“... and skewed when applied to so sporty and brash a critic as Paulin) to his enterprise is John Clare, whose ‘writing becomes a form of Nation Language beating its head against the walls of urbane, polished Official Standard’. At the heart of Clare’s work for Paulin is not only his social eccentricity – too successful for his own ...”

“... were excitedly vulnerable to the charms of fame and what came with it, and the men – who, as John Peel (not obviously an abusive monster) said, ‘didn’t ask for ID’ – took their tribute in sexual encounters without concerning themselves with the age of those they were exploiting. Another tweet caught my attention, in the timeline of ...”

“... icecream? Is O’Leary of the Police Department on the level? (An Irish-American, he is, like John F. Kennedy, ‘not much better than ourselves’.) Who is the dame on the phone who tells the narrator to come to the Atlantic Club between six and seven: ‘And when you come, to come alone’? Why the allusions to The Tempest? As you can see, Muldoon is ...”

“... So it comes as a bigger shock than the salmonella scare (Edwina Currie, 1988) or the BSE scare (John Selwyn Gummer, 1990) to hear the latest strand in the table talk: that the era of endless food is winding down.This belief is new. Until recently the discussion was largely about quality. Quantity and availability only entered the picture when we wondered ...”

“... McEwan, I tried to call you on the radio telephone, when our old flatmate, John Webb, fell overboard in a gale off the coast of Long Island a few years ago and was nearly swept south to Bermuda. But the old Oxford number had been disconnected, and your publisher told me that you were ‘indisputably a hugely important literary phenomenon’ and not taking any calls ...”

“... was merit in the movement to ‘destroy art before it’s too late’. Warhol’s biographer Fred Lawrence Guiles1 remarks elsewhere that his subject’s Pop creations ‘were more Duchampian than anybody’s. If a machine could have created silkscreen paintings of coke bottles, soup cans and dollar bills, Andy would have paid its inventor to set the thing up ...”

“... too. Greetings, borrowers. What I admire – not the word – about the poems is their intensity. John Berryman once said: write as short as you can, in order, of what matters. Surely no one – least of all Berryman himself – can have fulfilled the terms of that prescription as scrupulously as Hamilton. The majority of the poems are generated by one of two ...”

“... the politics of their respective authors: R.H. Tawney and Christopher Hill on the political left, Lawrence Stone in the Whig centre, and Hugh Trevor-Roper on the right. They were comfortable corroborating their own political predilection with sophisticated historical exposition and, it seems, happy for their opponents to do the same. All agreed on the ...”

“... is found again in her commentary on the film Reds, which sorts out the ‘real’ history of John Reed and Louise Bryant from Warren Beatty’s ‘romantic celebration’; in her account of Lee Harvey Oswald as a ‘ghostly anachronism’ left over from the Depression years, and in her interest in English visitors to America. It’s apparent in her ...”

“... not only because he worked hard at them, but also because he listened to advice, especially from John Gardner but also, more remotely, from Hemingway, Chekhov and V.S. Pritchett. One of the things he learned was the need for arduous revision, draft after draft. Another lesson was that the writer needs to trust the tale. ...”

“... Alfred the Great (who earns the mysterious plaudit that ‘there was something about him of T.E. Lawrence’) gets credit for proscribing as treason any plot against the life of a feudal superior, and Henry VII for backdating his reign to the day before the Battle of Bosworth, making a traitor of anyone who fought for Richard III. There followed, in ...”

“... books published to mark the opening of the new galleries supports this view of Turner’s genius. John Gage ends his introduction with a remark made by Lawrence Gowing in 1966: ‘It is not certain that we are yet prepared to see Turner whole.’ Gage reckons it is time to renew the attempt. He uses another quotation from ...”

“... obsession with masculinity from James Fenimore Cooper through Owen Wister, Zane Grey and John Ford to Sergio Leone and Sam Peckinpah. His subject is the well-known tautology that a man’s gotta do what a man’s gotta do. For Mitchell, the Western novel is essentially theatrical – a stage on which male identity is enacted, as well as a form of ...”

“... it, producing not only Rockwell, Guest and the Saturday Evening Post but also Georges Simenon, John Steinbeck and the New Yorker (‘high-class kitsch for the luxury trade’). With kitsch running wild, like the capitalism which propelled it, authenticity needed defending. For nearly fifty years, Greenberg shouldered the task, separating good art from bad ...”

“... come hell or high water, let our distinctive British identity be lost in a federal Europe.’ John Major’s ringing assurance to last year’s Conservative Party Conference is part of a long tradition whereby Britishness has been defined primarily by reference to a real or an imaginary Other. Understandably so, since defining this entity in its own terms ...”