“... Mine be thy love, and thy love’s use their treasure. In The Art of Shakespeare’s Sonnets, Helen Vendler points out that ‘the individual letters of the word “h-e-w-s” (the Quarto spelling) or “h-u-e-s” [are] in as many lines as possible’ in Sonnet 20. She also notes the ‘unique case’ of feminine rhymes throughout the sonnet. Woods ...”

“... she wrote in one post, next to a Union Jack, and ‘Live in London’, beside an emoji of a small house and a very green tree. She liked to imagine that one day she would live in a house like that with her husband, Hassan, and their two daughters. Hassan used to work at the mosque. Later on, when he was spending more time away, Rania would send him ...”

“... what they do remains a development of these relatively primitive manoeuvres. I have paraded this small selection of technical terms so that you can say that you neither want nor need them; if you do feel that, you differ from professional narratologists, who rejoice in the apparatus and the neologisms; they have what Gerald Prince, a senior narratologist ...”

“... half hour when she invested him with the CH. Mouselike and shy he had said little and in such a small voice she had found him almost impossible to communicate with. Still, he was a bit of a dark horse. Sitting there with his hands pressed together like something out of Alice in Wonderland he gave no hint of what he was thinking and so she was pleasantly ...”