“... sweater; the other sports a similar ensemble in soft orange. In a cosmology so strongly based on self-presentation and personal style, it was always on the cards that the devil would wear Primark. Is it cheeky to describe this very us-and-them worldview, minimising or discounting tensions within and between minorities, as rather binary?It’s overstating the ...”

“... their views, especially when it might be read as a declaration of faith. I always cringe at the self-importance of the genre: though open letters can sometimes exert influence, stiffly worded exhortations hardly suffice to stop states, militaries, bombs. And yet, a ‘no open letters’ policy can serve as a convenient excuse when one is hesitant to stand ...”

“... of any delicacy.’ Nearly half a century later, he reprinted this passage in his book Sixteen Self Sketches and added: ‘When I wrote this in 1901, I did not believe that an author so utterly void of delicacy as Sigmund Freud could not only come into human existence, but become as famous and even instructive by his defect as a blind man might by writing ...”

“... new advertising venues, like Mademoiselle, one of the postwar places devoted to a new sort of self-making. Capote did not reflect a generation, as Fitzgerald had done, or seek to scrub the world new with carbolic silences, like Ernest Hemingway, or to turn things upside down, like James Baldwin. His political triumphs would be in the manner of his small ...”

“... a madhouse cell in an attempt to make contact with a sympathetic reader, Castel is agonised by self-rebuke: ‘It was I who killed you, I, who saw you mute and anxious, but could not touch you through the wall of glass. I, so stupid, so blind, so incredibly selfish and cruel!’ His inability to sustain a settled union with someone else is naturally ...”

“... the pubs and prostitutes and streets, the flotsam of the great dense city. Nothing is on show, or self-consciously revealed. As Holroyd says, the appalling monster-bores of Hamilton’s pub, the Midnight Bell (which is also the title of the trilogy’s first volume), ‘divert us by driving the other characters to distraction’, as they pursue their inanely ...”

“... many Bengalis live and work was too much for one resident of Princelet Street. Charles Clover, self-declared yuppie and environment correspondent of the Daily Telegraph, hit back in the Spectator (11 July 1987). Spitalfields is altogether more dynamic and enterprising than the sullen and uniform slums that exist where the welfare state got ...”

“... in modern fashion, about which Rawsthorn’s book is fairly rudimentary, conventional and often self-contradictory, but of the modern fashion business, its development, its operations, its force, and their effects on the public and on its own personnel. Yves St Laurent is the name of a designer, and also of an international, multi-million-dollar fashion ...”

“... concierge. Not Chester’s fault who has behaved wonderfully, but just the sufferings of the self-sufficient schizophrenic caught at last. I never really loved anyone before, and then when he got through the wall, he became so much part of my life that I keep forgetting that he is a separate person, and having discovered love, I have also discovered what ...”

“... The young women she had overheard, Ogden thought, were ‘aggressively intelligent ... not at all self-conscious in their tailor-made clothes, not ashamed of their cropped hair; women who did things well ... women who counted and who would go on counting ... They might still be in the minority and yet they sprang up everywhere.’ This passage, with its ...”

“... the Conservative meltdown and the dismissal of the sorriest rump of chancers, carpet-baggers and self-serving apologists ever inflicted on a passive democracy. The relish with which I looked forward to my site visit was seasoned with a nip of low-level guilt. Everything I knew and everything I had found out about the New Millennium Experience confirmed it as ...”

“... in which he’d been trained as the long-lost twin of New Criticism: both treated texts as self-contained structures, accepted only internal evidence, and ignored cultural context. The division of labour between textual editors and literary critics made no sense to him, because ‘the material forms of books, the non-verbal elements of the typographic ...”

“... Chief among these is ‘sprawl’, defined as ease, cheerful excess, unbuttonedness and unsnobbish self-confidence: ‘Sprawl is really classless ... Sprawl is loose-limbed in its mind.’ Murray’s verse really does sprawl, and there’s a lot of it: some is blustery, sloppy or hard to listen to. His work flaunts its roughness, its male friendliness, its ...”

“... the relationship. In Keep the Aspidistra Flying, George Orwell gave his friendless, dowdy and self-pitying protagonist, Comstock, one true pal: the editor and patron Ravelston, proprietor of the small yet reliable magazine Antichrist. This Ravelston – some composite of Sir Richard Rees and John Middleton Murry – was a hedonistic yet guilt-ridden ...”

“... sensible was that the person before us was a Smiths fan too – the ultimate fan – and his self-disgust and neuroses seemed to puncture the ethos of the 1980s rather nicely. The fans were outfanned by the object of their fanaticism: here was a pop phenomenon made up of pop phenomena – Morrissey’s influences were the whole point of him, it ...”