“... it in January, it was overrun by brambles; much of its balustrading had been kicked away; its four white marble columns had long since been heaved off (the nearby railway line their likely destination); and the temporary metal fence surrounding it was more of an eyesore than a protection. Soane designed the monument in 1816, originally as a memorial to his ...”

“... He is wearing the same literary-critical uniform too: the baggy jacket and the wide-collared white shirt, open to the sternum. He holds a book, closed around his index finger, which is still marking the place. It is as if he has agreed to stop reading for just a moment, so that the photo can be taken. He stares straight at the camera and his expression ...”

“... the gnawing anxiety about his standing one has to remember that he began as the whitest of British white hopes. Being the youngest undergraduate at Oxford for centuries (though he did not stay the course) was less significant than creating the score for the Sitwellian Façade at 19. It would take several decades for this masterpiece to achieve its final form ...”

“... Marilyn Butler’s Romantics, Rebels and Reactionaries, reviewed in the LRB (Vol. 3, No 21) by Christopher Ricks; and Thomas McFarland’s marvellously over-the-top Romanticism and the Forms of Ruin, which also appeared in 1981. (One might commend, en passant, the Princeton University Press as a place where inventive, wordy studies in Romantic ideas ...”

“... in the publication, nearly a century on, of Faber’s two all-comprehending new tomes, edited by Christopher Ricks and Jim McCue. The editors promise to ‘elucidate the difficulties’ of Eliot’s work by tracing every possible verbal overlap between the words used in his poems and the words used by other writers, both famous and obscure, in texts that ...”

“... flatness. Reports from Europe were bound to dismay people with sensitivity to suffering. Young Christopher Mayhew, scion of a country-house family, former President of the Oxford Union, but soon to be a Labour MP, had reached Germany as a soldier in March. His father, Sir Basil, vice-chairman of Colman of Norwich, didn’t like what his son wrote home ...”

“... and out of place. Against the trace of the hills on the opposite shore, a spot grew into a wide white ferry, the Murzuk, registered in Libya, sidling up to the pier. Rust climbed up its hull like a rash. The crush of bodies against the rails reminded me of the last time I saw a Libyan vessel, just as overloaded, pulling into Valletta from Benghazi and heavy ...”

“... persisted in the Communist underground opposition to Stalin. Long before Solzhenitsyn, as Christopher Hitchens wrote in 2011, ‘the crucial questions about the Gulag were being asked by left oppositionists, from Boris Souvarine to Victor Serge to C.L.R. James, in real time and at great peril. Those courageous and prescient heretics have been somewhat ...”

“... Green told his interviewer that ‘the writer must be disengaged’, and enjoyed pointing out that Christopher Isherwood, who called Living ‘the best proletarian novel ever written’, had never worked in a factory himself. Pontifex’s own employees, having rumbled the fact that Yorke and Green were the same, weren’t so impressed. ‘I read your ...”

“... under an umbrella dressed in a faded denim shirt and a pair of ancient, stained trousers, his white hair immaculately whipped above a face somewhat hidden by a pair of huge Imelda Marcos dark glasses – this combination of tremendous care and inattention the style of a Sicilian mafioso, his patrician composure suggestive of Burt Lancaster playing ...”

“... thinking of herself lovely in age: ‘I’d a face would be a great wonder when it’ll have soft white hair falling around it.’ In turn, Martin dreams of the ‘beautiful, long, white, silken, streamy beard’ he’ll grow. Challenged by the returning saint with the beauties of the actual world, Martin counters with the ...”

“... contemporary designer ‘signed’ as many cityscapes as Norman Foster? Perhaps no architect since Christopher Wren has affected the London skyline so dramatically, from the Swiss Re ‘gherkin’ to the new Wembley Stadium arch. Foster has a right to be immodest, and the Catalogue of his work is punctuated with adjectives like ‘first’ and ...”

“... much in concert with his two principal competitors – Alexander Clifford of the Daily Mail and Christopher Buckley of the Daily Telegraph – this was something they normally achieved, although at times they went one better by occupying the former enemy commander’s former villa. He was lucky enough, in fact, to live in the golden age of the war ...”

“... for Schlegel and his friends. They discovered it in the tranquillity of the Moreel triptych, St Christopher in the stream bearing Christ, which they saw in the Musée Napoléon in Paris where it had been taken from Bruges. That was not the first time a work of his was made hostage to military action. Though Memling’s art might appear to be outside ...”

“... stale, unreal, unconfident, artificial, class-ridden. And that no doubt was the case; although, as Christopher Innes pointed out in his chapter on Rattigan in Modern British Drama 1890-1990, the two situation comedies are very similar. Of course, Osborne’s style of making a fuss was a new thing in the theatre; Rattigan’s characters were schooled to keep a ...”