Diary

Rosemary Dinnage: Evacuees, 14 October 1999

... The service was dignified, the Dean’s sermon well said, the lesson read by a former evacuee, Michael Aspel. ‘A voice was heard in Rama, sobbing in bitter grief; it was Rachel weeping for her children, and refusing to be comforted.’ The music was magnificent, spoiled only by a soprano warbling something about ‘Sleepy little eyes in a sleepy little ...

In the Gasworks

David Wheatley, 18 May 2000

To Ireland, I 
by Paul Muldoon.
Oxford, 150 pp., £19.99, March 2000, 0 19 818475 1
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Bandanna 
by Paul Muldoon.
Faber, 64 pp., £7.99, February 1999, 0 571 19762 0
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The Birds 
translated by Paul Muldoon, by Richard Martin.
Gallery Press, 80 pp., £13.95, July 1999, 1 85235 245 0
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Reading Paul Muldoon 
by Clair Wills.
Bloodaxe, 222 pp., £10.95, October 1998, 1 85224 348 1
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... him, and he travels westward in the story’s visionary conclusion to do battle with the shade of Michael Furey. Snow is ‘general over Ireland’ while he does so; not only here, but in Muldoon’s last collection Hay, the colour white functions as a motif of death. One of Louis MacNeice’s best-known poems is about snow and turns up in Muldoon’s poem ...

Memories of Lindsay Anderson

Alan Bennett, 20 July 2000

... of The Old Crowd was Stephen Frears, but in real terms it was LWT and its then head of programmes, Michael Grade. Used as I was to the BBC and to my regular producer, Innes Lloyd, I found LWT entirely well-meaning but awkward to work with only because it wasn’t an organisation geared to producing drama. ...

Diary

Andrew Saint: The Jubilee Line Extension, 20 January 2000

... Jubilee Line stations. Pick saw all this design work as means to a moral end. A recent study by Michael Saler, The Avant-Garde in Interwar England (1999), dubs him a ‘medieval Modernist’: by which is meant that Pick regarded the purpose of design, and indeed the whole working of the Underground, in the utopian tradition of Ruskin, Morris and Ebenezer ...

The Last London

Iain Sinclair, 30 March 2017

... bridges, starving hospitals of funds, is part of a suicide-note delirium. When the worst is coming straight at you at a thousand miles a minute, embrace it. Evelyn made this entry in his diary for Sunday, 2 September 1666:After dinner the fire continuing, with my Wife & Sonn took Coach & went to the bank side in Southwark, where we beheld that dismal ...

Diary

Alan Bennett: Notes on 1997, 1 January 1998

... records the birthdays of various contemporary literary figures. Here is Dennis Potter on 17 May, Michael Frayn on 8 September, Edna O’Brien on 15 December, and so naturally I turn to my own birthday. May 9 is blank except for the note: ‘The first British self-service launderette is opened on Queensway, London 1949.’4 January. George F. tells me that ...

Posthumous Gentleman

Michael Dobson: Kit Marlowe’s Schooldays, 19 August 2004

The World of Christopher Marlowe 
by David Riggs.
Faber, 411 pp., £25, May 2004, 0 571 22159 9
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Christopher Marlowe and Richard Baines: Journeys through the Elizabethan Underground 
by Roy Kendall.
Fairleigh Dickinson, 453 pp., $75, January 2004, 0 8386 3974 7
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Tamburlaine Must Die 
by Louise Welsh.
Canongate, 149 pp., £9.99, July 2004, 1 84195 532 9
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History Play: The Lives and Afterlife of Christopher Marlowe 
by Rodney Bolt.
HarperCollins, 388 pp., £17.99, July 2004, 0 00 712123 7
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... see, And sink them in the river as they swim. GUISE: ‘Tis well advised, Dumaine; go see it straight be done. [Exit DUMAINE] And in the meantime, my lord, could we devise To get those pedants from the King Navarre That are tutors to him and the Prince of Condé – ANJOU: For that, let me alone; cousin, stay you here, And when you see me in, then ...

Cheerfully Chopping up the World

Michael Wood: Film theory, 2 July 1998

The Material Ghost: Films and Their Medium 
by Gilberto Perez.
Johns Hopkins, 466 pp., £25, April 1998, 0 8018 5673 6
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On the History of Film Style 
by David Bordwell.
Harvard, 322 pp., £39.95, February 1998, 0 674 63428 4
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Gilles Deleuze's Time Machine 
by D.N. Rodowick.
Duke, 260 pp., £46.95, October 1997, 0 8223 1962 4
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The Aesthetics and Psychology of the Cinema 
by Jean Mitry, translated by Christopher King.
Athlone, 405 pp., £45, February 1998, 0 485 30084 2
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Signs and Meaning in the Cinema 
by Peter Wollen.
BFI, 188 pp., £40, May 1998, 0 85170 646 0
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... also included in the volume. The conversation is quirky and illuminating, with Russell playing the straight man, the practical critic, the questioner, while Wollen plays the celebrity scholar looking back over the theory wars. We learn that Wollen wrote Signs and Meaning ‘in the month of May 1968’, which is impressive for all sorts of reasons, and that he ...

Bareback to Brighton

Amy Jeffs: Putting Trades into Words, 20 October 2022

From Lived Experience to the Written Word 
by Pamela H. Smith.
Chicago, 346 pp., £28, July, 978 0 226 81824 5
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... of the natural world and derives from Pliny’s Natural History. The 15th-century mariner Michael of Rhodes, who wrote a treatise on shipbuilding as part of an ambitious composition documenting navigation, mathematics and astronomy, urges his reader not to begin anything on ‘the first Monday of April, because on this day Cain killed his ...

Hitler’s Belgian Partner

Robert Paxton, 27 January 1994

Collaboration in Belgium: Léon Degrelle and the Rexist Movement 
by Martin Conway.
Yale, 364 pp., £30, October 1993, 0 300 05500 5
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... a more businesslike arrangement than popular legend allows. Conway gets German occupation policy straight – the essential first step in any study of collaboration. The Germans governed their conquests in a variety of ways: direct Nazi Party rule after the annihilation of local authority, as in Poland; Nazi Party rule through the local administration, as in ...

Diary

Geoffrey Hawthorn: Tribute to Ayrton Senna , 9 June 1994

... Benetton-Ford, Ferrari and what is now McLaren-Peugeot, had been catching up. And Benetton had Michael Schumacher, ten years younger and the one driver whose talent was now close to Senna’s own. Senna was openly anxious at the start of the year. He went out of the first two races in incidents that could have been caused by nerves. He was the only driver ...

Everybody knows

Christina Gombar: Kate Jennings, 22 August 2002

Moral Hazard 
by Kate Jennings.
Fourth Estate, 180 pp., £10, April 2002, 1 84115 737 6
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... were about as welcome as fleas in a sleeping bag.’ ‘Bloody awful, all of it,’ she tells us straight off. The deals the company is working on pump up or destroy businesses, employ or lay off hundreds of thousands of people. She knows this, and she knows they have the power to sink Third World economies. Half-understood, seemingly arbitrary actions may ...

Frank Auerbach’s London

T.J. Clark: Frank Auerbach, 10 September 2015

... first time I saw, or looked repeatedly at, a painting by Frank Auerbach was in the art historian Michael Podro’s living room – it must have been in 1968. The painting was Primrose Hill, Autumn Morning. I’d barely heard of Auerbach at that point (modern painting for me was French and American), and I certainly didn’t have a clue who had done the ...

Appelfeld 1990

Christopher Ricks, 8 February 1990

... as can be.  When the war ended Theo resolved that he would make his way back home alone, in a straight line, without twists or turns. The distance to his home was great, hundreds of miles. Nevertheless it seemed to him he could see the route clearly. He knew that this would separate him from people, and that he would have to remain in uninhabited places ...

Relatable as a Jellyfish

John Lahr: Sid Caesar stands out, 25 June 2026

When Caesar Was King: How Sid Caesar Reinvented American Comedy 
by David Margolick.
Schocken, 388 pp., £30, November 2025, 978 0 8052 4255 3
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... BROOKS.’ Over the years, the rowdy writers’ room also included Simon, Gelbart, Carl Reiner, Michael Stewart, Joseph Stein and Woody Allen. Tolkin, who was head writer on all Caesar’s shows in the 1950s, said that ‘no other comedian needed material to open his mouth as much as he did, being an uneducated lout.’The writers’ room was a storytelling ...