The New Lloyd’s

Peter Campbell, 24 July 1986

Richard Rogers 
by Bryan Appleyard.
Faber, 271 pp., £9.95, March 1986, 0 571 13976 0
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A Concrete Atlantis 
by Reyner Banham.
MIT, 265 pp., £16.50, June 1986, 0 262 02244 3
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William Richard Lethaby 
by Godfrey Rubens.
Architectural Press, 320 pp., £30, April 1986, 0 85139 350 0
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“... instance, a Neo-Classical design, and, if you view things from the other angle, how much hangs on Robert Venturi producing something authoritative for the corner of Trafalgar Square. W.R. Lethaby was, on the face of it, Richard Rogers’s opposite: clever, always top of his class, and a prize-winning draughtsman. He was born in Barnstaple, the son of Bible ...”

Joan Didion’s Style

Martin Amis, 7 February 1980

The White Album 
by Joan Didion.
Weidenfeld, 223 pp., £5.95, October 1980, 0 297 77702 5
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“... from One Hundred Years of Solitude (‘by the Colombian novelist Gabriel Garcia Marquez’) and Robert Lowell’s ‘Caracas’. Yet at no point does Miss Didion give a sense of being someone who uses literature as a constant model or ideal, something shored up against the randomness and babble that is fundamental to her distress. When Miss Didion herself ...”

Melchior

Francis Spufford, 3 May 1984

“... don’t make the house, or the grey-green ice, any less real. History gnaws. History shat on Robert, the older twin by ten minutes. I want, he said in a foolish bloodthirsty dialectical moment, to see the blood of social change swirl around my ankles. Standing at the back of a crowd listening to a speaker at the Karl Marx Hof, he was trampled to death ...”

Lost Jokes

Alan Bennett, 2 August 1984

“... Casting Against the Part and it’s almost a parlour game; a winning combination would be, say, Robert Morley as Andrew Aguecheek. All of which is to do an injustice to Kenneth More, who was a fine naturalistic actor, and although he had never stepped outside his genial public stereotype, Patrick Garland and I both thought that if he could be persuaded to ...”

The Great Scots Education Hoax

Rosalind Mitchison, 18 October 1984

The Companion to Gaelic Scotland 
edited by Derick Thomson.
Blackwell, 363 pp., £25, December 1983, 0 631 12502 7
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Experience and Enlightenment: Socialisation for Cultural Changes in 18th-Century Scotland 
by Charles Camic.
Edinburgh, 301 pp., £20, January 1984, 0 85224 483 5
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Knee Deep in Claret: A Celebration of Wine and Scotland 
by Billy Kay and Cailean Maclean.
Mainstream, 232 pp., £9.95, November 1983, 0 906391 45 8
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Education and Opportunity in Victorian Scotland: Schools and Universities 
by R.D. Anderson.
Oxford, 384 pp., £25, July 1983, 0 19 822696 9
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Scotland: The Real Divide 
edited by Gordon Brown and Robin Cook.
Mainstream, 251 pp., £9.95, November 1983, 0 906391 18 0
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Wealth and Virtue: The Shaping of Political Economy in the Scottish Enlightenment 
edited by Istvan Hont and Michael Ignatieff.
Cambridge, 371 pp., £35, November 1983, 0 521 23397 6
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“... career. The two concepts serve in different ways to assert a high standard of social democracy. Robert Anderson’s Education and Opportunity in Victorian Scotland does not destroy these beliefs, but he shows that the latter one was true only in a very limited state, and that many people were determined to keep it limited. The 19th-century middle class was ...”

Textual Harassment

Claude Rawson, 5 April 1984

The World, the Text and the Critic 
by Edward Said.
Faber, 327 pp., £15, February 1984, 0 571 13264 2
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The Deconstructive Turn: Essays in the Rhetoric of Philosophy 
by Christopher Norris.
Methuen, 201 pp., £4.95, December 1983, 0 416 36140 4
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The New Pelican Guide to English Literature. Vol. VIII: The Present 
edited by Boris Ford.
Penguin, 619 pp., £3.50, October 1983, 0 14 022271 5
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“... Words upon the Window-Pane, come up with the names of Hugh Kenner, Denis Donoghue, Geoffrey Hill, Robert M. Adams, Michael Foot, Norman Brown, J. Middleton Murry, George Orwell, André Breton, F.R. Leavis. Said’s overlooking of most (not all) of these might strike you as a shade provincial, but they aren’t much to his point, since what he really means is ...”

Thoughts on the New Economic History

David Cannadine, 15 April 1982

The Economic History of Britain since 1700. Vol. 1: 1700-1860 
edited by Roderick Floud and Donald McCloskey.
Cambridge, 323 pp., £25, October 1981, 0 521 23166 3
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The Economic History of Britain since 1700. Vol. II: 1860 to the 1970s 
edited by Roderick Floud and Donald McCloskey.
Cambridge, 485 pp., £30, October 1981, 0 521 23167 1
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The Population History of England 1541-1871: A Reconstruction 
by E.A. Wrigley.
Edward Arnold, 779 pp., £45, October 1982, 0 7131 6264 3
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The Decline of British Economic Power since 1870 
by M.W. Kirby.
Allen and Unwin, 211 pp., £15, June 1981, 0 04 942169 7
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The Coming of the Mass Market 1850-1914 
by Hamish Fraser.
Macmillan, 268 pp., £16, February 1982, 0 333 31034 9
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“... of history to a vassal of economics. The two most famous works in this genre were both written by Robert Fogel, who was thus established as midwife and guru, entrepreneur and high priest, of this new cult. The first, Railroads and American Economic Growth, was an audaciously-conceived study which cut the iron horse so emphatically down to size, by exploring a ...”

Aux sports, citoyens

Douglas Johnson, 3 December 1981

Sport and Society in Modern France 
by Richard Holt.
Macmillan, 256 pp., £20, July 1981, 0 333 25951 3
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“... Gascon, Poulidor le Limousin, Georges Meunier le Pêcheur de Vierzon, and the hope for the future, Robert Alban, is Bamban le Caladois. Regional races, such as Paris-Roubaix, the Tour de I’Ouest or the Tour de I’Avenir, give great scope for local reputations to be displayed and sustained. Dr Holt is right to see the Tour de France, and perhaps cycling in ...”

Mortal Scripts

Christopher Norris, 21 April 1983

Writing and the Body 
by Gabriel Josipovici.
Harvester, 142 pp., £15.95, September 1982, 0 7108 0495 4
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The Definition of Literature and Other Essays 
by W.W. Robson.
Cambridge, 267 pp., £19.50, November 1982, 0 521 24495 1
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“... informed and highly readable on Tennyson’s modern standing; on the strengths and limitations of Robert Frost; and on critics (Yvor Winters especially, but also Eliot and Richards) whose quirks he sets off against their more authoritative judgments. Here he writes with an assurance that values are relative but arguable, that criticism, as he puts ...”

Funny Mummy

E.S. Turner, 2 December 1982

The Penguin Stephen Leacock 
by Robertson Davies.
Penguin, 527 pp., £2.95, October 1981, 0 14 005890 7
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Jerome K. Jerome: A Critical Biography 
by Joseph Connolly.
Orbis, 208 pp., £7.95, August 1982, 0 85613 349 3
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Three Men in a Boat 
by Jerome K. Jerome, annotated and introduced by Christopher Matthew and Benny Green.
Joseph, 192 pp., £12.50, August 1982, 0 907516 08 4
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The Lost Stories of W.S. Gilbert 
edited by Peter Haining.
Robson, 255 pp., £7.95, September 1982, 0 86051 200 2
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“... became a highly-paid lecturer. He died in 1944. Leacock held his own in the world of Will Rogers, Robert Benchley, James Thurber, the early Wodehouse, A.P. Herbert and ‘Beachcomber’. Americans, or some of them, accepted him as a successor to Mark Twain. His Yankee-style hyperbole did not, for once, upset the British, for he practised the tricks of ‘sly ...”

The Wrong Blond

Alan Bennett, 23 May 1985

Auden in Love 
by Dorothy Farnan.
Faber, 264 pp., £9.95, March 1985, 0 571 13399 1
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“... Szakall.Before Auden came on the scene Chester had taken the fancy of a New York financier, Robert King (‘not his real name’). King duly enrolled as a patient with Dr Kallman, and after a little bridgework had broken the ice, invited the dentist to supper at the Astor Roof. There was presumably some routine orthodontic small talk (‘How’s the ...”

Glimmerings

Peter Robb, 20 June 1985

Selected Letters of E.M. Forster: Vol. I: 1879-1920, Vol. II: 1921-1970 
edited by Mary Lago and P.N. Furbank.
Collins, 344 pp., £15.95, October 1983, 0 00 216718 2
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“... the mimicry notably a defence. There is also a curious deadness about the letters to his friend Robert Buckingham. One senses something dreadful happening, but the very superficiality of the later letters makes it hard to identify: is Forster drifting away from a world on which he has no purchase, or is he being suffocated? The ‘public Forster’ of the ...”

Secret Purposes

P.N. Furbank, 19 September 1985

Defoe and the Idea of Fiction: 1713-1719 
by Geoffrey Sill.
Associated University Presses, 190 pp., £16.95, April 1984, 0 87413 227 4
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The Elusive Daniel Defoe 
by Laura Curtis.
Vision, 216 pp., £15.95, January 1984, 0 85478 435 7
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Dofoe’s Fiction 
by Ian Bell.
Croom Helm, 201 pp., £17.95, March 1985, 0 7099 3294 4
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Realism, Myth and History in Defoe’s Fiction 
by Maximillian Novak.
Nebraska, 181 pp., £21.55, July 1983, 0 8032 3307 8
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“... Impartial Enquiry into the Conduct of Viscount Townshend’) and of Walpole (The Conduct of Robert Walpole Esq’), both published in 1717. The fact would be puzzling, for they were bitter opponents of Harley, whose cause Defoe seems to have spent much energy in championing: indeed Walpole was Harley’s chief accuser and persecutor. This prompts Sill ...”

Wartime

Alan Ryan, 6 November 1986

The Enemies Within: The Story of the Miners’ Strike 1984-5 
by Ian MacGregor and Rodney Tyler.
Collins, 384 pp., £15, October 1986, 0 00 217706 4
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A Balance of Power 
by Jim Prior.
Hamish Hamilton, 278 pp., £12.95, October 1986, 9780241119570
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“... regaining ‘the right to manage’. In writing The Enemies Within MacGregor has been assisted by Robert Tyler, late of the tabloid press, but my guess is that the strange mixture of Zane Grey Western and Harvard Business School management-speak which MacGregor’s ghost employs in place of English prose accurately reflects his employer’s mode of ...”

Warhol’s Respectability

Nicholas Penny, 19 March 1987

The Revenge of the Philistines 
by Hilton Kramer.
Secker, 445 pp., £12.50, July 1986, 0 436 23687 7
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Gilbert and George 
by Carter Ratcliff.
Thames and Hudson, 271 pp., £14.95, November 1986, 0 500 27443 6
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British Art in the 20th Century 
edited by Susan Compton.
Prestel-Verlag (Munich), 460 pp., £16.90, January 1987, 3 7913 0798 3
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“... Land art, Performance art, Living sculpture, Body art and Community art. Kramer is unimpressed by Robert Smithson’s ‘ambition ... to break with the conventions of studio production and museum exhibitions in order to create an art that would stand in a more intimate and vital relationship to the world of nature and to the man-made social ...”