“... a premonition of pain, a muscular response to something that hasn’t yet happened. Therefore, as Frank Kermode wrote in the LRB (13 May 2010), the shudder is ‘a highly emotional affair, deeply involved with acts of imagination’. It’s easy, he says, ‘to imagine an act of reading as accompanied by shuddering’. On their first meeting, Dickinson ...”

“... or any other playwright.”’ And a similarly recommendable though much briefer introduction, Frank Kermode’s to his Riverside edition, confines itself to an elegant review of the play’s problems, chronological, textual and critical. Kermode calls Hamlet ‘the first great tragedy Europe had produced for two ...”

“... to join in. The only conceptually adequate rejoinder from the British side so far has been Frank Kermode’s brilliant 1977-78 Charles Eliot Norton Lectures, now published under the title The Genesis of Secrecy. Although fully aware of the subtleties of the deconstructivist case, he has yet entered a firm non placet to any form of that theory ...”