Diary
Eliot Weinberger: Next stop, Forbidden City, 23 June 2005
“...  moving in any direction’. He called one of his long sequences ‘Liquid Mercury’. ‘Any word may be as beautiful as water so long as it is free of restraints,’ he wrote. In an interview with the translator Simon Patton, he said:  I thought the important thing about language at that time was not to change its form, not a question of how you used it ... ”