Music Lessons
Nicholas Spice, 14 December 1995
“... opposed to Hildesheimer’s Mozart, which appeared in German 18 years ago and provided Peter Shaffer with a congenial source for the elaboration of Amadeus, later to be loudly amplified by Forman’s film. Hildesheimer drew a picture of Mozart as a sort of autist, unable to form satisfactory human relationships (‘Human ties, as we know them, were ... ”