“... detective. She seems to be cornered, and to know it. ‘Where are we going?’ she asks. ‘The Green Cat on Sultan Street,’ he says. Then she is alone on the screen. She glances forward and then to the side, pissed off and sulky. ‘I thought you didn’t like The Green Cat?’ Her voice is somehow too high, a little ...”

“... In April​ 1970, Robert Lowell and Elizabeth Hardwick – both aged 53, married for 21 years – had just been on holiday together in Italy with their 13-year-old daughter, Harriet. Hardwick and Harriet had come home to New York, where Hardwick taught at Barnard College; Lowell had gone to Oxford to take up a fellowship at All Souls ...”

“... family, so Clancy was doubly betrayed while hardly acknowledged – he grew up with Jimmy Cagney, Robert Mitchum and Clark Gable as his ‘movie fathers’. From an early age he developed what he calls a ‘star astigmatism’. R.D. Laing later told him he had ‘the makings of a first-class schizophrenic’. His problem, he admits, was ‘slipp[ing] onto the ...”

“... than others, however much we may protest that they are merely different? For instance, does Robert Lowell’s Life Studies intrigue us more than, say, Tony Harrison’s family reminiscences in Continuous? If so, is it because Lowell’s technique is more sophisticated and fluid than Harrison’s vigorously clanking sonnet sequence in which the rhymes ...”

“... Putting on again joyously the hateful harness’. That is how Robert Pinget’s diffident and slightly dotty narrator, Monsieur Songe, describes the process of taking up his pen yet again, and adding one more to an already considerable cavalcade of novels.* Then he crosses out the word ‘hateful’. And then he crosses out the word ‘harness ...”

“... ears, bit her, punched her in the face, and almost broke her legs by kicking her furiously.’Even Robert Lowell got carried away. In his long sonnet sequence ‘History’, he imagines one of Mary’s famous flights by night across Scotland on horseback as happening by car:We roared off hell-wheel and scattered the soft mob;happily only one man splashed the ...”

“... Castle – a nightly feast in August as the military tattoo concludes its parade. In his boyhood, Robert Louis Stevenson would sometimes be surprised while walking in the New Town to ‘see a perspective of a mile or more of falling street, and beyond that woods and villas, and a blue arm of sea, and the hills upon the further side’. I stopped at the corner ...”

“... Writing in 1842 to his friend Alfred Domett, who had emigrated to New Zealand, Robert Browning enclosed ‘Tennyson’s new vol. and, alas, the old with it – that is what he calls old’. Browning was referring to the two-volume Poems of 1842, whose first volume consisted of heavily revised versions of poems published in 1830 and 1832 ...”

“... progress, or advancing in one area and merely shoring up in another. At King’s Cross the old green and taupe tiles on the platform are chipped and falling off the walls. At Great Portland Street, the squat brick alcoves of the original line have scrubbed up nicely, but sit incongruously with the beige metal panels around the entrance. Everyone on the ...”

“... having read Auden’s City Without Walls, Grigson wrote an Epistle in which he excelled himself: Green pillows of cress In the brook which begins us You celebrate too; And up from your verses, Though many Forget them, stinking Ogres not read them, Blest by high priests Stiff generals not Stoop to reject them, Rises an odour Of essence, I say, of Ripeness and ...”

“... unusual layout and typography, and for his close association with older poets, especially with Robert Lowell (he co-edited Lowell’s posthumous Collected Poems). Bidart and his poems indeed have all these qualities, but they are not the best reasons to read his poetry. That poetry – especially in his last few books – deserves to be known for the ...”

“... to come out, albeit with diminishing frequency, until 1969. William Burroughs, Charles Olson, Robert Creeley, Ed Dorn and Barbara Guest all appeared in its pages. Producing the Floating Bear was an ‘endless rhythm of editing, typing, proofing, printing, collating, stapling, labelling and mailing’, but di Prima understood the importance of controlling ...”

“... not finally convincing. In ‘The Book of Juniper’ Paulin writes: I must grasp again how its green springy resistance ducks its head down and skirts the warped polities of other trees bent in the Atlantic wind. For no one knows if nature allowed it to grow tall what proud grace the juniper tree might show that flared, once, like fire along the hills. In ...”

“... a white refrigerator in preference to the presumably more life-affirming salmon-pink or pale green. Such a self-confirming closed circle of biographical method does not do justice either to Arbus’s work or, indeed, to her recurrent depressions. But Sartre’s to-be-famous children differ from the subject of this biography in one very evident ...”

“... be read in English from 1855, Tolstoy had British and American disciples, and Dostoevsky was, in Robert Louis Stevenson’s view, ‘a devil of a swell, to be sure’. But the English-speaking world’s received ideas about Russian literature were mostly laid down in the 1910s and 1920s, the great age of Western interest in the Russian soul – ‘its ...”