In the Long Cool Hour

Amia Srinivasan: Pragmatic Naturalism, 6 December 2012

The Ethical Project 
by Philip Kitcher.
Harvard, 422 pp., £36.95, November 2011, 978 0 674 06144 6
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... Genealogy of Morality – but rather that the ‘English psychologists’ appear to be driven by self-loathing. Under the cover of cool empiricism lies a ‘secret, malicious … instinct to belittle humans’, or a disillusioned idealism, or maybe just ‘a bit of everything, a bit of vulgarity, a bit of gloominess, a bit of hostility to Christianity, a ...

Somalia Syndrome

Patrick Cockburn, 2 June 2016

... to underpin political independence. They boasted that they had done more in a few years to achieve self-determination thanks to oil than in decades of fighting with Kalashnikovs. The failure of this dream was sudden and almost total. In 2014 the Kurds came under attack from Islamic State and the price of oil fell. The peshmerga fled even faster than the Iraqi ...

Diary

Tom Nairn: The Australian elections, 13 December 2007

... for another push against the system. Penal colonisation has given way to ‘independent’ self-colonisation. Keneally points out that the 1999 referendum on the monarchy turned into a popular revolt against the system of two-party professional politicos. Neither old nor new immigrants could stand the idea that they (and not ordinary voters) would ...

Poor Hitler

Andrew O’Hagan: Toff Humour, 15 November 2007

The Mitfords: Letters between Six Sisters 
edited by Charlotte Mosley.
Fourth Estate, 834 pp., £25, September 2007, 978 1 84115 790 0
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... or Jessica Mitford. The world might have seemed less pressing, and more adaptable to her invented self. Having a bad character can also mean being at home with one’s true predicament. It is taken for granted in the posh style, and certainly by the Mitford girls, that one is not necessarily very nice and that not being nice need not be the end of the ...

Candle Moments

Andrew O’Hagan: Norman Lewis’s Inventions, 25 September 2008

Semi-Invisible Man: The Life of Norman Lewis 
by Julian Evans.
Cape, 792 pp., £25, June 2008, 978 0 224 07275 5
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... is the biography of his style. Yet style is a manifestation of much more than a writer’s own self-fashioning: it speaks of the places he has been and is coloured by what happened there, and in that way comes to define the rhythms of his prose and the patterns of his belief. A biography of Hemingway’s style will amount to nothing if it can’t exhume ...

Where’s the omelette?

Tom Nairn: Patrick Wright, 23 October 2008

Iron Curtain: From Stage to Cold War 
by Patrick Wright.
Oxford, 488 pp., £18.99, October 2007, 978 0 19 923150 8
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... with beliefs which, unknown or rejected in earlier centuries, had come to be taken for granted, as self-evident truths’. Of course popular beliefs had to fall into line with the bureaucracy’s position, and Cohn provides plenty of examples to show that they did: rural and small-town societies were rich in resentments, ancestral curses and fears of the ...

Knee-Deep

Slavoj Žižek: Leftist Platitudes, 2 September 2004

Free World: Why a Crisis of the West Reveals the Opportunity of Our Time 
by Timothy Garton Ash.
Allen Lane, 308 pp., £17.99, July 2004, 0 7139 9764 8
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... lists are clearly grounded in the general dynamics of today’s global capitalism. This link is self-evident in the case of ecological problems and the poverty gap between North and South. Is the rise of Islamism not conditioned by the refusal of Muslim civilisation to accept the social dynamics of capitalism? Is the strange turn in China not to do with the ...

All of a Tremble

David Trotter: Kafka at the pictures, 4 March 2004

Kafka Goes to the Movies 
by Hanns Zischler, translated by Susan Gillespie.
Chicago, 143 pp., £21, January 2003, 0 226 98671 3
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... don’t keep a diary at all, I wouldn’t know what for; nothing happens to me to stir my inmost self. This applies even if I weep, as I did yesterday in a cinematographic theatre in Verona. I am capable of enjoying human relationships, but not of experiencing them.’ Again, the note cannot be sent until it has been reclassified as a found object. Its ...

Disconnected Realities

Mary Hawthorne: In the Munro mould, 17 February 2005

Runaway 
by Alice Munro.
Chatto, 325 pp., £15.99, February 2005, 0 7011 7750 0
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... affairs, then separation and divorce; the miseries and raptures of the newly discovered sexual self; difficulties with alienated, confused children; the illness, decline and death of one parent, then the other; the inevitable regrets and sorrows. These are some of the familiar threads of Munro’s fiction. She has never ceased to be enthralled by her own ...

The road is still open

David Wootton: Turpin Hero?, 3 February 2005

Dick Turpin: The Myth of the English Highwayman 
by James Sharpe.
Profile, 258 pp., £8.99, January 2005, 1 86197 418 3
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... go on a journey’. This contemporary description indirectly acknowledges Turpin’s status as a self-defined gentleman (his father was a butcher), for gentlemen took horse, while the poor walked. For weeks, Turpin had been ‘eating, drinking and carousing’, ‘joking, drinking and telling stories’ with an unending stream of visitors to the York ...

Mother-Haters and Other Rebels

Barbara Taylor: Heroine Chic, 3 January 2002

Inventing Herself: Claiming a Feminist Intellectual Heritage 
by Elaine Showalter.
Picador, 384 pp., £16.99, June 2001, 0 330 34669 5
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... it looked out from her steady eyes.’ Whether it was a living soul or a ‘radiant sovereign self’ (Margaret Fuller’s version of Wollstonecraft) that women saw in the author of The Rights of Woman, what the heroic image replaced – the woman one could not bear to be, generally one’s mother – was as important as the fantasy of liberated womanhood ...

Balls and Strikes

Charles Reeve: Clement Greenberg, 5 April 2007

Art Czar: The Rise and Fall of Clement Greenberg 
by Alice Goldfarb Marquis.
Lund Humphries, 321 pp., £25, April 2006, 0 85331 940 5
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... calls – that Guernica proved Picasso had lost his stuff, for instance – might seem wrong; his self-assurance might verge on narrow-mindedness; the game might bore us. But the rulings were clear: by 1954, Jackson Pollock’s paintings were ‘forced’ and ‘dressed up’; Clyfford Still never left the minor league; Marcel Duchamp was a joker (not in a ...

Guinea Pigs

Barbara Taylor: Eighteenth-Century Surveillance Culture, 8 February 2007

The Spirit of Despotism: Invasions of Privacy in the 1790s 
by John Barrell.
Oxford, 278 pp., £53, January 2006, 0 19 928120 3
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... kindly country gent, made him the perfect figurehead for the new propriety. That George was also a self-satisfied buffoon made him a delight for satirists. Barrell gives a wonderfully funny account of royal holidays spent in Weymouth, where one of the king’s favourite recreations was riding out to meet the locals. The book’s cover illustration is a Gillray ...

Don’t teach me

Gillian Darley: Ernö Goldfinger, 1 April 2004

Ernö Goldfinger: The Life of an Architect 
by Nigel Warburton.
Routledge, 197 pp., £30, November 2003, 0 415 25853 7
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... his own disillusioned generation, he seemed perpetually crosser than most. Towering, handsome, self-assured (‘Everyone always seems to have known me’), this Hungarian emigrant was quite unlike the pallid, fish-eyed Professor Otto Silenus, Evelyn Waugh’s caricature Modernist. Silenus had come to the Home Counties spouting aphorisms from the Bauhaus ...

Want-of-Tin and Want-of-Energy

Dinah Birch: The lives of the Rossettis, 20 May 2004

The Correspondence of Dante Gabriel Rossetti: The Formative Years 1835-62: Charlotte Street to Cheyne Walk. Volume One 
edited by William Fredeman.
Brewer, 464 pp., £95, July 2002, 9780859915281
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The Correspondence of Dante Gabriel Rossetti: The Formative Years 1835-62: Charlotte Street to Cheyne Walk. Volume Two 
edited by William Fredeman.
Brewer, 640 pp., £95, July 2002, 0 85991 637 5
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William and Lucy: The Other Rossettis 
by Angela Thirlwell.
Yale, 376 pp., £25, October 2003, 0 300 10200 3
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... of Richard and Richmond fighting, and I gilded it after which I cut it out with no white.’ This self-assured mixture of literature and art prefigures the preoccupations of Gabriel’s life. It is a medievalist text that draws his attention, and he responds first by acting parts of it out with his siblings and then by constructing a picture. In his early ...