“... the case histories of many individual works, from the Lindisfarne Gospels to the prayer book of Henry VIII, giving anecdotal accounts of the ways in which they were lost or found, preserved or destroyed. In Perceptions of Medieval Manuscripts, Treharne covers similar ground, concentrating as Wellesley does on British manuscripts. But she addresses a more ...”

“... had been my parents’ landlord in New York City in the 1970s. Another of his tenants was Thomas Pynchon, who wrote some of Gravity’s Rainbow at 161 Charles Lane in the West Village. Their association was complicated by Pynchon’s fear of Harrison’s feral cat Martha, who stalked his rooms and disrupted his concentration with her demonic ...”

“... both famous and infamous, and famous not for a few minutes but for ever. Three centuries later, Thomas Carlyle will write that but for you there would have been no French Revolution, no America. This is what happened not in a dream but metaphorically to Martin Luther, a hitherto obscure monk and professor of theology in an undistinguished university ...”

“... and booksellers of the second half of the century, such as Andrew Millar, William Strahan, Thomas Cadell (father and son) and George Robinson in London, and Alexander Kincaid, John Balfour, John Bell and William Creech in Edinburgh, were not ‘mechanicks’ as Strahan once complained, but collaborators in a London-Edinburgh publishing enterprise that ...”

“... of the ‘salmons in both’ variety. The connections are chiefly with Titus Andronicus and I Henry VI, but Sams finds significant parallels as far away as Pericles: both plays have a scene in which a letter is read out. What, says Sams after citing a page and a half of similar parallels, could be more Shakespearean? Confidence in Sams’s case is not ...”

“... dear middle-age these noodles praise’, when, ‘you’ll say, once all believed,’ from Henry VIII to the ploughman with his paternoster. So it was not a book above and beyond criticism. How ‘traditional’ was this traditional religion (a question Duffy himself asked)? Did Duffy succeed in convincing us that ‘superstition’ was an ...”

“... was often put in mind of ‘The Painter of Modern Life’ while reading Mark Ford’s study of Thomas Hardy. Ford doesn’t mention it (though he does refer to Baudelaire’s flaneurial poems), perhaps because that manifesto is too obvious, or too obviously theoretical: he prefers to build his case patiently, historically, in solid empirical ...”

“... of social status; Amy’s family were vaguely theatrical – her father had been a manager for Henry Irving – and thought of themselves approvingly as ‘bohemians’, too good to marry into ‘trade’ (though Amy’s mother was from a family of grocers). The large brick terraced house in Clapham belonged to Amy’s family and its hallway was hung with ...”

“... a hundred-odd to Galsworthy, the same quantity to Ford Madox Ford, ‘several dozen’ to Thomas Wise, an unspecified but obviously vast number to the agent Pinker, and so on. Moreover, the core collection of Jean-Aubry is unreliable, because of ‘unprofessional editing and omissions’, the latter caused by an understandable desire not to give ...”

“... killed off by the war the vacuum was filled by the extravagant romanticism associated with Dylan Thomas, George Barker and Edith Sitwell. Less than a decade later, with those roses seen as over-blown, Robert Conquest was deploring ‘the omission of the necessary intellectual component from poetry’, gathering several disparate writers under one ...”

“... and then harden around us as the lost hours progress and we feel their unfreedom accrete. Henry James was snooty about Hardy, but I wonder how James would have done, if given as a kind of literary test a cow’s udder to describe? Admirably, no doubt, with his usual lyrical paradox of oddly precise euphemism, but certainly without the solidity of ...”

“... wartime provided welcome relief from the routine of their ordinary lives. (The sombre figures in Henry Moore’s drawings do not reflect accurately the quality of life in air-raid shelters.) The economic consequences of the bombing in World War Two were less obvious and were often overestimated by those who might have been expected to be well-informed. I was ...”

“... which is the lachrymose and androgynous Mourning Figure sculpted by August St Guldens for Henry Adams’s unhappy wife Clover (whose name always puts me in mind of an overworked pit pony). And there in the grass is a stone slab, bearing the names and dates of birth of Vidal and his lifelong companion Howard Austen. The hyphens that come after the ...”

“... think of herself as a ‘joiner’, starts to attend. Later, she and her troubled brother, Henry, consult Margot informally in her capacity as a therapist. This makes a sort of sense, since the role Lizzie herself plays with others tends to be that of amateur shrink. Her husband wishes she was a professional: then they’d be rich. At the meditation ...”

“... the front-liners who actually lived through or died in that ‘abyss of blood and darkness’ (Henry James). In one of his most telling sequences, Fussell reported on a visit to the Somme. Finding it, in the early Seventies, ‘a peaceful but sullen place, un-forgetting and unforgiving’, he tried to conjure some picture of what it might have been ...”