Oedipal Wrecks

Michael Mason, 26 March 1992

Fates Worse than Death 
by Kurt Vonnegut.
Cape, 240 pp., £14.99, October 1991, 0 224 02918 5
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“... him, and constitutes ‘the spiritual climax of this book’. An Abstract Expressionist painter called Rabo Karabekian, who until this point has seemed to be a kind of charlatan, fairly blatantly exploiting the culture-vulture mentality of Midland City by selling to its new arts centre for $50,000 a huge painting entitled The Temptation of St ...”

Honourable Chains

Alice Hunt: Catherine of Braganza, 9 July 2026

Queen Catherine’s Court: Power and Rebellion in Restoration England 
by Sophie Shorland.
Atlantic, 332 pp., £11.45, June 2025, 978 1 83895 641 7
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Later Stuart Queens, 1660-1735: Religion, Political Culture and Patronage 
edited by Eilish Gregory and Michael C. Questier.
Macmillan, 368 pp., £119.99, January 2025, 978 3 031 38815 6
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The Material World of a Restoration Queen Consort: The Privy Purse Accounts of Catherine of Braganza 
edited by Maria Hayward.
Boydell and Brewer, 540 pp., £59.99, November 2024, 978 1 910653 14 2
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“... artist favoured by Charles’s mistresses, Catherine patronised the Flemish (and Catholic) baroque painter Jacob Huysmans. In 1664, Huysmans portrayed her as her namesake, St Catherine of Alexandria. It is a work of serious, and sensuous, modesty. Catherine’s exposed flesh looks chaste rather than sexy. Other women copied it, including ...”

Velvet Gentleman

Nick Richardson: Erik Satie, 4 June 2015

A Mammal’s Notebook: The Writings of Erik Satie 
edited by Ornella Volta, translated by Antony Melville.
Atlas, 224 pp., £17.50, June 2014, 978 1 900565 66 0
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“... Latour. The plan seems to have stalled there.In early 1893, Satie started a relationship with the painter and former trapeze artist Suzanne Valadon. She kept two cats to whom she fed caviar on Fridays and described as ‘good Catholics’, as well as a goat, who ate any art she wasn’t pleased with. Satie recognised a kindred spirit and the two fell in ...”

Diary

Alan Bennett: What I did in 2014, 8 January 2015

“... actors in my first play, Forty Years On, which was running in the West End. One of the actors was George Fenton, who is doing the music for the film, and another was Keith McNally, the proprietor of Balthazar.15 January. The police officer who shot Mark Duggan is to be returned to firearms duty just as was the officer who shot Jean Charles de Menezes. The Met ...”

Elective Outsiders

Jeremy Harding, 3 July 1997

Conductors of Chaos: A Poetry Anthology 
edited by Iain Sinclair.
Picador, 488 pp., £9.99, June 1996, 0 330 33135 3
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Nearly Too Much: The Poetry of J.H. Prynne 
by N.H. Reeve and Richard Kerridge.
Liverpool, 196 pp., £25, April 1996, 0 85323 840 5
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Carl Rakosi: Poems 1923-41 
edited by Andrew Crozier.
Sun & Moon, 209 pp., $12.99, August 1995, 1 55713 185 6
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The Objectivists 
edited by Andrew McAllister.
Bloodaxe, 156 pp., £8.95, May 1996, 1 85224 341 4
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“... into unfamiliar territory. In his easy vernacular, Crozier tamps down language with the skill of a painter achieving a rare equivalence of terms on the canvas. Often, too, we find an observed action or a local detail quickly entailed to something larger and simpler: the pattern of day and night, seasonal change, or the slippage of light and shadow. This has ...”

In the Potato Patch

Jenny Turner: Penelope Fitzgerald, 19 December 2013

Penelope Fitzgerald: A Life 
by Hermione Lee.
Chatto, 508 pp., £25, November 2013, 978 0 7011 8495 7
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“... dialectic between ‘the daily life with its successes and disasters’ and ‘the inner life of a painter who might have said, with Jung: “If I had left these images hidden in my emotions, they might have torn me in pieces.”’ The work’s images thus become what Fitzgerald, following her subject, calls its ‘burden’, the points at which physical ...”

Under-the-Table-Talk

Christopher Tayler: Beckett’s Letters, 19 March 2015

Letters of Samuel Beckett: 1957-65 
by George Craig, Martha Dow Fehsenfeld, Dan Gunn and Lois More Overbeck.
Cambridge, 771 pp., £30, September 2014, 978 0 521 86795 5
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“... for God’s sake, I don’t need it.’ James Knowlson’s biography reports that when his painter friend Henri Hayden was hospitalised in 1962 he looked after the Haydens’ tax bills as well as their rent. Beckett was, in other words, beginning to resemble the otherworldly, saintly figure of later legend, down to being, by this stage, craggily ...”

Unsluggardised

Charles Nicholl: ‘The Shakespeare Circle’, 19 May 2016

The Shakespeare Circle: An Alternative Biography 
edited by Paul Edmondson and Stanley Wells.
Cambridge, 358 pp., £18.99, October 2015, 978 1 107 69909 0
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“... and later donated to the Shakespeare Birthplace Trust, where it still resides. When the Romantic painter Benjamin Robert Haydon heard news of the discovery he wrote excitedly to his friend Keats: ‘If this is not Shakespeare who is it? … As sure as you breathe & that he was the first of beings the Seal belonged to him – Oh Lord!’ The sceptic might ...”

Adjusting the Mechanism

Colin Burrow: Robert Graves, 11 October 2018

Robert Graves: From a Great War Poet to ‘Goodbye to All That’, 1895-1929 
by Jean Moorcroft Wilson.
Bloomsbury, 461 pp., £25, August 2018, 978 1 4729 2914 3
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The Reader over Your Shoulder: A Handbook for Writers of English Prose 
by Robert Graves and Alan Hodge.
Seven Stories, 613 pp., £30, September 2017, 978 1 60980 733 7
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“... by learning to box, by falling in love with a boy he referred to as ‘Dick’ (actually called George Harcourt Vanden-Bempde-Johnstone, later 3rd Baron Derwent), and by joining a poetry society run by some charismatic masters. He said in his autobiography, Goodbye to All That, written in 1929 when he was only 34, that by the end of his time at Charterhouse ...”
“... is assumed if the individual belongs to a dominant group (‘white writer’ or ‘heterosexual painter’, for instance). If I’m opposed to routine psychological reductionism or any other attempt to formulate a totalising interpretation of an individual, by the same token I distrust a resistance to the obvious. Genet was homosexual and wrote about ...”

The Past’s Past

Thomas Laqueur, 19 September 1996

Sites of Memory, Sites of Mourning: The Great War in European Cultural History 
by Jay Winter.
Cambridge, 310 pp., £12.95, September 1996, 0 521 49682 9
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“... Similarly, allegorical or other references to the end of time link writers and works as diverse as George Bernard Shaw (Heartbreak House), Henri Barbusse (Under Fire) and Karl Kraus (The Last Days of Mankind). They all, Winter argues, ‘turned back to the ancient tradition of apocalyptic drama’. Even the English war poets, usually Exhibit A for Hynes and ...”

West End Vice

Alan Hollinghurst: Queer London, 8 May 2025

Some Men in London: Queer Life, 1945-59 
edited by Peter Parker.
Penguin, 445 pp., £30, May 2024, 978 0 241 37060 5
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Some Men in London: Queer Life, 1960-67 
edited by Peter Parker.
Penguin, 416 pp., £30, September 2024, 978 0 241 68370 5
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“... in themselves, and with potentially terrible consequences of exposure and professional ruin. Sir George Mowbray Bt, chairman of Berkshire County Council, spent a drunken hour in Piccadilly Circus underground station, where he ‘smiled, nodded and looked’ at other men. In court he explained he was happily married with three children and at home ‘drank ...”

Into the Underworld

Iain Sinclair: The Hackney Underworld, 22 January 2015

“... parts of London agreed to behave as if the fictions of J.G. Ballard were planning documents, the painter Gavin Jones, working covertly and alone, excavated a wartime bunker hidden beneath a grassy mound outside a block of council flats in Bow. He disguised the entrance with an upturned boat, ran out electrical cables and made himself a set of dank ...”

On Some Days of the Week

Colm Tóibín: Mrs Oscar Wilde, 10 May 2012

Constance: The Tragic and Scandalous Life of Mrs Oscar Wilde 
by Franny Moyle.
John Murray, 374 pp., £9.99, February 2012, 978 1 84854 164 1
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The Picture of Dorian Gray: An Annotated, Uncensored Edition 
by Oscar Wilde, edited by Nicholas Frankel.
Harvard, 295 pp., £25.95, April 2011, 978 0 674 05792 0
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“... was financial. She had no money and there were many debts. Philip Burne-Jones, the son of the painter, wrote to her on 11 April with advice from Sir George Lewis, who had once been a friend but had acted for Douglas’s father in the case: Sir George was most anxious that as soon as ...”

The Last Witness

Colm Tóibín: The career of James Baldwin, 20 September 2001

“... do what Baldwin’s friend Eugene Worth did in 1946: he will finally jump to his death off the George Washington Bridge. Baldwin later said that there were no fictional antecedents for Rufus: ‘He was in the novel because I don’t think anyone had ever watched the disintegration of a black boy from that particular point of view. Rufus was partly ...”