At Tate Britain
Peter Campbell: Van Dyck’s Portraits, 12 March 2009
“... moral authority. The equestrian portraits of Charles owe much to Titian, but assert political power rather than bellicosity; the family pictures advertise gracious, formal, dignified amiability. A painting could suggest that nobility dwelled among the nobility, that handsome did as handsome was. Mytens went home and became a picture dealer. Van Dyck, like ... ”