“... him to the work of an obscure photographer she had discovered in Paris (Atget), Ralph Steiner, Paul Grotz, John Cheever, Ben Shahn and, most important of all, Lincoln Kirstein.Evans always acknowledged the role luck played in his life, and nothing could have been luckier than the friendship he formed with Kirstein, whose influence on his career was so ...”

“... to allow bitterness to linger. Two of the poem’s other translators, Clayton Eshleman and Annette Smith, describe its ‘exquisitely subtle blend of ferocity and tenderness’. ‘Let my heart preserve me from all hate,’ the narrator intones. He also draws back from some of the more celebratory aspects of racial self-pride, laughing at his own ‘former ...”

“... taken in January 1997 at his 50th birthday celebrations, with Billy Corgan, Lou Reed and Robert Smith. This was the period when he finally found inner calm and displayed outer happiness, relaxed into himself. But take a look at this photo: doesn’t he look a bit wizened, a bit unreal, like a doll of himself or a plastic action figure of a late-era rock ...”

“... Marxism, now editor-at-large for Spiked and a contributor to the Times on topics such as Delia Smith, stopping smoking, and the holiday cottage in Broadstairs he and his wife bought to let for £150,000 in 2006. There’s also the kittenish, aubergine-haired Tiffany Jenkins, whose research, she says, concerns ‘contested authority in the cultural sector ...”

“... the son of the author of Wind in the Willows?A. A nickname: Mouse.Tell the Bede story to Maggie Smith, who recalls some lines she had to sing in revue:Oh, I am the Venerable BedeI can scarcely write and just about read.18 February. Listening to the last movement of Elgar’s First Symphony I’m put in mind of some huge submerged mass coming to the ...”

“... wrote William Redfield in Letters from an Actor. ‘He is even less gifted than Richard Burton, Paul Scofield, Ralph Richardson and John Gielgud. But he is still the definitive actor of the 20th century. Why? Because he wanted to be.’ Holden’s book never reconciles his notion of Olivier the actor-as-onion with its pages of evidence that the force that ...”

“... years in one significant respect: his freedom from adherence to natural fact. That would, as Greg Smith argued in an illuminating recent essay, have set him squarely against one of the main aesthetic assumptions shared by his contemporaries.* ‘Nature is not at all the standard of art, but art is the standard of nature,’ runs one of the aphorisms Herbert ...”

“... and ‘thank you’ part of her vocabulary. But in her first official portrait by Paul Emsley, unveiled in January, her eyes are dead and she wears the strained smile of a woman who really wants to tell the painter to bugger off. One critic said perceptively that she appeared ‘weary of being looked at’. Another that the portrait might pass ...”

“... the shortlist, with Naipaul’s A Bend in the River the clear frontrunner. Julian Barnes remembers Paul Theroux, who was judging, saying he would ‘skim out into the pampas’ the candidates he considered non-starters; back from Patagonia, there he sat at the Booker dinner, ‘a polite smile on his face’. ‘I couldn’t help enjoying the ...”

“... that are undimmed in this final volume. There are other works on the same theme, for example, Paul Kennedy’s The Rise and Fall of British Naval Mastery (1976) and Ben Wilson’s lively Empire of the Deep: The Rise and Fall of the British Navy (2013), but these shorter works concentrate on high power politics rather than the inner workings of the Royal ...”

“... on a single, dreadful act that gives them the excuse they need to gun the engines of oppression. Paul Foot London All I have to offer, in this distracted time, are stray thoughts and overheard lines. First, from my 14-year-old son, after several days of bluster about ‘righteous’ war: ‘“Evil” is what you talk about when you can’t explain what ...”

“... appreciative of language. The colours were too bright perhaps.7 March. Read and enjoy Edgelands by Paul Farley and Michael Symmons Roberts about the lure of in-between places and the edges of cities and other communities. I feel I was on to this years ago in my play The Old Country, when Hilary, a spy in the Foreign Office, describes the venues where he met ...”

“... confrontation with slow-burning loss (‘I came to grief late in life’ are the opening words) of Paul Bailey’s Gabriel’s Lament. There’s no mention in Porter’s book of those five stages, and the idea of ‘moving on’ from grief doesn’t get much of a look in. When friends (those unreal people, murmuring soothing advice into a smoking ...”

“... Dryden’s long-proposed heroic poem, an altogether opposite sense of the poet has been voiced. Paul Hammond’s John Dryden: A Literary Life (1991) asserts that Dryden could most certainly have realised his early hope to ‘make the world some part of amends for many ill plays by an heroic poem’. Hammond goes on: The writing of an heroic poem was ...”

“... 1965, rummaging through a junk shop, Wilson found a bootlegged 78 with the label: ‘Bessie Smith – Nobody in Town Can Bake a Sweet Jelly Roll Like Mine.’ Wilson had heard rock and roll and pop songs as a child but never the blues. Smith’s sound was a revelation. ‘The universe stuttered and everything fell to ...”