Hourglass or Penny-Farthing?
Christopher Tayler: Damon Galgut, 31 July 2014
“... behind his throwing in the towel – among them his private income and his feeling that the war had put an end to the world he knew – it’s clear that the life he’d come to see as the antithesis of art’s ‘conventionalities’ was predominately gay life. Publishability was one problem; another was that Forster’s fiction seemed to need the ... ”