At the Hayward
Brian Dillon: ‘Invisible’, 2 August 2012
“... as much in certain artists’ attempts to articulate it verbally as in their near absconded works. Robert Rauschenberg’s Erased de Kooning Drawing (1953) is the record of a month’s careful rubbing out and therefore not exactly a pure void, more a palimpsest in reverse – in Jasper Johns’s words, an ‘additive subtraction’. Such a work has also, of ... ”