“... consciousness to her 17th-century work without violating its historical dimension. I’m sure John Broadbent spotted this very rare quality in her when he invited her to edit parts of the Cambridge Milton in the early 1970s. I can remember the intense, tortuous, day-long arguments – inevitably in the kitchen, but this time our Norwich kitchen in St ...”

“... San Suu Kyi; it might have been more interesting to denounce any or all of these. The title echoes John F. Kennedy’s Profiles in Courage, but that book did include some men by no means universally admired: George Norris, who attacked the Wilson administration’s infringement of neutrality during the Great War, or Robert Taft, who criticised the Nuremberg ...”

“... in a wholesale way only once. It was dressed in stucco when new, under the general direction of John Nash. It formed the central portion of his grand north-south route from Regent’s Park to Carlton House (demolished in 1827, only a year after the building work in Regent Street was complete). The Victorians made inroads on Nash’s scheme; the Quadrant ...”

“... to enter his enclosure, and slides around in his own darkness. Exactly 146 interviews later, John le Carré, our premier narrative spook-meister, exhibits, by his own admission, that knack whereby the memory fails and the lie takes over. There is something in his tone that advises us not to believe him too much. The interview took place in 1997, more ...”

“... will ‘improve cost efficiency’. Rocketship has certainly achieved that: its former CEO, John Danner, boasted of 25 per cent savings in staffing costs. There is one particular link worth noting between Ark Schools and these exciting developments in and around Silicon Valley. Ron Beller and Jennifer Moses, two former Goldman Sachs executives, have ...”

“... resembling the darkling approach to the vampire’s castle in Nosferatu. The artist-filmmaker John Smith exhibits a short stick that his father used over several decades to stir paint; its end has been sawn off to reveal thirty or so concentric rings of dried paint, going all the way back to the grey-green of 1950s kitchen cabinets. This would be a ...”

“... think in the exhibition of architects’ drawings from the Barbara Pine collection, at Sir John Soane’s Museum until 27 August. The most interesting and liveliest are sketches which take you close to the moment of invention. These, like the material at Tate Modern, are early moves, unresolved and sometimes tentative. Frank Gehry’s 1982 ‘Study for ...”

“... which includes the dress with its black calyx-like bodice out of which white shoulders flower in John Singer Sargent’s portrait Madame X: a dress as famous as the Versace, and more scandalous. The anxiety/hope that a woman may fall out of her frock goes back further still. In Aurora Leigh, ‘that bilious Grimwald’ (a critic) observes the villainous Lady ...”

“... was now, as Gaston Tissandier put it in his History and Handbook of Photography of 1879 (quoted in John Falconer’s admirable and informative introduction to the catalogue), safe from the danger of being ‘modified and disfigured by an untrustworthy pencil’. Moreover the task of recording the monuments of India, which seemed doomed to defeat by the sheer ...”

“... like Eileen Gray’s lacquer and silver-leaf ‘pirogue’ daybed, and some practical, like John R. Morgan’s Waterwitch outboard motor. The details which make it possible to put these, not to mention any number of smart frocks, showy cigarette cases, smoothly engraved glass vases and bits of geometric architectural decoration, under the one heading ...”

“... by an unreality which can seem pernicious. A Constable sketch hanging nearby, and even Edward John Gregory’s jolly picture of boating on the Thames, Sargent’s picture of a boy by a river and Munnings’s Friesian Bull, all of which say more about the look of things and less about dream worlds, are not so embarrassing.Lever’s collecting was not ...”

“... Beasts in interest. The volume has a valuable seventy-page introduction and some useful notes by John Haffenden, who arranges the material as far as possible in chronological order. The play or melodrama, Three Stories, was written when the poet was 20, and performed, with him in the cast, by the Cambridge ADC. Long supposed to have been lost as Empson ...”

“... an anchor of certainty and principle that it would be physically painful to haul it in. Listen to John Berger, tending the authentic mulch of pig earth and keeping his ear close to his own well-manured ground, as he instructed the readers of the Guardian on 25 February: The Rushdie affair has already cost several human lives and threatens to cost many, many ...”

“... scattered collections – made by Marion Scott, the Gurney family, Ivor’s Gloucester friend John Haines, Vaughan Williams and others – into a central archive. The process continued after Finzi’s death in 1956. Neither Gurney nor Scott had bothered much about dates and the habit of confusion grew by amalgamation. Blunden, returning manuscripts ...”

“... had been Modern; by the time of Pleasures of Architecture (1924), Functionalist. The Tragedy of John Ruskin (1928) retained the scorn and condescension but had, now, some sense of a Labour ethos. By the time of Left Review and The Big Firm she was hitching the proletarianisation of literature to a pretty crude economic determinism – an affair she would ...”