“... 1971 by R.C. Latham and W. Matthews (designated thus on the cover, but becoming Robert Latham and William Matthews on the title-page). If some books are classifiable as blockbusters, these 11 stout volumes are more of a Thames barrage. The last two of them, the Companion and Index, were the sole responsibility of Robert Latham, who died this year (Professor ...”

“... On the jacket of Playing the Game is a portrait of the man who played it: a portrait by William Strang (1859-1921), a Late Victorian artist now much undervalued. He did what is by far the best portrait of Hardy, and his special ability seems to have lain in pleasing his subjects and their public by making them look suitably grave and important, even a shade portentous, while at the same time revealing hidden traces of weakness, perhaps of meanness ...”

“... might have tossed back into critical oblivion with barely a second glance: the courtier MP William Collier and the theatrical impresario Christopher Rich, for instance, whose battle for control of Drury Lane Hill briefly blundered into in 1711; or the women writers such as Eliza Haywood and Martha Fowke, alias ‘Clio’, who were part of the literary ...”

“... admiration of the plane: ‘that so beautiful and precious tree’. Timothy Pont, at the time of Shakespeare, wrote of the beauty of the wooded hillsides round Loch Ewe. In the 14th century, the leaves of Southwell Minster were carved as a testimony in stone to the closely observed loveliness of trees. As far back as the 12th century, the Yorkshire monk ...”

“... triumphant eclecticism’. Among the figures he mentions are, of course, Anquetil-Duperron and Sir William Jones, the founder of Indology, whose researches on the Orient, Hinduism and the Sanskrit language include translations from – and, in effect, the recovery of – the great fourth-century Sanskrit poet Kalidasa. Yet Said is hard on Jones – ‘whereas ...”

“... in a lengthy denunciation of the will-to-power manifest in the Harley Street specialist Sir William Bradshaw’s worship of the twin ‘goddesses’ of ‘Proportion’ – in effect, compliance with the status quo – and ‘Conversion’, a desire to subdue and control. As Hussey points out, this passage constitutes a rare intrusion on the part of the ...”

“... the man in the handcuffs suddenly sang/With grimful glee …’ Frank Auerbach to William Feaver And the man in the handcuffs suddenly sang With grimful glee: ‘This life so free Is the thing for me!’ And the constable smiled, and said no word. Thomas Hardy, ‘At the Railway Station, Upway’ I remember​ the first time I saw, or ...”

“... to appear of the mammoth Life of Mahomet from Original Sources by the Scottish Orientalist Sir William Muir, a colonial administrator in India’s Northwest Provinces. Muir drew on the eighth-century hagiographer Ibn Ishaq, the Persian scholar al-Tabari, and the ninth-century biographers Ibn al-Waqidi and Ibn Sa‘d, pre-eminent authors of the sira, the ...”

“... of delay have even more sinister pay-offs: ‘the law’s delay’. In his justly celebrated Arden Shakespeare edition of the play, published in 1982, Harold Jenkins looks at the vast literature that has already appeared on the subject of ‘delay’ in Hamlet, and reminds the reader that many critics have found it an exhausted subject that should be put ...”

“... and his voice – once richly modulated, now trembly. In 1971 he agreed to act in The Old Boys by William Trevor at the Mermaid; the crew fitted him with an invisible prompter attached to an earpiece. At the first public performance the prompter malfunctioned, sending out a loud hissing, leaving both Redgrave and the audience in a state of high anxiety. The ...”

“... to broach the topic of a past tyrannicide; Essex’s supporters planned to use a performance of Shakespeare’s Richard II as a signal for his uprising to begin. After having Essex beheaded, Elizabeth told a confidant: ‘I am Richard II, know you not that?’ Castor has written an epic history, almost novelistic in its attention to the characters of her ...”

“... Jonathan Rée takes some tomfoolery from Shakespeare for his title and uses it to create his own striking metaphor. The middle part of his book is about sign languages for the deaf: voices that one sees. The same trope served Oliver Sacks in Seeing Voices: A Journey into the World of the Deaf (1989), but there is more to it than that for Rée ...”

“... In November 1907​ William James, professor of philosophy at Harvard, received an invitation from Oxford. It came from Manchester College – now Harris Manchester and a college of the university, but then an autonomous dissenting institution with a strong Unitarian character, recently relocated from London: its business was to cater to Nonconformist students who were still barred from Oxford ...”

“... William Empson maintained that there was a right and a wrong moment to bring theory into the business of intelligent reading, and that the professionals chose the wrong one, but he could not do without theory altogether. His book The Structure of Complex Words (1951) contains quite a lot of it; so it is not surprising that a generation of literary theorists, not wishing to remain totally out of touch with the best critic of his time, has decided to appropriate Complex Words, a work hitherto much less influential than the very early (and prodigious) Seven Types of Ambiguity ...”

“... was once famous, at that high noon when Robert Louis Stevenson thought Meredith second only to Shakespeare. Roy has become a sort of court jester for a German margravine and – to cut a long story short – has agreed to pose as a newly erected equestrian statue in bronze, so that she can win a bet. The ruse convinces everyone until Harry passes by the ...”