“... lighter in tonality, distinctly medieval in mood. Wycliffe reading his translation of the Bible to John of Gaunt, Chaucer and Gower present was started in 1847, a year before the foundation of the Pre-Raphaelite Brotherhood. Nevertheless it has the feel of a Pre-Raphaelite picture. Brown was never a member of the Brotherhood. But his steadfast professionalism ...”

“... He also asked Lichtenstein: ‘Is Pop art despicable?’ Briefly dispensing with the tough-guy deadpan of his fellow painters, Lichtenstein answered with a justification of Pop’s tactics: in engaging commercial imagery, it was taking up ‘the most brazen and threatening characteristics of our culture, things we hate’; taking them up, and accepting ...”

“... the horror. No sooner had Scotland failed to qualify than I was moved to treat my friends to John Steinbeck’s comment to Jacqueline Kennedy: ‘You talked of Scotland as a lost cause,’ he said, ‘and that is not true. Scotland is an unwon cause.’ Bloody hell. Better make mine a double. Five minutes later I was thinking about Ireland and five ...”

“... afterwards got the sperm out. I only had time to wash after every four or five clients. While the guy was washing I’d go to the top of the banisters and shout, ‘Coming down.’ The boss downstairs, she’d answer, ‘Coming up.’ And the next client would be getting ready to come up while the other one was still washing. It really isn’t simple. The ...”

“... is he/she overrated? – they would quickly decline into paranoia. When Robert Frost died, John Berryman’s first response was It’s scary. Who’s Number One? Who’s Number One? Cal’s Number One, isn’t he? – which at least has the virtue of transparency. But as we modestly (and necessarily) insist that we’re just writers at work on our ...”

“... Arnold Hano, but it was the last plot-summary Lion Books tried to hang on him. ‘You unleash a guy like that,’ Hano once said, ‘you don’t try to direct him.’ And unleashed Thompson very definitely was; even the titles of his books testify to a terrible psychic venting – Recoil, Savage Night, The Nothing Man, A Hell of a Woman. In many ways ...”

“... as he gruffly liked to be known). Travis was having a party at his home, and decided to invite John Peel, then the only DJ at Radio 1 with a serious interest in the music he played. Peel, who was much older, and held a far more marginal position in the station’s daily schedule, went along out of curiosity. Looking around Travis’s house he ‘suddenly ...”

“... produced good articles on Sartre and Camus. Times were hard for most Parisians, but Ayer lived in Guy de Rothschild’s house in Paris, supported by a butler, a cook and a good cellar. When this arduous postwar service was over he returned to Oxford, at a time when philosophy in Oxford had yet to become Oxford philosophy and, in his view ...”

“... the Andy Warhol Museum on Sandusky Street, where Andrew Warhola was born in 1928. As the director John Waters has said, every kid needs someone really bad to look up to, and the Warhol legacy carries on that counter-cultural role for a new generation. The museum recently organised an exhibition of the prison photographs from Abu Ghraib. In rural West ...”

“... Take Mike Newell, who wanted Rupert to do a bit of work for the role of David Blakely, the guy killed by Ruth Ellis, the last woman to be hanged in England. Newell wanted to see Rupert’s pain. But, as Rupert himself admits, he was ‘a riddle as an actor. On screen, I had a lot of “feeling” but I couldn’t really act. On stage I could act, but ...”

“... Ian Fleming called him the ‘most formidable spy in history’; other admirers included John le Carré, Tom Clancy and General MacArthur. Owen Matthews – whose new biography of Sorge is the fifth to appear in English – is well qualified to write this book: his Ukrainian maternal grandfather was Boris Bibikov, a factory worker in Kharkov who ...”

“... to cash in on the popularity of Charlie Chan. Based on third-rate mystery novels churned out by John P. Marquand, the films feature an inscrutable and delicate Japanese detective/ spy called Mr Moto, a master of jujitsu. Who better to play Moto than a dumpy, tragicomic Hungarian? The director of the first film, Norman Foster, felt that Lorre was all wrong ...”

“... last month, has him playing an American Secret Service man haunted by his failure to protect John Kennedy on the day everyone remembers. Now another assassin, John Malkovich no less, is stalking another President: a risk for the incumbent but a chance of redemption for our hero. The regrets on the subject of violence ...”

“... of ‘Let him be Caesar!’, so Washington’s fans, even in the act of hailing him as a regular guy and the people’s lead actor, seemed unable to treat him as anything short of a deity. This contradiction between the democratic ideals of American audiences and the abject hero-worship built into the star system is nowhere better exemplified than in the ...”

“... that in order to prevent a sell-out of the imperial position in the overseas province by leftists (Guy Mollet/Harold Wilson) or weak-minded centrists (Pierre Pflimlin/Edward Heath), the military must ensure that the right sort of government came to power in the metropole. Operation Clockwork Orange was precisely this: an attempt to smear and undermine Labour ...”