“... run of huge box-office successes – The Sand Pebbles, The Thomas Crown Affair, Bullitt – it was Robert Mitchum, his elder by 13 years and a star for more than twenty, who was voted the screen’s ‘godfather of cool’ on America’s university campuses.Both men had got to where they were by doing or seeming to do nothing. It was the fashion. Gary ...”

“... the process of myth-making, and the psychological and literary needs that process served. Though Robert Browning especially would have resisted the idea, the Brownings’ courtship seems ideally suited to our current preoccupation with the priority of language over experience. These were lovers who read long before they saw one another, who admired writing ...”

“... first published in 1971 by R.C. Latham and W. Matthews (designated thus on the cover, but becoming Robert Latham and William Matthews on the title-page). If some books are classifiable as blockbusters, these 11 stout volumes are more of a Thames barrage. The last two of them, the Companion and Index, were the sole responsibility of ...”

“... people living there at the turn of the last century: Richard Roberts, his wife Anne, their sons Robert, Richard E(llis) and Arthur, their daughter Margaret, and three servants – the cook, Sarah Reece, and two teenage housemaids, Emily Lunmir and Ethel Bailey. The eldest son, William, must have already moved out. In his will, my great-great-grandfather ...”

“... It’s​ nearly fifty years since Robert Kennedy was shot as he walked through the kitchen of the Ambassador Hotel in Los Angeles. The date was 5 June 1968; and he had just won a narrow victory in the California Democratic primary. The gunman, Sirhan Sirhan, a Palestinian immigrant angry about Kennedy’s support for Israel, fired three shots at close range ...”

“... the text-message courtship between Margot, a 20-year-old student and arthouse cinema employee, and Robert, a dumpy 34-year-old to whom she sells Red Vines and who is ‘cute enough that she could have drummed up an imaginary crush on him if he’d sat across from her during a dull class’. The climax, and most discussed aspect, of the story is the bad sex ...”

“... informal networks and shared expectations, a regime was only ever a few steps away from disaster. Robert Cecil knew only too well how much work was required to keep the country stable. He had grown up in the shadow of his famous father, William Cecil, Lord Burghley, who was for forty years the bedrock of Elizabeth I’s government, and learned his complicated ...”

“... Here was a then-regular sodality, consisting at different times of Kingsley Amis, Bernard Levin, Robert Conquest, Anthony Powell, Russell Lewis and assorted others, and calling itself with heavy and definite self-mockery ‘Bertorelli’s Blackshirts’. The conversational scheme was simple (I think it had evolved from a once-famous letter to the Times ...”

“... My dear Lady Olliffe,’ Robert Browning wrote in March 1877: I have just been reading my old friend Miss Martineau’s protest against the publication – and indeed, retention – of all correspondence. Here, now, is a sample of mine: be assured I shall never demand it again, from any apprehension that hereafter the friendliness in it may be at variance with whatever feeling I please to entertain thirty years hence ...”

“... geometric shapes that swung like chain mail as you walked. I sat in the chair while behind me Robert, the senior stylist, cast his professional eye over me, lifting hanks of my long hair with a comb and letting them drop, flicking sections this way and that to see how they fell, examining its possibilities. Finally, he pocketed his comb and with a sigh ...”

“... history, political argument was argument about the past: about precedents and about pedigrees. Sir Robert Cotton, an antiquary in politics, is a perfect focus for a study of the connections between antiquarian research and political conflict. History, an anchor in the choppy seas of political and social change, became to monarchs and parliaments alike the ...”

“... Robert Altman’s Short Cuts is a long, loose-looking movie, but the looseness is an effect, carefully worked for. Plenty of themes recur throughout – insecurity, chance, rage, damage, the long, bruising war between men and women – and although there are fourteen or fifteen stories here (based on extrapolated from ten stories by Raymond Carver – the handouts and the introduction solemnly say nine stories and a poem, but the so-called poem is also a prose narrative), they are intricately stitched together, like a miniaturised Comédie humaine set in Los Angeles ...”

“... the Road’ (original typescript, 1951) Jack Kerouac, ‘The Slouch Hat’ (c.1960) John Cohen, ‘Robert Frank, Alfred Leslie, Gregory Corso’ (1959) Wallace Berman, Untitled (Allen Ginsberg, c.1960)PreviousNext These names belong to the original small group of friends who met in New York in the early 1940s. Within ten years Ginsberg had moved to San ...”

“... also writing his Life of Wittgenstein; these days he doesn’t need to work in a bookshop. Not so Robert Topping, for 12 years the manager of Waterstone’s in Manchester, who was sacked in June for selling too diverse a range of books. Will Self took up the cause to have him reinstated, but at the time of writing, the manager of the shop in question is ...”

“... Ibsen wrote them is a warning against reading the art too readily from the life, and one that Robert Ferguson has not heeded. For him, the life is the only way to support his thesis, which is that the great plays aren’t great at all, and that after Ibsen’s first success, Peer Gynt (written at Casamicciola, Ischia, in 1867), it all went horribly ...”