rothschild’s house in Paris, supported by a butler, a cook and a good cellar. When this arduous postwar service was over he returned to Oxford, at a time when philosophy in Oxford had yet to become Oxford philosophy and, in his view ...”

“... afterwards got the sperm out. I only had time to wash after every four or five clients. While the guy was washing I’d go to the top of the banisters and shout, ‘Coming down.’ The boss downstairs, she’d answer, ‘Coming up.’ And the next client would be getting ready to come up while the other one was still washing. It really isn’t simple. The ...”

“... other books – Meghan Daum’s The Problem with Everything; Laura Kipnis’s Unwanted Advances; John McWhorter’s Woke Racism – but Nelson is unusual in wanting to be read as a good-faith actor. She signals her allegiance to the etiquette of political correctness and believes in its values, but she thinks we should find a middle way, one that doesn’t ...”

“... hard on the Westerner’s ego. ‘What do you do when you’re suddenly face to face with a young guy who’s totally destitute, I mean who has literally nothing, who’s just made an unimaginable journey under unimaginable conditions? You buy him a Coke, a sandwich, give him twenty euros, pat him on the back and tell him he’s brave and that he’ll be ...”

“... He also asked Lichtenstein: ‘Is Pop art despicable?’ Briefly dispensing with the tough-guy deadpan of his fellow painters, Lichtenstein answered with a justification of Pop’s tactics: in engaging commercial imagery, it was taking up ‘the most brazen and threatening characteristics of our culture, things we hate’; taking them up, and accepting ...”

“... the horror. No sooner had Scotland failed to qualify than I was moved to treat my friends to John Steinbeck’s comment to Jacqueline Kennedy: ‘You talked of Scotland as a lost cause,’ he said, ‘and that is not true. Scotland is an unwon cause.’ Bloody hell. Better make mine a double. Five minutes later I was thinking about Ireland and five ...”

“... the Andy Warhol Museum on Sandusky Street, where Andrew Warhola was born in 1928. As the director John Waters has said, every kid needs someone really bad to look up to, and the Warhol legacy carries on that counter-cultural role for a new generation. The museum recently organised an exhibition of the prison photographs from Abu Ghraib. In rural West ...”

“... nasty-tasting substance that gets put in household chemicals to stop children from drinking them. John Fletcher MacFarlan was an Edinburgh apothecary who started making laudanum in the early 19th century. T&H Smith moved its flourishing morphine works from the Canongate to Gorgie a century later, and went on to supply both painkillers and sterile dressings to ...”

“... but it’s unlikely he would call this an ideology. Like halitosis, ideology is what the other guy has. Perhaps ideology is a more ‘extremist’ creed than one usually encounters, which is the way the state viewed the suffragettes and slave-owners the advocates of emancipation. Or maybe ideology is a more systematic form of discourse than one overhears ...”

“... Take Mike Newell, who wanted Rupert to do a bit of work for the role of David Blakely, the guy killed by Ruth Ellis, the last woman to be hanged in England. Newell wanted to see Rupert’s pain. But, as Rupert himself admits, he was ‘a riddle as an actor. On screen, I had a lot of “feeling” but I couldn’t really act. On stage I could act, but ...”

“... to cash in on the popularity of Charlie Chan. Based on third-rate mystery novels churned out by John P. Marquand, the films feature an inscrutable and delicate Japanese detective/ spy called Mr Moto, a master of jujitsu. Who better to play Moto than a dumpy, tragicomic Hungarian? The director of the first film, Norman Foster, felt that Lorre was all wrong ...”

“... Ian Fleming called him the ‘most formidable spy in history’; other admirers included John le Carré, Tom Clancy and General MacArthur. Owen Matthews – whose new biography of Sorge is the fifth to appear in English – is well qualified to write this book: his Ukrainian maternal grandfather was Boris Bibikov, a factory worker in Kharkov who ...”

“... last month, has him playing an American Secret Service man haunted by his failure to protect John Kennedy on the day everyone remembers. Now another assassin, John Malkovich no less, is stalking another President: a risk for the incumbent but a chance of redemption for our hero. The regrets on the subject of violence ...”

“... of ‘Let him be Caesar!’, so Washington’s fans, even in the act of hailing him as a regular guy and the people’s lead actor, seemed unable to treat him as anything short of a deity. This contradiction between the democratic ideals of American audiences and the abject hero-worship built into the star system is nowhere better exemplified than in the ...”

“... that in order to prevent a sell-out of the imperial position in the overseas province by leftists (Guy Mollet/Harold Wilson) or weak-minded centrists (Pierre Pflimlin/Edward Heath), the military must ensure that the right sort of government came to power in the metropole. Operation Clockwork Orange was precisely this: an attempt to smear and undermine Labour ...”